Pompidou

This was surreal to watch in that I couldn't figure out how this ever got the green light. I understand Netflix is willing to try new things and in many cases it has worked out to varying degrees but this is way off the mark of what they were going for I believe. I understand the idea of a family friendly show is going to have a restricted sense of humor but I don't see anyone over 3 years old finding this entertaining. I was embarrassed for the actors and hope this doesn't hurt Netflix's reputation for being open minded. The mumbling isn't quite silent film era, the physical comedy isn't of Benny Hill or Mr. Bean caliber and the set with a puppet was a really odd reach tat just made me feel like I was on drugs trying to watch it.

Well, I think the review before this one was pretty unfair. This is a classic British comedy after the pattern of Monty Python and Mr. Bean, except that it really pushes the boundaries of normal TV. At first watching, it is a little hard to believe what you are seeing, but I think that is a good thing for a medium that is normally so totally absorbed with ratings and making money. It is a worthwhile effort, and despite its strangeness, gave us some good laughs. Relatively poor reviews will probably mean that these six episodes are all we will ever see of this, but I hope the BBC keeps whatever commitment it has to this sort of original programming.

I do understand most people would not really like Pompidou. However I come from truly enjoying and knowing most of the Laurel and Hardy shorts - and to me Pompidou is a great mash up of the old Laurel and Hardy formula with a modern twist to it. Knowing the old material, there are lots of parallels and they are done quite well.

But they could do better. These initial six episodes - I can only take one per sitting. The "dialog" is funny but I can only take so much. I do like how they will pick certain words that can be heard clearly, such as the signature "That really hurt me" and "out". But I have to say every one of the six contain several moments that are hilarious to me.

I'm really struggling to see what went through anyone's mind when this was commissioned, or allowed to air. Maybe the powers-that-be thought that if they didn't get it, then it must be edgy or good, or clever, or all three.

It isn't.

It isn't funny either.

This is why pilots exist. Make one, try it out on an audience, see what they think (although, honestly, it should never have got that far, the editor should have saved the rest of us the pain and wiped all the media before it left the edit suite).

Please, don't bother. I watched this so you don't have to.

This is undeniably silly. It's meant to be. I giggled through every episode. Matt Lucas is already a favourite actor of mine from previous TV shows & films. Hove and the dog interact brilliantly with him. While this series has been billed as "silent"; in actual fact all the characters speak. It's just in their own special "gibb-lish." The plots are easy to follow and full of comic visuals. Some of these are surreal. There is no crudity in the humour. Pompidou is an innocent who inadvertently causes trouble for everyone around him, especially Hove. He endears himself to the audience, occasionally breaking the 4th wall. This is evidently a project that Matt put his whole heart into and I hope he can make more. There's nothing wrong with SILLY, providing that's what you're looking for. And there's a special surprise for Little Britain fans. (Ep 5.)