A troubled couple vacate to a beautiful getaway, but bizarre circumstances further complicate their situation.A troubled couple vacate to a beautiful getaway, but bizarre circumstances further complicate their situation.A troubled couple vacate to a beautiful getaway, but bizarre circumstances further complicate their situation.
- Awards
- 2 wins & 2 nominations total
Brett Bietz
- Doug
- (voice)
Sean O'Malley
- Dave
- (voice)
Mary Steenburgen
- Mom
- (voice)
Drew Langer
- Brett
- (voice)
Jennifer Spriggs
- Ellen
- (voice)
Charlie McDowell
- Madison
- (voice)
Jeremy Mackie
- Other Male
- (voice)
Liz Lash
- Other Female
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Greetings again from the darkness. Starting out with a typical marriage counseling session, director Charlie McDowell and writer Justin Lader lull us into a movie-going comfort zone based on our experience with such Hollywood fluff as Hope Springs and Couples Retreat. All that should be said at this point is ... not so fast!
A crumbling marriage and the subsequent lack of success with communication, leads therapist (Ted Danson) to recommend a weekend alone at a private country estate. The twists and turns that await Ethan (Mark Duplass) and Sophie (Elisabeth Moss), take marriage counseling to an entirely new spectrum. Sophie wants to reignite that early relationship spark and Ethan just wants things back to normal.
The setting does justice to the legend of beautiful California real estate, but things aren't all they seem as Ethan and Sophie bounce back and forth between the main house and guest house. It's in these moments where the big relationship questions are addressed ... and the script is smart, funny, creative and dark. It's not likely anyone can watch this without having some inner dialogue, and probably even some real discussion afterwards.
Mark Duplass ("The League", Safety Not Guaranteed) and Elisabeth Moss ("Mad Men") not only carry the film, but also take on significant responsibility with wide-ranging personality traits and subtle physical changes. Duplass is exceptional and easy for most guys to relate to in how he handles the challenges. While I've never been a big fan of Ms. Moss, her performance here is quite impressive. Whether "together" or "apart", they complement each other nicely.
The closest comparison I have for this one is Ruby Sparks (2012), but this one will have you questioning what makes a relationship work and what should we really expect in our partner. The idea of recapturing the initial spark is absurd, but that doesn't lessen the need for realistic expectations. For the first feature from director Charlie McDowell (son of Malcolm McDowell and Mary Steenburgen) and writer Justin Lader, the unique and creative approach to such a complex topic make these two people to keep an eye on.
A crumbling marriage and the subsequent lack of success with communication, leads therapist (Ted Danson) to recommend a weekend alone at a private country estate. The twists and turns that await Ethan (Mark Duplass) and Sophie (Elisabeth Moss), take marriage counseling to an entirely new spectrum. Sophie wants to reignite that early relationship spark and Ethan just wants things back to normal.
The setting does justice to the legend of beautiful California real estate, but things aren't all they seem as Ethan and Sophie bounce back and forth between the main house and guest house. It's in these moments where the big relationship questions are addressed ... and the script is smart, funny, creative and dark. It's not likely anyone can watch this without having some inner dialogue, and probably even some real discussion afterwards.
Mark Duplass ("The League", Safety Not Guaranteed) and Elisabeth Moss ("Mad Men") not only carry the film, but also take on significant responsibility with wide-ranging personality traits and subtle physical changes. Duplass is exceptional and easy for most guys to relate to in how he handles the challenges. While I've never been a big fan of Ms. Moss, her performance here is quite impressive. Whether "together" or "apart", they complement each other nicely.
The closest comparison I have for this one is Ruby Sparks (2012), but this one will have you questioning what makes a relationship work and what should we really expect in our partner. The idea of recapturing the initial spark is absurd, but that doesn't lessen the need for realistic expectations. For the first feature from director Charlie McDowell (son of Malcolm McDowell and Mary Steenburgen) and writer Justin Lader, the unique and creative approach to such a complex topic make these two people to keep an eye on.
A forehead-wrinkling bit of relationship fantasy that'll stick in your teeth for days. I found a lot of thematic similarities between this one and Being John Malkovich. Though it's not nearly so dark and grim about it, The One I Love delights in asking similarly deep, puzzling questions about the root of an unhappy relationship and the sense of futility that's so often associated with mending something so broken. Of course, like Malkovich, it's also based around a weird, jolting plot device that skirts explanation for its own benefit. The real allure of that vehicle, of course, isn't with the solemn inspection of its construct, it's with the games it directs with the main players. Usually I'm the first to complain when such an elephant is left ignored in the back of the room, but in this case (if you'll excuse the string of metaphors) I think it would be a case of missing the forest for the trees. It's not perfect - the false-finish is telegraphed and the second act sags at times - but it deserves praise for trying something so fresh, and for evenly exploring both sides of the central relationship. Men will see the movie one way, women will see it another, but both will leave with a better understanding of the other's perspective.
Ted Danson is a shrink who sends a troubled couple (Sophie & Ethan) to a weekend getaway that, he assures them, will help them resolve their marital problems. At first, one of the couple manifest better relationship skills, while the other reverts to form. Then visa versa. What can be happening?
