Presence

It is very intense in it's filming. There is no hiding in this film, from an actors perspective. There is no need for indepth character development, and I think that's what I liked about it. We didn't need an hour of backstory, we got just enough to help the story progress.

Lucy Liu is not the star player in this film. She plays her role convincingly. The storyline is subtle and the way it is filmed is key. There is some subtleties that won't make sense until it's all over.

It is not quite as revolutionary as some reviews have made it out to be, but it is different and I really appreciated it for that.

You are kept in suspense, but not in an exhausting way. You keep watching because you know there's an explanation but you're not teased to get there.

I enjoyed it. A nice little ghost story from a different perspective and no expectation of a commercialised series of films. Just slimmed down, basic story telling.

Recommend a watch.

I'd seen the trailers and was excited to see the film on its release . So last week we saw a secret screening/preview of it at our local cinema . Filmed from the side of the ghost/spirit and based on an empty lovely house a family of four move into. The house itself is lovely and the filming is brilliant but I have to be honest myself and mr husband were really disappointed. Lots of filming that were irrelevant. Some scenes were good and some secretive . But In my honest opinion after watching the trailer I was so disappointed with the film. The end five minutes are good and sad . But overall not as good as we hoped.

I usually don't like saying this but Presence just ended up feeling like a prolonged gimmick of a movie. Because despite the fact that I do think the main idea is quite interesting I don't really think it ended up sustaining a whole feature. If it was a 20-30 minute short I think this premise could've worked wonders and felt like a very unique take on a ghost story. But as is, despite some really impressive camera work, it just ends up feeling like there's a lot of bloat which comes in the form of character drama only some of which I thought actually worked. The transitions between scenes are very abrupt and after a while I felt like I was watching the same 2 or 3 scenes over and over again. The dialogue and the acting can feel quite stilted and a lot of the drama going on between this family doesn't really amount to much with a last minute twist that felt like it belonged in a different movie. For only an 85 minute movie it drags which again goes back to my point that this idea feels better suited to a short. There's a few interesting ideas and more than a few points where I really felt like I was getting what Soderbergh was going for but this really just ended up feeling like a bit of a missed opportunity. I really like the idea and always compliment a film that has a premise I wish I'd have come up with myself. I just wish the actually execution was on the same level.

This film leaves me feeling a lot like I felt after watching Neon's Longlegs in 2024. A quirky approach to a horror story, mostly well-executed, but with a story that ends up feeling inauthentic and clumsy. Personally I'd much rather watch a film that tries to do something different, even if it doesn't quite stick the landing, than a thousand cheap jumpscare horror clones. Presence did something different so I applaud it.

Pro: genuinely chilling at times: the scene with Natalie Woolams-Torres left the hairs on my arms standing on end.

Pro: mostly good, natural scriptwriting and acting.

Pro: just the right amount of levity at just the right times to keep the audience going without getting too silly.

Con: as the plot gets into its late stages it just doesn't feel right. I'm not sure how I'd have written it instead but there must have been room for a dark, natural and believable way to take the characters where they needed to be without *that* dialogue.

Con: the audience is limited by the characters' likeability here. I think the family father seems compelling but mother, daughter and son all left me feeling a little... uninterested in their fates? In one case this is a deliberate device to drive the plot and make the ending impactful but in the other two it seems inexcusable.

Con: I'm here partly for Julia Fox and she's barely in the movie. Boo! Give me a director's cut complete with 45 minutes of freehold contract negotiations and I'll bump my review up to an 8.

Presence is a well constructed, drama-centred ghost story with a very effective story-telling gimmick. The short runtime and tiny cast and set served for an efficient and tight story. The production constraints must have been COVID related but I feel Soderberg used these limitations to the films credit.

The cast were strong and believable as a family unit. Many unseen facets of the characters lives were referenced and the film did a good job of presenting each personality organically. Although I actually found the daughter, who could be considered the films main character, to be the least deeply developed.

Although it's a ghost story of sorts, I would not call it a horror film. It seldom attempts to scare the audience in anything more than a very mild of unease. That said, there were several chilling moments.

Overall I enjoyed Presence and I appreciated its creativity and economical story telling. Although not a sensational film, it was a satisfying and tight story which I appreciated.