Pompidou

The fundamental flaw in this show is that we're told 'Pompidou' is supposed to be likable - he isn't. That's fatal. No caring for the protagonist is such a shame as Lucas can do better, indeed has done better. Second character 'Hove' is a thin foil, not a Jeeves. A great comic actor (see 'Julius' from 'The Thick of It'), underused. The whole show feels like Lucas trying to recover from the wilderness after some borderline racism in 'Come Fly With Me'. This isn't the vehicle for that. Maybe it'll sell in international markets like 'Bean', but Lucas is no Atkinson, sadly. Atkinson throws it all behind physical comedy, Lucas apparently doesn't have as much natural comedic instinct to throw behind Pompidou. 3/10 - those three are for the excellent dog puppet. It lit up the screen, and was more likable and developed as a character than either of the humans.

4 episodes in and Wow… talk about dross TV.

There is only one good element to this show and that's the puppet dog. The dog is the creation of the people that helped to make another BBC show called 'Mongrels' (epic win). To watch Pompidou just to enjoy the puppet character Marion though would be like; eating crap just to enjoy a piece of sweet corn.

BBC Controller of Comedy Commissioning Shane Allen said: "The concept is wonderfully imaginative, the writing hugely inventive and it's the perfect vehicle for Matt – one of a handful of performers in the whole world who could pull this off."

Well.. it isn't, it isn't, it may well be and he couldn't. The "writers" last "wrote" for Chucklevision BTW.

Danny Cohen should have stopped this sham… was he on holiday?

This is undeniably silly. It's meant to be. I giggled through every episode. Matt Lucas is already a favourite actor of mine from previous TV shows & films. Hove and the dog interact brilliantly with him. While this series has been billed as "silent"; in actual fact all the characters speak. It's just in their own special "gibb-lish." The plots are easy to follow and full of comic visuals. Some of these are surreal. There is no crudity in the humour. Pompidou is an innocent who inadvertently causes trouble for everyone around him, especially Hove. He endears himself to the audience, occasionally breaking the 4th wall. This is evidently a project that Matt put his whole heart into and I hope he can make more. There's nothing wrong with SILLY, providing that's what you're looking for. And there's a special surprise for Little Britain fans. (Ep 5.)

This was surreal to watch in that I couldn't figure out how this ever got the green light. I understand Netflix is willing to try new things and in many cases it has worked out to varying degrees but this is way off the mark of what they were going for I believe. I understand the idea of a family friendly show is going to have a restricted sense of humor but I don't see anyone over 3 years old finding this entertaining. I was embarrassed for the actors and hope this doesn't hurt Netflix's reputation for being open minded. The mumbling isn't quite silent film era, the physical comedy isn't of Benny Hill or Mr. Bean caliber and the set with a puppet was a really odd reach tat just made me feel like I was on drugs trying to watch it.

Well, I think the review before this one was pretty unfair. This is a classic British comedy after the pattern of Monty Python and Mr. Bean, except that it really pushes the boundaries of normal TV. At first watching, it is a little hard to believe what you are seeing, but I think that is a good thing for a medium that is normally so totally absorbed with ratings and making money. It is a worthwhile effort, and despite its strangeness, gave us some good laughs. Relatively poor reviews will probably mean that these six episodes are all we will ever see of this, but I hope the BBC keeps whatever commitment it has to this sort of original programming.