A Legend

With every new iteration of the Stanley Tong/Jackie Chan collaboration machine the list of things you can meaningfully say about it grows smaller.

In general all of Jackie's films shot in mainland China share the same core problems: weak narrative thrust, forgettable storylines, cheap-looking visuals, generic action scenes, an underutilized Jackie and a big focus on his young co-stars who frankly can't act and aren't overburdened with charisma. There is still a world of difference between the cinematic prowess of Hong Kong and China and it's a huge disservice to the vast number of creative, passionate people in China that movies like this are accepted as standard.

'A legend' actually starts off decent enough with an okay action scene but immediately afterwards the story comes to a screeching halt and makes only shy confused attempts to start moving again. The jumping back and forth between the past and present barely worked in 2005's The Myth and it's almost a burden to watch here as it needlessly stretches the runtime. It's an aimless gimmick that never comes together into a coherent narrative. I was honestly struggling to stay awake after the first half hour.

That's it, that's basically the review in a nutshell. I haven't been this bored by a Jackie Chan movie since the early dark days where he still had to work for known hack Lo Wei. There's plenty to nitpick here like the uncanny valley de-aged Jackie, the awkward acting and the complete stock character of the entire production, but the main crux of why the movie fails is that it's boring. There's no energy to any element of it, everyone is seemingly just going through the motions. I think what strikes me the most about all these recent films is just how little they utilize Jackie Chan's unique sensibilities. If you think of all his classics and even his lesser titles they are all so fundamentally Jackie, they're basically a genre of their own. The style, the humour, the stunt work, the choreography, the creativity. All glued together by his unique personality and so uniquely him. No one else could have replaced him in his films, not even equally legendary actors with a similar style like Yuan Biao and Sammo Hung. Now in these new films anyone could have played these roles and it wouldn't have made a difference. It's clear he's mainly used for marquee value and not much else.

At this point in Jackie's career you almost have to ask him "are you doing ok, man?" because there's no way a talent, an artist and a legend of his caliber is happy with the last fifteen years of his career. I hate to say it but after seeing his mainland efforts, especially his work with Stanley Tong I'm actively clamoring for a return to his hollywood days. With the exception of Shanghai Knights and parts of Rush Hour 2 they may not have come close to his best work in Hong Kong but unlike A legend, Vanguard or Kung Fu Yoga at least they weren't painful to watch.

Of course you can't expect him to be at the top of his game at his age. We'll never see him jump from building to building again but that's fine. He more than earned his place on the throne of the stunt world. The fact he's even alive after everything he put himself through is worth celebrating. He's physically still more than capable of doing great martial arts scenes though as the finale of Chinese Zodiac and bits of Ride On can attest. His "older brother" Sammo Hung is still kicking ass both in front and behind the camera as anyone who's seen Walled In can attest, making quality films with ingenuity, skill and heart much like the classics they used to make when they revolutionized action movies in the late 70s. Jackie could have retired after New Police Story and his oeuvre would stand out as a legendary achievement in world cinema. Alas for every gem like the Foreigner or Shinjuku Incident there are now ten at best forgettable flicks that waste his talent and charisma.

If you really have to see it because you're a completionist do yourself a favor and just skip everything but the fight scenes. There's nothing that stands out about them but at least they're mostly decent.

But good luck getting to it. Prior to the final 25 minutes, you get to watch a mostly awful film. Little of the first 96 minutes of the film take place in the present, maybe 12 minutes of it does. The modern day bits within the first 61 minutes are passable with good moments but not that interesting. The scenes in the past are mostly crap with some decent bits of choreography. Don't even get me started on how terrible the deaged Jackie looks that they use for the scenes in the past.

Bizarrely , the final 25 minutes of the film are excellent. Jackie gets a great finale fight that is extremely rewatchable and rewarding to a fan like myself. This great fight easily is better than any action scene in The Myth and better than most of Jackie's fight scenes in his films from 2005 to the present day. Also, Jackie's Archaeological team members are actually entertaining in this part of the movie. Don't lLet this fool you. Jackie splendidly gets the bulk majority of the finale fight to himself with only minor help from the group of young people. This in stark contrast to Kung Fu Yoga and Vanguard, where his teammates constantly get in the way of Jackie's action and engage in their own uninspired melees.

So, yeah ,the four stars which I give this film, three of which are for the final 25 minutes. I would love to get the film on Bluray just for the stuff at the end and one can't deny the beautiful, well shot locations throughout the film.

Set during the Han dynasty era, general Zhao Zhan (Jackie Chan) and his friend Huajun (Lay Zhang) save Princess Mengyun (Gülnezer Bextiyar) from a ruthless Prince Hu Duna (Aarif Rahman). Zhao Zhan and Huajun fall in love with Princess Mengyun. In the present world, archeologist Professor Fang (Jackie Chan) starts dreaming about Han dynasty era, particularly his past self and soon his student Wang Jing too starts to have the same dream. With these lives interconnected across eras, it is upto Fang to find the proper closure to all these characters spread across two different timelines.

Stanley Tong has tried to milk the sequel factor to The Myth but sadly, A Legend simply doesn't have anything going in it's favor. The Myth had it's entertaining moments, merging two different timelines in a better way. This is exactly where A Legend fails as there is no sync between Han dynasty era and modern times segment nor does the love story from the flashback work. Worse, the flashback takes majority of the screen time with a de-aged Jackie Chan and it only ends up dragging the story. The usual Jackie Chan fun elements are nearly non-existant till the climax fight which by then is way too late. The screenplay is dated and tries hard to recreate the same template of The Myth. In that attempt, the film fails to entertain and the decision to fill in majority of the film with the flashback was a blunder.

Like said in review title it doesn't come anywhere close to the quality of the production or the story of Myth. But if you can sit through the middle portion, you can enjoy the start and the end.

Viewers should note though that this movie is primarily targeted towards the Chinese audience. And likely as another project to promote protection of cultural heritage among the youth through attractive media.

Story was the weakest link.

Main problem with the story was that their was no proper connection between the modern world story and historical story. Which meant there would not be any consequences from actions in modern story or historical story that had an impact on the other.

You would notice the opposite in the myth, where we are invested in both narratives of the story.

It was bad given what they could have done with the material available based on the historical scenario used for the basis of the historical part of the story.

The music was OK. Nothing memorable beside the myth OST.

Easter eggs from the myth and Kung Fu Yoga were great. But wish they ended this with a proper conclusion to the myth storyline. Maybe something like those 2 characters walking away togather or something like that.

Finally, felt like there wasn't enough effort put into convincing the audience that the general from past is Jackie from current time. That also had a detrimental effect on the story.

To conclude if you enjoyed the myth and Kung Fu Yoga, you can watch this movie and be happy with it. Not joyful or sentimental, but happy and nostalgic.

This was the most boring Jackie Chan movie I've ever seen. The script and acting were terrible - no research, no respect, and a completely distorted portrayal of history. It wasn't just a bad movie; it was an outright insult. A waste of time and money. It felt like a pathetic attempt made solely to disgrace the name of Mongolia. The depiction of the Xiongnu warriors in this film - exaggerated to elevate the filmmakers while degrading actual history - was absolutely revolting. Even a child with a basic understanding of history would find it appalling. Let me repeat: the movie was incredibly boring. The AI effects were clumsy, the character interactions were awkward, and the storytelling lacked any meaningful development. This wasn't a film - it was a complete insult and a distortion of history. I'm deeply disappointed that Jackie Chan took part in such a disgraceful project. It's not just disappointing - it's downright heartbreaking. My trust is broken 1000%.