Når dyrene drømmer

WHEN ANIMALS DREAM is a deceptively quiet film. Very quiet. At least at first. Marie (Sonia Suhl) spends most of her free time tending to the needs of her mother (Sonja Richter), who is physically frozen from some unknown condition. Marie's father (Lars Mikkelsen) and the family doctor are extremely secretive about it all, especially when Marie begins showing odd symtoms of her own.

Marie's job is difficult and not at all glamorous. Making matters worse, her coworkers continue to haze her in vile ways. When Marie is finally told what is going on at home, her life begins to change drastically.

This is a totally different sort of werewolf movie. It's far more subtle than most, and the cold, grey somberness of it is palpable. Some have compared it to LET THE RIGHT ONE IN, and that's appropriate when it comes to atmosphere. It also has a bit of GINGER SNAPS going on, though this is not a satire by any stretch, like GS certainly is. It is a coming-of-age film, using horror to show the awkwardness, frustration, and pain involved.

If you're a strict horror fan, have no fear, there are some gruesome surprises to be found. Ms. Suhl plays Marie as a seemingly-shy girl with an edge. A sharp edge.

An effective twist on the genre, with a satisfying finale...

In the vein of Let the Right One In and Raw, When Animals Dream presents a familiar horror trope through a low key delivery in an effort to re-frame a well known monster. It's artistic by way of minimalism, getting off to an especially dull start that almost dares you to get bored. If you're the "I turned it off in 15 minutes" type, I can save you 15 minutes and tell you to skip this altogether. If you have the patience to stay with it, things do come together and serve to justify the more mundane moments. It never adds up to horror proper, and even the dramatic elements come from understated characters intent on saying more with less. But it has an interesting way of weaving werewolf lore around a it's coming of age themes, and though many points are predictable for both genres, the blend of melancholy moodiness and cathartic violence is actually quite satisfying.

*********SPOILER SECTION********

I had mixed feelings on the ending, as riding off into the sunset with your true love was unusually positive for the otherwise dire tone. Not to mention why would that guy continue to love a girl who now seems to be half dog and just killed a literal boat load of people? On reflection, that is a pretty dark outcome though. Since the film flops between sympathizing and condemning the character, I feel like we ultimately land on she's a murderer, right? I mean, bullies suck, so we want them to get there's, but she is a bloody monster who's now loose in society. My only hope was for the guy to hug her and be like "I accept you, no matter what" then she just bites his head off anyway, 'cause you can't trust a wolf. Maybe that's just me though....

A teenage girl whose mother suffers from some mysterious debilitating illness notices strange changes in her body while also suffering continued harassment at her new job at a fish processing facility and has her first experience with love. Little does she know what her bodily changes will lead to....

I recently also saw the Norwegian VIKING WOLF (2022), and can't help contrasting these two Scandinavian entries into the werewolf oeuvre. Whereas VIKING WOLF is a conventional horror film in the manner of Hollywood horror (somehow the Norwegians seem to be consistently great at emulating Hollywood), WHEN ANIMALS DREAM is much less conventional, not just with respect to the basic story but also in how it is filmed and even how it changes some of the rules of werewolf lore (for example, there is no temporary full moon transformation, talk of silver bullets or rabid blind lust for killing).

I ended up rating both movies the same, just short of good, but for very different reasons. While VIKING WOLF is quite entertaining, during the last 15 minutes or so it suddenly changes gears and begins to unnecessarily pile one implausibility after another, to such an extent that I wonder whether that part of the screenplay was written by somebody other than the person who wrote the earlier parts. WHEN ANIMALS DREAM, in contrast, stays consistent, though it is so understated that this takes a bite out of its entertainment value. Fans of more conventional horror fare will likely find this film too boring, and even the climax in which multiple people are dispatched has trouble generating excitement. I guess people who like introspective, quiet movies may be the most likely audience for this film.

Marie is sixteen and lives in a coastal town with nowt to do, no friends and a mother with a mysterious debilitating illness. The local doctor seems to take a lot of interest in Marie's condition especially when she starts to grow thick body hair and she would like to know why.

Now she gets a job at the local fish factory, where she is not exactly made to feel welcome. She makes a connection with Daniel, a kindly soul who is also a good looking man whom she takes a shine too. The thing is she starts to feel that she has not been told everything about her 'illness' and soon she will find out the hard way.

Now this is a slow burner but one that is fairly intense at the same time. There are some sterling performances especially from Lars Mikkelsen – brother of Mads but everyone is actually good even Gustav Dyekjær Giese who has a small role playing a nasty type here and was in the rather good 'Northwest'. It is short at 81 minutes and that includes the run off credits, but it does not do much wasting of screen time and is better for it. For lovers of 'horror' this may be lacking as it is a coming of age tale and a relationship story as much as the horror part and that makes it a more rounded film – recommended.

So, last night I just finished watching Spring. Wow does these 2 resemble a lot! Sadly, in a bad way...

Let's see: both of them involve a woman, going through changes, becoming something different, a monster if you like. Any originality here? Of course not, just making the most of a indeed small budget, but it will easily go unnoticed, cause let's face it, this is not what anyone is looking for when searching for a horror. It is another dull ride, maybe a tad bit better than Spring indeed, nevertheless, dull, heading to a romantic ending and that's that.

I won't recommend it "When animals dream", but if you're searching for something familiar, a movie about an isolated place, you could put an eye on "The dark" or ""Dorothy Mills". Both of them, far better!

Cheers!