Sly: Stallone par Stallone

As much as I loved this documentary on Sylvester Stallone, one of my absolute favorite in show business, I am a little bit disappointed by the run time. This clearly could have and deserves to be longer not just for the viewers, but also for the story, SLY.

It almost feels like every story was cut short, and could have been longer.

Sylvester Stallone achieved much against all odds, the story of his greatness is unprecedented and could have easily filled an 8 part docuseries. His family, love life, failures success, children, fame and fortune.

I'm glad I did watch this, will probably not re watch it though, cause it falls short in a lot of ways for me.

This is a really well done look at the journey of Sylvester Stallone from a poor kid in Hell's Kitchen to a superstar. Stallone, as noted by rival Arnold Schwarzenegger, is the only person who spear-headed three blockbuster franchises-Rocky, Rambo, and The Expendables. He was a guy driven by passion, vision, and the belief that he had more to offer than people could see. I love how a senior Stallone walks us along this journey. We see his thought processes. We see his written notebooks. We see the physical locations where he grew up and where much of the pictures were shot. The personal interviews. The old movie footage. Everything about this makes the documentary greater than the sum of its parts.

There is a three-part series for Arnold Schwarzenegger and only one part for Sylvester Stallone. It's kind of a shame, especially since his life is at least as exciting, if not the most exciting. In the '70s, Sylvester Stallone was doing poorly, very poorly. And to see that once is incredible. An honorable man, with an honorable story. An intimate look, albeit explained in a somewhat monotonous way. It feels like the same people always have their say when they talk about Stallone or think they have something to say about him. A straightforward film about a person who has so much more to say than this film. All in all, a nice overview but not worthy of a person like Stallone.

The articulate man behind Rambo and Rocky still suffers the wound of his father's abuse. Yet he has beaten that wound by having a fabulous career. This documentary just made me want to give Stallone a hug and tell him -'life is STILL GOOD, Stop and smell the roses!' In a capacity the dogged sadness about his failures seems theatrical too. Is he acting through his own biopic? Probably. I wanna send him to go watch Nyad, another flick on Netflix that talks to how life is really NOT over for people on their later years. It feels like the 'antidote' to Stallone moping. Where is his therapist? I love Sly but depression present here is just a disservice to his contributions.

This documentary's looking at the life of Sylvester Stallone is not much more than an extended interview with a few contributions from contemporaries. It does though in the end give you a pretty clear insight into the mind of the man, who to me always seemed to want to come back to his familiar franchises too often, rather than take on something new. I found it interesting then that he largely seems to accept this point as he often found himself uncomfortable making films that were to a large degree outside his control and felt more at home with Rocky and Rambo as can be seen by the quite extraordinary array of rather self indulgent memorabilia in his home. It was also interesting that outside the franchises he controlled, in nearly all cases, he seemed to have needed to change every script, character or ending to suit his personal vision on what the film should say.

The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.