School of Lies

This series isn't for the faint hearted. Only people with depth and intelligence will be able to understand the essence of this show. The trailer exhibits an air of thriller and suspense however, it runs way deep. The series not only is gripping and intense but also show a whirlwind of human emotions and dynamics. It addresses the impact of child abuse and the trauma that is carried through life.

Fear, shame, guilt and regret, such emotions are expressed with such subtle intensity that makes one wonder. The actors have done a fabulous work, and the writer has left an indelible mark.

The way the characters are depicted is phenomenal. Like I said, it isn't for the weak. This show forces you to think about everything that's messed up and normalized in the current scenario. It makes you question the moral compass, the boundaries one creates, the definition of love and everything that comes with it. It's raw, unapologetic and makes your skin crawl with disbelief.

The writing of the show displays the conundrum between right and wrong, good and bad. It is bold and explicit. Unlike other shows where the sexual content is obnoxiously displayed under the garb of creativity. This show addresses the social issues with much more empathy and compassion. Yet, leaving the audience with goosebumps.

I recommend this show to anyone who has the courage to sit through a rollercoaster ride of intense human emotions and understand deeply the need for having more such shows that reflect the truth of the society we live in today.

The series is full of suspense, thrill and questions.

Great job done by especially' Aryan Singh Ahlawat'. He really did a magnificent job All the actors delivered their best and made the series best. They maintained thrill throughout the series.

Dynamic acting with bright future coming ahead.

I would like to see the upcoming episodes eagerly due to good content and terrific performances done by everyone .

Hearty congratulations to the entire team including the caste of the series. Already waiting for Part 2.

Loved the series Brilliant performance by young talent , Aryan Singh Ahlawat Future Star ⭐

One of the boldest yet most sensitive series on Indian ott yet. Don't let the newly conservative reviewers fool you. This series is as state-of-the-art as so many other murder mystery bbc productions out there. Almost every actor understood the assignment well and enacted great. The story hits the shoddy value and conservative system out of the park. Consent, morality and evilness are woven in a tangled web. Even the supposed victim can be pure evil. Even the supposed evil can be merely a victim himself. Such questions are superbly raised and the viewer is left to ponder. Scenery, cinematography, performances, everything is top notch. No sex scenes to titilate. Just tragedies unfolding on your screen.

In the fictional Dalton Town, at the fictional RISE boarding school, a regular day turns into a crisis when the house master notices that a child has been absent. The disappearance of seventh-grader Shakti Salgaonkar is just the start of the drama and suspense that is about to rattle the foundations of this all-boys private educational institution, with a master's daughter as the only female student.

Intercutting the search for Shakti (Vir Pachisia) and his parents' anguish is the story of two seniors who are burdened by their own complex secrets. Final year students Vikram (Varin Roopani) and TK (Aryan Singh Ahlawat) are being mentored by their housemaster Sam (Aamir Bashir). As they navigate the delicate balance of life in boarding school, Vikram and TK are making some questionable and dangerous choices along the way.

School counsellor Nandita (Nimrat Kaur) tries to assist with the investigation. Her methods at building a psychological profile of Shakti or making any headway are set aside when the screenplay decides instead to focus on Nandita's own ghosts and emotional vacuity.

As is expected in a boarding school that thrives on discipline and hierarchy, there are plenty of rules, hence plenty of rules for the boarders to break, sometimes with the blessings of the faculty. A staffer moonlights as a drug peddler. There is another side-bar about trafficking of various kinds.

School of Lies (Disney+ Hotstar) is high on atmospherics. Director Avinash Arun Dhaware (Killa, Paatal Lok) immerses you into a campus that serves as a microcosm of very big issues.

The motive behind Shakti's disappearance is revealed midway. Dhaware, who has also co-created and filmed the eight-episode series, is in great command over the suspenseful and macabre moments.

But the human stories run shallow, and the script repeats whodunit similitudes. The script (Ishani Banerjee, Nishant Agarwala, Shoaib Nazeer) tries to create a diversion, succeeding partially until it loads the dysfunctional with so much damage that our sympathies shift to impatience.

School of Lies abounds with characters who have PTSD responses or need to exorcise their ghosts. Joy is fleeting, with brief moments of magic, such as jumping across a broken bridge, listening to fables about the forest or a game of football.

