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6.7/10
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A portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.A portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.A portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.
- Awards
- 2 wins & 1 nomination total
Paul LaMastra
- Self - Former Hustler
- (as Paul 'Al' LaMastra)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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"Scotty and the Secret History of Hollywood" (2017 release; 98 min,) is a documentary about Scotty Bowers. As the movie opens, there is a celebration of Scotty's 90th birthday at the Chateau Marmont. We learn that Scotty just recently has written a memoir called "Full Service" (which is the basis for this film), in which he retells of the days right after WWII when he by happenstance became the "pimp" of gay and lesbian Hollywood, the "center of an alternative world", in which famous movie stars like Spencer Tracy and Katherine Hepburn lived lives that were very different from their public personae, and calling on the services provided by Scotty. "Everything cost $20", Scotty laughs. Along the way we alo learn how today's Scotty has become a compulsive obsessive hoarder... At this point we're not even 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the latest from up-and-coming documentarian Matt Tymauer, whose previous film was the excellent "Citizen Jane: Battle For the City". Here he picks up on a long unknown fact, namely how one guy became the Hollywood king-pimp starting in the late 40s. Tymauer tries to take that fait divers to build a documentary about "gays and lesbians in Hollywood" over the years. Yes, there are glimpses here and there (in particular as we get to the AIDS era), but overall it feels like this film is a missed opportunity to do an in-depth look at that topic. Instead, we get a close look on someone who seems like a nice enough guy, but it is as if he stands in the way of a far more important documentary. The fact that we get sidetracked by the compulsive hoarding behavior only reinforces that feeling...
"Scotty and the Secret History of Hollywood" premiered at last year;s Toronto International Film Festival (yes, almost a year ago) to positive acclaim. The movie finally made it to my local art-house theater here in Cincinnati this weekend. The Sunday early evening screening where I saw this at was attended so-so (about 10 people). If you are in the mood for a documentary that is brought mostly with a light touch about how gays and lesbians got by in the Hollywood era of the 40 and 50s, I'd suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray and draw your own conclusion.
Couple of comments: this is the latest from up-and-coming documentarian Matt Tymauer, whose previous film was the excellent "Citizen Jane: Battle For the City". Here he picks up on a long unknown fact, namely how one guy became the Hollywood king-pimp starting in the late 40s. Tymauer tries to take that fait divers to build a documentary about "gays and lesbians in Hollywood" over the years. Yes, there are glimpses here and there (in particular as we get to the AIDS era), but overall it feels like this film is a missed opportunity to do an in-depth look at that topic. Instead, we get a close look on someone who seems like a nice enough guy, but it is as if he stands in the way of a far more important documentary. The fact that we get sidetracked by the compulsive hoarding behavior only reinforces that feeling...
"Scotty and the Secret History of Hollywood" premiered at last year;s Toronto International Film Festival (yes, almost a year ago) to positive acclaim. The movie finally made it to my local art-house theater here in Cincinnati this weekend. The Sunday early evening screening where I saw this at was attended so-so (about 10 people). If you are in the mood for a documentary that is brought mostly with a light touch about how gays and lesbians got by in the Hollywood era of the 40 and 50s, I'd suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray and draw your own conclusion.
My immediate reaction was to get wrapped up in the scandalous tell-all book Full Service authored by Scotty Bowers, the subject of this documentary. The reality is that not much screen time is devoted to the juicy details of his book, which I have not read; and quite honestly, I don't find much of it truly shocking. I'm 60 years old as I write this, and I promise you that I knew at 15 years old that Hollywood was never, ever what it wanted the world to think it was and that the people who it represented were getting it on with anyone and anything if only because they could.
About halfway through the film, I became interested in the complexity of other issues touched upon:
hoarding hypersexual/nymphomania psychological denial PTSD, especially associated with war Puritanical ideology distrust
The big topic in reviews is the question whether Scotty Bowers was entirely truthful. It's a legitimate point of view and one I won't bother debating. In the end, it truly doesn't matter because almost everyone he references in the film has been dead for some time now and therefore has no voice to explain and vehemently deny what's presented.
