Pompidou

I'm really struggling to see what went through anyone's mind when this was commissioned, or allowed to air. Maybe the powers-that-be thought that if they didn't get it, then it must be edgy or good, or clever, or all three.

It isn't.

It isn't funny either.

This is why pilots exist. Make one, try it out on an audience, see what they think (although, honestly, it should never have got that far, the editor should have saved the rest of us the pain and wiped all the media before it left the edit suite).

Please, don't bother. I watched this so you don't have to.

I'm such a huge fan of Matt Lucas, his work in Little Britain & Come Fly With Me were admirable. He portrayed a wide diverse range of characters and if you've ever watched his work you'll agree he's very good at it.

However what is clear from Episode 1: 'Hunger' is that take away the vocal side of Matt and your left with not an awful lot. I watched the first episode in its entirety to see if it progressively got better but it amounted to nothing, psychical comedy is clearly not Matt's forte.

I understand this won't be his usual work given the pre-watershed time schedule therefore it cannot be crude or dark humour, but there is a reason why most comedians don't do silent comedy, because they don't have watch it takes to be a psychical comedian, Rowan Atkinson portrayed Mr. Bean amazingly and I'm afraid that level of genius is far out of Matt Lucas's reach with this new work of his.

I'll probably continue to watch the series in its entirety due to my admiration of Matt, but feel he has belittled himself with such a shoddy idea for a show, I'm sure he could of thought of something more intriguing that this.

This was surreal to watch in that I couldn't figure out how this ever got the green light. I understand Netflix is willing to try new things and in many cases it has worked out to varying degrees but this is way off the mark of what they were going for I believe. I understand the idea of a family friendly show is going to have a restricted sense of humor but I don't see anyone over 3 years old finding this entertaining. I was embarrassed for the actors and hope this doesn't hurt Netflix's reputation for being open minded. The mumbling isn't quite silent film era, the physical comedy isn't of Benny Hill or Mr. Bean caliber and the set with a puppet was a really odd reach tat just made me feel like I was on drugs trying to watch it.

This is undeniably silly. It's meant to be. I giggled through every episode. Matt Lucas is already a favourite actor of mine from previous TV shows & films. Hove and the dog interact brilliantly with him. While this series has been billed as "silent"; in actual fact all the characters speak. It's just in their own special "gibb-lish." The plots are easy to follow and full of comic visuals. Some of these are surreal. There is no crudity in the humour. Pompidou is an innocent who inadvertently causes trouble for everyone around him, especially Hove. He endears himself to the audience, occasionally breaking the 4th wall. This is evidently a project that Matt put his whole heart into and I hope he can make more. There's nothing wrong with SILLY, providing that's what you're looking for. And there's a special surprise for Little Britain fans. (Ep 5.)

Well, I think the review before this one was pretty unfair. This is a classic British comedy after the pattern of Monty Python and Mr. Bean, except that it really pushes the boundaries of normal TV. At first watching, it is a little hard to believe what you are seeing, but I think that is a good thing for a medium that is normally so totally absorbed with ratings and making money. It is a worthwhile effort, and despite its strangeness, gave us some good laughs. Relatively poor reviews will probably mean that these six episodes are all we will ever see of this, but I hope the BBC keeps whatever commitment it has to this sort of original programming.