Hisaab Barabar

Wached it for Madhvan, but what an absolute waste. Childish style of story telling. Madhavan's honesty is the only saving grace.

The movie stops being entertaining beyond the first half an hour till they are establishing Madhavan character and the plot unveils. The masala movie treatment of realistic plot with honest intentions of actors is absolutely cringe worthy. All the other characters beyond Madhavan are mere caricatures, specially Neil Nitin Mukesh was looking like a joker right through. Songs are just for effect too.

I only wish Madhavan and the cast were used for a more honest effort of story telling.

For Madhavan, I will rather watch The Railway Man once again.

Tone, Script & Story: A travelling ticket examiner who is good at accounts discovers fraudulent nature of a bank where bank loots public by taking miniscule amounts from accounts which are created in bank.

When I first find the trailer I expected more, I expected more from story may it be the exposure of crime, how it is brought to justice or may it be the love life involving Kriti. Also, the story takes time to get to the subject during its runtime.

Direction, Screenplay, Cinematography: The station, the account calculation, the neighbor's, the account holders, the bank, the residences, the office, etc has been captured well. It's the story which lacks. Music is below average. Acting is justified.

Final Verdict: The movie has been released on OTT. Do support it.

A very beautiful and amazing concept lost in poor screenplay and story telling.

Execution, music, direction, editing and almost everything in the movie was supremely low standard. I watched it only because of R. Madhvan sir, he was terrific as always. But there was little to no requirement of a female lead, and their love angle was also unnecessary. The kid was also a miscasting, he did not act well nor he fitted in the screenplay well.

Negative roles: Manu rishi was amazing as always, but Neil was simply over acting, owner/chairman of a huge bank dancing on road, arguing with a comman man on the streets was just over the board.

All in all, a very satirical concept lost due to bad story writing, screenplay and bad direction.

Watch it once for the concept and acting of Madhvan Sir.

R. Madhavan's Hisaab Barabar falls short of expectations, delivering a story that feels overly simplistic despite an interesting premise. While the topic had potential, the execution lacked depth, with no intense drama or gripping moments to keep viewers hooked. The film suffers from a flat narrative and minimal emotional impact, making it feel more like a casual watch than a memorable experience. R. Madhavan sir, known for his exceptional performances in films like 3 Idiots, Rocketry, Saala Khadoos, and the web series like Breathe, couldn't elevate the lackluster storytelling in Hisaab Barabar. It's a one-time watch at best, deserving a 4/10 for effort but leaving much to be desired in terms of engagement and impact.

Some movies have a novel concept but suffer from poor execution and this is one such example. Director Ashwani Dhir has written and directed good comedies like " Son of sardar" and " Atithi tum kab jaoge" and so this movie is truly disappointing. Since the movie is poorly structured and has a weak narrative even Madhavan has not been able to make it absorbing enough. The plot is about an ordinary railway ticket collector who is good in accounting and who discovers an error in his bank account showing that a small amount has been siphoned off. He takes up with the bank, relentlessly pursues this and finds that this irregularity is only a tip of the iceberg. His personal safety is in jeopardy as he takes on the establishment exposing a scam of huge proportions. ( After seeing this movie it is possible that some account holders may have examined their bank transactions in detail.) One only wishes that the screenplay was more coherent and had more focus. Presently it is lackluster, not at all convincing and hence the movie is not able to connect with the audience. Madhavan does try to make things work but doesn't succeed. Priti Kulhari doesn't impress in an indifferently presented character. Neil Nitin Mukesh as a quirky boss of the bank has overdone it and hammed his way through. He is reduced to a caricature.