Regardless, I personally conclude that Scotty Bowers was obsessed with sex.
About halfway through the film, I became interested in the complexity of other issues touched upon:
hoarding hypersexual/nymphomania psychological denial PTSD, especially associated with war Puritanical ideology distrust
The big topic in reviews is the question whether Scotty Bowers was entirely truthful. It's a legitimate point of view and one I won't bother debating. In the end, it truly doesn't matter because almost everyone he references in the film has been dead for some time now and therefore has no voice to explain and vehemently deny what's presented.
Regardless, I personally conclude that Scotty Bowers was obsessed with sex.
I'm a huge fan of classic Hollywood. Watch movies, consume documentaries, listen to podcasts, and read books on the subject. I was looking forward to this documentary, having heard so much about it. Not particularly well made nor revealing. Really, more a portrait of this one man than it is about Hollywood - and since I didn't find Scotty particularly interesting or likable, I turned it off.
Watch The Celluloid Closet instead.
Watch The Celluloid Closet instead.
So apparently there was a steady line of randy Hollywoodsters taking advantage of a hedonistic drive-thru emporium at the local gas station. Wow. An effervescent and constantly smiling nonagenarian hustler Scotty Bowers says so. And the facts do too.
The sheer number of A-list stars and starlets named, and their varied sexual preferences sounds shocking even by today's unshockable standards. But when presented so matter-of-factly, and with such fondness by the charismatic Scotty Bowers, it all seems perfectly alright.
Seems there was more to the post war than just a baby boom. Waiting to protect their secrets, Scotty finally published his racy memoirs after his customers had passed, and now much of it is documented in this film. When asked if outing someone posthumously is kosher, Scotty asks, "what's wrong with being gay, baby?" Indeed.
Besides an endless stream of tabloid fodder tales, this documentary focuses on a very complex character. Someone whose free formed attitude towards sex is at both times bewildering and very refreshing, has a crackerjack memory and lust for life as he approaches the century mark, but also shows hints of hidden sadness. Scotty is a complicated man, who has lived a wild life, made many people very happy, but seems to be missing something. Baby.
The sheer number of A-list stars and starlets named, and their varied sexual preferences sounds shocking even by today's unshockable standards. But when presented so matter-of-factly, and with such fondness by the charismatic Scotty Bowers, it all seems perfectly alright.
Seems there was more to the post war than just a baby boom. Waiting to protect their secrets, Scotty finally published his racy memoirs after his customers had passed, and now much of it is documented in this film. When asked if outing someone posthumously is kosher, Scotty asks, "what's wrong with being gay, baby?" Indeed.
Besides an endless stream of tabloid fodder tales, this documentary focuses on a very complex character. Someone whose free formed attitude towards sex is at both times bewildering and very refreshing, has a crackerjack memory and lust for life as he approaches the century mark, but also shows hints of hidden sadness. Scotty is a complicated man, who has lived a wild life, made many people very happy, but seems to be missing something. Baby.
Since I enjoyed the juicy, can't-put-it down book, I was disappointed in the film. Instead of focusing more on Bowers' rollicking sexual adventures in the '40s and '50s, the filmmaker spends much of the time focusing on the now 95 year old Bowers, and his wife, puttering around his multiple hoarder-cluttered homes.
The real story is about Bowers' star-studded sexual past, not his relatively downbeat present. The film should have been racy, fun and juicy, but it ends up being primarily glum.
The real story is about Bowers' star-studded sexual past, not his relatively downbeat present. The film should have been racy, fun and juicy, but it ends up being primarily glum.
Did you know
- Quotes
Scotty Bowers: 90% of jobs could be lost from being gay. You were in the closet basically. So many people were. This is why what I did in the gas station was so nice for people.
- ConnectionsFeatures A Cure for Pokeritis (1912)
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Scotty y los secretos de Hollywood
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $461,689
- Opening weekend US & Canada
- $28,144
- Jul 29, 2018
- Gross worldwide
- $461,689
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.78 : 1
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