Rosario

This film really drags man. That's about the summary of this entire feature, it's a film tackling a very tired and cliche realm of horror, whilst also a film that's throwing some cultural patronage - which it doesn't fail at, however when it comes to most horror aspects, it falls flat. This film offers some little eye openers here and there, nothing spectacular, moreorless predictable circumstances you'll see from miles away. Some poorly timed jumpscares, bad audio and extremely predictable scenarios sprinkled among a plot that drags, this wasn't the worst thing I've ever seen, but if you're gonna take time to see it in theaters like I did, congratulations. You've got great patience. Some people will appreciate this film, but at the very least, it tried - it's extremely basic in every regard all in all.

Rosario is a frustratingly good movie. I say that because, on almost every technical level, it's solid. The production value is high. The cinematography is stylish and moody, perfectly complementing the eerie tone the director clearly worked hard to build. The acting? Strong across the board. The atmosphere? Genuinely creepy at times-unsettling in the best way. I want to like this movie more than I do. I should like it more than I do.

But I can't. Because of Rosario herself.

The main character, Rosario, is-put bluntly-an idiot. And I don't mean the typical horror movie brand of "bad decision-making" we've come to expect from side characters. I mean she's the lead, and her defining trait seems to be astonishing stupidity. We're told she's a savvy Wall Street investor, but nothing she says or does reflects that. In fact, almost every awful thing that happens to her throughout the movie is a direct result of her own thoughtless, reckless, or laughably naïve decisions.

At first, I tried to give her the benefit of the doubt. Maybe she was in over her head. Maybe her arrogance would be part of a character arc. But no-she just keeps making choices so bafflingly dumb that I stopped rooting for her entirely. And once you lose investment in your protagonist, the whole movie starts to lose its grip.

It's a shame, because there's real talent behind the camera. The filmmakers clearly know how to craft tension, build mood, and shoot a good-looking film. The script, unfortunately, doesn't give the lead much intelligence or agency-and watching her stumble from one boneheaded decision to the next becomes less suspenseful and more comical as things go on.

Rosario is a well-directed, well-acted horror film that's undone by a main character so devoid of basic intelligence or self-preservation instincts that it breaks the immersion. If you're okay watching a beautiful, creepy movie with a protagonist who constantly deserves what's coming to her, you might enjoy it more than I did.

This film started out well enough.

But then things just start to happen and there isn't any REAL explanation why, and at the very end, the earlier events become even more mysterious not making sense at all.

This movie was made to tick boxes for the modern era, but was just a waste of a movie.

The plot twist really doesn't matter and doesn't do anything to keep you drawn in, and I'm not really sure why its rated R. 15 would have been good enough.

The Grandma from the current period had the best acting. Along with the neighbour that decided to become a hero absolutely NO reason. But to be fair, his ultimate combo was pretty neat.

Ultimately this film was made to tick boxes. You get a bit of everything including "border crossing" .... To be honest, I wish I could scrub my brain of this memory.

Looks like it had a decent budget looking at the camera shots and set.

I want to say its complete trash, but it does have a certain charm about it.

Also some of the main characters Hollywood style B movie lines are terrible.

For audiences looking for a fresh take on the possession subgenre, Felipe Vargas's "Rosario" might not fully deliver. The film, starring Emeraude Toubia as the titular Wall Street stockbroker, delves into a culturally rich backdrop as Rosario uncovers her family's dark secrets after her grandmother's death. While the premise offers intriguing possibilities with its focus on generational rituals and occult artifacts, the execution often leaves something to be desired.

Much of the film's horror relies on scenes shrouded in darkness, which, while sometimes effective in creating atmosphere, can also obscure details and limit the visual impact of its supernatural occurrences. "Rosario" treads familiar ground within the possession narrative, and while it doesn't necessarily detract from the story, it also doesn't introduce much that feels new or groundbreaking.

Ultimately, "Rosario" is a watchable film, but it's unlikely to leave a lasting impression. It's the kind of movie you might enjoy once, but it's quickly forgotten amidst the vast landscape of horror offerings.

The premise of this could have turned into something really cool and mildly terrifying if they had done it properly. But they did not. I wish that I had not chosen to forgo a couple hours of reading a really good book that I'm in to go watch this because it was a waste of time. The character was not appropriately scared for anything that was going on in this movie. She didn't even scream when gross rotting demons were in her face. She kept touching a dead body and desecrating a corpse. Like.. it was just bad. There could have been so much potential for some good jumpscares, for some really intense scenes with these rotting corpse demon things. There was no intensity in the music, there was no intensity in the acting, and the storyline just didn't make sense most of the time. She finds this back room where her grandmother is practicing some voodoo witchcraft stuff and she has no idea what's going on. She googles it and suddenly she knows how to break whatever curse she thinks she has and she's upstairs doing these incantations and voodoo stuff and reading out of a book that's in Spanish when she doesn't even know spanish. It was just a hot mess from start to finish. She keeps talking to her grandmother's corpse like her grandmother is alive and they're having a snarky chat. It was just so odd. I think the one bright spot in the movie was Joe. I can't remember the actor's name off the top of my head, he was in Late Night With the Devil. But he did a good job with what he was given. Would not recommend going to see this in the theater, maybe streaming, but even then that would be a stretch.