On the Milky Road

This is my fourth Kusturica after the excellent Underground (9/10), very good Black Cat White Cat (8/10) and the fine Time of the Gypsies (7/10).

Those three all had something extra special going on beside the trademark imaginative eccentric direction of Kusturica films: Underground had an epic immersive narrative, BCWC an intense (quasi)antagonist, Gypsies a gorgeous outstanding song in Ederlezi. They all had expert acting, quality soundtracks and a lively energy.

On The Milky Road lacks that extra special something. The acting is only so-so (Emir himself feels miscast in the main role) and the soundtrack is merely ok rather than great. Energy is also lacking, which can't quite be explained away by the more advanced age of the protagonists. Some scenes just happen, the edits are clumsy. There's no feeling of suspense despite the later chase scene. Even the 'magic-realism' is a little underwhelming. While the ideas are good, the execution - or rather the direction of them - is lacklustre. Maybe because for most of the film the director was on the wrong side of the camera?

It's not all bad. The first half especially has a handful of nicely filmed scenes of village life, some fun eccentric ideas (that mad clock!), animal scenes are very good (except the later snake appearance betraying obvious CGI). The second half has some fine landscape shots. Humour is hit 'n miss.

For Kusturica completists it's worth watching. I've collected his other works and will get round to them eventually. Certainly a very original and imaginative film-maker. However, I'm not sure there's enough going on here to recommend On The Milky Road to anyone else.

When I watch Emir Kustirica' s last film ''On The Milky Road'' with Monica Bellucci , 2016 , I realize that the director is far away from "Do You Remember Dolly Bell?" , 1981 and "When Father Was Away on Business" , 1985 for good. And there is no return to those old days. I am in deep sorrow on behalf of creative and naive Balkan cinema forever.

Those splendid days will never come back. The director is falling like a heavy stone since ''Underground'' , 1995. Even Monica Bellucci is not able to rescue this old guy.

This is confident, assured and exhilarating cinema, and comes highly recommended.The first five minutes are completely overwhelming, and you wonder how much more of this frenetic pace will be tolerable; it's questionable whether this gives way to something calmer or you just tune in to it all, but the first half of the film is a dizzying, intoxicating whirlwind that demonstrates just how accomplished Kusturica is as a director (he's not too shabby in front of the camera, either).This is cinematic anarchy in all its folkloric glory.

The plot gets a bit over-tangled but there is nothing too over-the-top for Kusturica especially when trying to resolve a difficult situation, not even flying!

Thin,meandering, and overlong, but what heart and imagery!

It took years(4 years!) for Kusturica, the great Fellini copycat, to finish this movie, and I just realized why. This movie is just an elaborate framework for Kusturica to pork and rub against Monica Belucci, and he does it plenty in the movie. There are scenes where they're alone in the well, alone in the tree canopy, alone amidst the flock of sheep, alone in the river... His goal accomplished, he got plenty of time with his muse, how did he call her, a true European film diva so different than Hollywood actresses, or something similar. The same European diva that starred in big Hollywood franchises like Matrix and Bond movies, that starred in crappy Hollywood action movies opposite Clive Owen, Bruce Willis or Nic Cage?! Oh-oh, looks like his muse isn't that much different from Kusturica's arch-nemesis Angelina 'Maleficent' Jolie, after all.

'What about the movie, yo?!' If you're by any chance, a Johnny Depp fan(or who knows, maybe you're a Vincent 'The Brown Bunny' Gallo fan) you may have watched 'Arizona Dream'. Well, this movie is exactly the same like that one. Slapstick comedy + tragedy(violence) + episodes of soulful Balkan ethno music, it's all here too.

After watching this movie I officially ordain Kusturica the badge of 'Tommy Wiseau of European Cinema'. Who knows, if Wiseau had Kusturica's resources and the pristine backgrounds of REPUBLIKA SRPSKA to shoot his movies at, maybe his achievements would be greater.

Conclusion: Kusturica has the brains and the looks to play the Frankenstein in the next Universal's revivals of the character, if their negotiations with Javier Bardem fail.

One point for Monica Bellucci, one point for Kusturica, because he did make good movies (20 years ago) and one final point for the breathtaking scenery of Bosnia and Hercegovina, because it is truly a beautiful country, that I love very much. Else the movie is lost in over-accented symbolism, meandering but pointless search for goodness in the middle of the Bosnian war, and story that is so banal, that an evening cartoon for kids has a stronger plot.