Shōgun

When I saw the title on the Disney channel I assume it's one of those mock Asian war drama we always see on the screen with fake mock Asian token actors like we always see. I can not be more wrong. The richness in characters is built on real Japanese actors who are world class actors in the film/Tv industry and the depiction of the religious and political tension is something I have not seen on a main stream service for long time. Not to mention how rare we get to hear Japanese spoken with majority of the air time on an English language channel. This authentic Japanese/Englsih drama is exceptionally well made and has the potential to lead the white audience into a new realm of Asian western fusion genre. I expect some awards to be won shortly.

This is stunning television. The costumes, the sets, the historic period acting are all phenomenal. This show simply oozes dedication to detail and money. So with just two episodes in I can say that this will hook you almost immediately and for fans of Japan and its ancient culture it is almost a must-see.

Knowing the book the casting is near pitch-perfect or at least close enough to it. Maybe Lady Mariko doesn't look as I imagined her from the book but the actress still delivers a good performance and I am deeply appreciative of this show for making a worthy effort to depict the vast and intricate world of James Clavell's masterful historic novel.

However, maybe the book is too big to fit into the confined space of a TV series. For obvious reasons the showrunners had to rush through so much that is explained and described in detail in the book. In order to do the book justice it would have taken almost two seasons of television to show the story of John Blackthorne before he even reaches Osaka. Much of the underlying conflicts and the delicate web of diplomacy and intrigue the main characters have to navigate are cut short in the TV show. There also is a weird shift in perspective which strays from the book. Whereas the involvement of Portuguese foreigners in the politics of early 17th century Japan is treated as just another aspect in a mostly internal Japanese power struggle, the TV show almost sets the Portuguese up as the main antagonists of the show during its first two episodes. I hope the shows swings back to the Japan-centric story it is meant to be.

Bottom line: This is great television but I recommend reading the book eventually.

Shogun (2024) is a stunning achievement in television - a richly textured, deeply immersive experience that feels both epic and deeply personal. Rarely does a show balance historical authenticity, powerful performances, and emotional depth so effortlessly.

The production values are absolutely top-tier. Every scene feels meticulously crafted: from the lush, misty landscapes to the intricate feudal interiors, the show pulls you straight into 17th-century Japan without ever feeling forced or "touristy." The costume design and cinematography are gorgeous without being showy - everything serves the mood and story.

The performances are phenomenal across the board. Hiroyuki Sanada as Lord Toranaga delivers a masterclass in subtlety and power. His portrayal of a man navigating impossible political currents is both riveting and moving. Cosmo Jarvis, as the shipwrecked John Blackthorne, brings a rawness and vulnerability that avoids the usual "white savior" trap - his arc feels earned, complicated, and human. Anna Sawai as Mariko is another standout, blending strength, sadness, and quiet dignity into one of the show's most unforgettable characters.

The writing is smart and patient, trusting the audience to keep up without spoon-feeding exposition. It captures the essence of James Clavell's novel while modernizing some aspects with sensitivity and intelligence. Themes of loyalty, honor, survival, and cultural clash are explored with nuance rather than cliché.

Why not a full 10? The pacing occasionally falters - a few middle episodes stretch scenes a little thin - and some viewers may find the dense political maneuvering requires close attention. But honestly, these are small quibbles compared to what the series accomplishes.

Shogun is television at its most ambitious and rewarding. It demands your full attention, and it rewards you with a rich, unforgettable journey. Highly recommended.

Always loved Japan since I first heard of their culture. Shogun, season 1 so far, was done nearly perfect. Everything, music, visuals, actors, class, story.

One remark though; it'd have been more 'interesting' if the English sailor's character had a little more depth and intelligence, but I can understand this choice for a dumb, simple sailor in the 15th century too. I just found Captain Allegren's character having that perfect natural dept that enriches a character. Jonathan Blackthorne is not bad however, just a little more 'down to earth'.

Well done, all who've contributed to this work of art.

Very clearly this is one of the best TV shows and a contender for top TV historical TV show.

The ambience, script, costumes, cinematography, they are so well designed that you would feel at home in XVII century Japan. This show is Art.

Clear careful treatment of culture, ideology and religion was taken into account, which highlights both the source material and its representation. Albeit not historically accurate, it is close to portraying the events enhanced for dramatic purposes. The mindset of historical figures depicted seems so realistic based on the ideologies of the period. The characters are flawed, realistic and not cartoonish. This show respects its audience just as much as the clan respects Tokugawa.