Ice Road: Vengeance

In an overall general way, Ice Road part 2 is entertaining, but it's also a ridiculous movie, with an awful script, horrible acting, and at times so bad it was funny. There is absolutely nothing in it that even slightly resembles reality. There is one sequence in the film that is so preposterous and seemed to signal that they decided to set the movie in fantasyland. Even the CGI is fake looking and on the level of something from the 1950s. Liam is doing his best and at 73 looks incredible. It's a shame he has to make films like this and while at times it is suspenseful it's also embarrassing. Worth a watch just to see how low movies have sunk.

I love Liam Neeson, even his rehular predictable fare after Taken 1 and 2. Here he growls his way through another revenge mission, this time set against the stunning backdrop of the Himalayas. But Ice Road Vengeance barely escapes the avalanche of its own clichés.

The plot: a frozen road, some dodgy mining conspiracies, a dead relative (naturally), and a long drive toward payback. It wants to be Taken on Ice, but ends up somewhere between a forgettable TV movie and a rejected episode of Ice Road Truckers: Nepal Edition.

The real letdown? The glaring lack of authenticity. Nepali politicians speaking English in a speech to the local crowd, not a single notable local actor in the main cast, and cultural details that feel as deep as a Lonely Planet summary. It's Hollywood exoticism on autopilot... all scenery, no substance.

That said, the cinematography deserves credit. The icy roads and mountain vistas are easily the film's best performers. But even Neeson's stoic charm can't steer this one out of the ditch.

Verdict: A missed opportunity: half-hearted action, surface-level storytelling, and a setting wasted on stereotypes. Watch only if you're stuck indoors with bad Wi-Fi and no popcorn left.

5/10.

This film had all the ingredients to be something remarkable, a gripping premise, the raw and treacherous beauty of Nepal's unforgiving roads, and the presence of Liam Neeson, whose performance rarely disappoints. And yet, what could've been a visually stunning and emotionally compelling survival thriller fell flat, entirely due to a poorly written story that disrespected both geography and authenticity.

Instead of leveraging the naturally dangerous terrain of Nepal to drive a more grounded and believable plot, the filmmakers seemed more interested in rushing through implausible sequences. The most jarring offense? Presenting a CGI version of Everest that looked painfully out of place, especially when we know the real mountains are right there, majestic, harsh, and more cinematic than any computer-generated replica.

Even worse, the portrayal of Nepali culture and language was laughable. Random gibberish passed off as "Nepali" only served to insult rather than represent. For those of us who know and love the country, this felt careless, even offensive.

And let's address the elephant in the room: you simply cannot take a bus from Kathmandu and reach Everest in a few hours. The film treats this like a casual weekend trip. It's not just misleading; it's disrespectful to the very people whose land and struggle the movie pretends to showcase.

The only reason I gave this movie 5 stars was because of Liam Neeson. Strip him away, and this wouldn't deserve more than a 2. A spectacular setting wasted on a lazy script and cheap execution.

This movie is way below average. The acting is pathetic...you just laugh (and not because it's a comedy) at how bad the special effects and fight scenes are. Definitely one of, if not the worst Lian Neeson movie ever and it's a shame to waste 2 hours of your life watching something like this.

I don't understand how actors like Liam Neeson accept such roles, because they alone ruin the image they've built up over their entire life.

Unfortunately, Hollywood has been in decline for the last few years and the quality of films is increasingly execrable.

In conclusion, don't waste your time with this movie, it's simply ridiculous.

At this point, Liam Neeson's situationship with perilous situations has become a tiresome actioner trope. All the characters, except for Neeson's and Bingbing Fan's, are directly imported from the generic action template guidebook. This could've been tagged a Taken movie, and it wouldn't be any different. And for a film titled "Ice Road," there were hardly any icy roads. I forgot almost everything about the first film except for the name, Neeson's character, and the poster.. so I didn't even realize that the protagonist's brother was dead (lol!). Also, I read that most of this was shot in Australia and not Nepal, which makes it matter even less. Can Liam Neeson do less of these and more of In the Land of Saints and Sinners types with better character depth?