Dysfunction is endemic, most quantifiable in the defective hiring practices. At least half the staff is ill-qualified to shepherd impressionable, lonely, often broken children living away from home and families. Shakti's disappearance brings down a house of cards. Yet, the police investigation, headed by Varun (Hemant Kher), has a job on its hands eking out the truth.

No one is beyond blame - neither the teachers, students or parents. Even Shakti's mother Trish (Geetika Vidya Ohlyan) and Vikram's widowed parent Pallavi (Sonali Kulkarni) are carrying unhealed scars. The mid-series arrival of a sadistic former student, whose behaviour captures an all-boys boarding school's tradition of bullying and harassment, shakes things up.

Aamir Bashir in School of Lies (2023) /Disney+ Hotstar In the fictional Dalton Town, at the fictional RISE boarding school, a regular day turns into a crisis when the house master notices that a child has been absent. The disappearance of seventh-grader Shakti Salgaonkar is just the start of the drama and suspense that is about to rattle the foundations of this all-boys private educational institution, with a master's daughter as the only female student.

Intercutting the search for Shakti (Vir Pachisia) and his parents' anguish is the story of two seniors who are burdened by their own complex secrets. Final year students Vikram (Varin Roopani) and TK (Aryan Singh Ahlawat) are being mentored by their housemaster Sam (Aamir Bashir). As they navigate the delicate balance of life in boarding school, Vikram and TK are making some questionable and dangerous choices along the way.

School counsellor Nandita (Nimrat Kaur) tries to assist with the investigation. Her methods at building a psychological profile of Shakti or making any headway are set aside when the screenplay decides instead to focus on Nandita's own ghosts and emotional vacuity.

As is expected in a boarding school that thrives on discipline and hierarchy, there are plenty of rules, hence plenty of rules for the boarders to break, sometimes with the blessings of the faculty. A staffer moonlights as a drug peddler. There is another side-bar about trafficking of various kinds.

Nimrat Kaur in School of Lies (2023). Courtesy BBC Studios/Disney+ Hotstar.

School of Lies (Disney+ Hotstar) is high on atmospherics. Director Avinash Arun Dhaware (Killa, Paatal Lok) immerses you into a campus that serves as a microcosm of very big issues.

The motive behind Shakti's disappearance is revealed midway. Dhaware, who has also co-created and filmed the eight-episode series, is in great command over the suspenseful and macabre moments.

But the human stories run shallow, and the script repeats whodunit similitudes. The script (Ishani Banerjee, Nishant Agarwala, Shoaib Nazeer) tries to create a diversion, succeeding partially until it loads the dysfunctional with so much damage that our sympathies shift to impatience.

School of Lies abounds with characters who have PTSD responses or need to exorcise their ghosts. Joy is fleeting, with brief moments of magic, such as jumping across a broken bridge, listening to fables about the forest or a game of football.

Dysfunction is endemic, most quantifiable in the defective hiring practices. At least half the staff is ill-qualified to shepherd impressionable, lonely, often broken children living away from home and families. Shakti's disappearance brings down a house of cards. Yet, the police investigation, headed by Varun (Hemant Kher), has a job on its hands eking out the truth.

No one is beyond blame - neither the teachers, students or parents. Even Shakti's mother Trish (Geetika Vidya Ohlyan) and Vikram's widowed parent Pallavi (Sonali Kulkarni) are carrying unhealed scars. The mid-series arrival of a sadistic former student, whose behaviour captures an all-boys boarding school's tradition of bullying and harassment, shakes things up.

But the shifts between linear and non-linear storytelling do not serve the complexity of the world and the emotional fragility of the characters. Nandita, as the keeper of secrets, emerges as the most complex character.

The show emphasises the danger of unresolved issues, childhood trauma and proclivity for repeated behavioural patterns, but opts for visual impact and specific surprise, padding the narrative with surplus characters and side plots. The lead performances are moving, particularly Bashir, Kaur, Nitin Goel, Roopani and Ahlawat.

Absolutely loved this show. Noteworthy points :-

1. Direction is slick. In most suspense serial, a strong storyline must be supported by food direction. This show delivers on that front.

2. Storyline has many layers & writer has intertwined them very well .

3. Screenplay is smooth. Never a moment where show would feel lethargic. Length of episodes is kept at 35 minutes 4. Scenic location - Cinematography is brilliant. This show has been shot in stupendously beautiful locations.

5. Plethora of sensitive issues touched upon which grace.

6. Nimrit Kaur gives an amazing performance.

A wonderful watch .