Those of us who grew up watching TWILIGHT ZONE 60 years ago would recognize the dramatic 'device' unfolding. This is an excellent take on that premise, with more time for twists/turns in a full-length movie. Some unneeded bad language & a couple of make-out scenes. Sorry- no spoilers here. Enjoy. 8/10
Those of us who grew up watching TWILIGHT ZONE 60 years ago would recognize the dramatic 'device' unfolding. This is an excellent take on that premise, with more time for twists/turns in a full-length movie. Some unneeded bad language & a couple of make-out scenes. Sorry- no spoilers here. Enjoy. 8/10
"We had two completely separate experiences with each other that neither of us remembers." Ethan (Duplass) and Sophie (Moss) are married and are having problems. When their therapist recommends a weekend getaway they jump at the chance. The night starts off great with a romantic dinner but then things start to happen to each other without the other one remembering. What starts off as confusion becomes something that no one can or wants to believe. This is a movie that can not be spoiled. The trailer does not give the main idea away and if you have seen it please don't tell anyone else about it. The only way to describe this is that it has a very Twilight Zone feel to it. This is not a typical romantic comedy or even drama. What I will say is that this is one of the most original movies that have come out in a while and I absolutely loved it. This is a movie that must be seen and recommended but not described. Much like the sixth sense it will be ruined if you know the twist. Overall, one of the most original movies to come out in a long time. I loved it and highly recommend this. Just do not tell anyone about the twist. I give this an A.
Well, OK. Read this one.
I just caught this film at the 57th San Francisco International Film Festival. It was a last minute addition to the Festival program, and it was probably the best film I saw there (though my attendance this year was, admittedly, limited.) After an evening of seeing two mediocre films, I was seeking out something to end the evening on a high note. Playing at 9:15 was a film entitled "The One I Love" starring Mark Duplass, Elisabeth Moss and Ted Danson. As there was nothing in the program about the film, I grabbed the ol' smart phone and started to do some research. The first thing I found was a plea to STOP reading about the film and JUST GO SEE IT. Needless to say, I found this very intriguing so I did just that. And I was glad that I did. I will say little about this film and what I do say may not generate any interest in the film for you, but if you like films with terrific performances and an original thought behind them, then consider checking this film out when it plays in your area.
Duplass and Moss play a married couple whose relationship has grown stale. Seeking the help of a therapist (Danson, whose on-screen time is probably less than five minutes), they agree to go on a retreat and try to rediscover and reignite the feelings they once had for each other.
And that's where I have to stop.
Screenwriter Justin Lader was in attendance and had a great Q&A session with SFFS Programmer Rod Armstrong and the audience but I can't even discuss THAT as it too would spoil your complete enjoyment of this film. Hell, I went looking for a trailer to post for the film before I realized that there isn't one because well, you know what trailers usually do.
So take a chance. Resist the urge to figure out what I'm NOT trying to say. "The One I Love" is the kind of movie that can generate hours of post-film discussion, particularly with your significant other. If you love movies, then you should respect that.
www.worstshowontheweb.com
I just caught this film at the 57th San Francisco International Film Festival. It was a last minute addition to the Festival program, and it was probably the best film I saw there (though my attendance this year was, admittedly, limited.) After an evening of seeing two mediocre films, I was seeking out something to end the evening on a high note. Playing at 9:15 was a film entitled "The One I Love" starring Mark Duplass, Elisabeth Moss and Ted Danson. As there was nothing in the program about the film, I grabbed the ol' smart phone and started to do some research. The first thing I found was a plea to STOP reading about the film and JUST GO SEE IT. Needless to say, I found this very intriguing so I did just that. And I was glad that I did. I will say little about this film and what I do say may not generate any interest in the film for you, but if you like films with terrific performances and an original thought behind them, then consider checking this film out when it plays in your area.
Duplass and Moss play a married couple whose relationship has grown stale. Seeking the help of a therapist (Danson, whose on-screen time is probably less than five minutes), they agree to go on a retreat and try to rediscover and reignite the feelings they once had for each other.
And that's where I have to stop.
Screenwriter Justin Lader was in attendance and had a great Q&A session with SFFS Programmer Rod Armstrong and the audience but I can't even discuss THAT as it too would spoil your complete enjoyment of this film. Hell, I went looking for a trailer to post for the film before I realized that there isn't one because well, you know what trailers usually do.
So take a chance. Resist the urge to figure out what I'm NOT trying to say. "The One I Love" is the kind of movie that can generate hours of post-film discussion, particularly with your significant other. If you love movies, then you should respect that.
www.worstshowontheweb.com
Did you know
- TriviaAbout the script and the way it was performed, Duplass stated, "The way this worked, there (was) about a 50-page document that was the entire movie - the scene beats, everything, locations - except for the actual dialogue in the film. And most of the dialogue you see in the film is improvised. Although in certain scenes, where we have effects and things like that, Justin our writer [Justin Lader] would write out a version of that scene the night before, to give us a good guide, so we could have something to stick to."
- GoofsSophie takes a bottle of wine with her left hand, and the next shot shows her taking it with her right hand.
- ConnectionsEdited into Couples Therapy (2014)
- SoundtracksBye Bye Baby
Written and performed by Little Hat Jones
Courtesy of Document Records Ltd and Hull Music Company
- How long is The One I Love?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- El amor perfecto no existe
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $100,000 (estimated)
- Gross US & Canada
- $513,447
- Opening weekend US & Canada
- $48,059
- Aug 24, 2014
- Gross worldwide
- $596,933
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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