Cher Hongrang

I'll be honest, coming from someone who got ADHD and struggles binge watching any series, this is the 2nd series I watched in one sitting. 1st one was Karma. This series got elements to hook someone who's not into lovey dovey flowery storyline with cute faced ML and FL. I liked everything bout it - cinematography, the color choices of costume of ML (white cause he represents death ), the OSTs, acting, action everything. The only let down was Netflix cutting short a drama who had the potential to be a global phenomenon. The plot sometimes felt rushed , romance built up needed some more time to be more impactful. But those can be overlooked due to the brilliant acting of the leads AND the villains esp KJW.

Would I recommend? Only to those who got the eyes and guts to watch unconventional, eerie kdramas which aren't all flowers and butterflies with Happy ending.

This was a nice surprise from Netflix. From the very begining you jump right into action, no time is wasted on dragging scenes and no redundant dialogue. It' about a long lost son of a wealthy and powerful family and the people around him on how they manage to keep up with their lives after he was lost,what they did to look for him and what happens after they eventualy do find him. The series is packed with fast moving scenes,fights,mistery and strong leads. It's not the usual cringy K-drama love but more a hate-love dynamic all over.

I like that it's placed in Joseon and they wraped it all up in only 12 episodes. Great for binge watchig!

I bridged the drama over two days as I could not stop watching it. The cinematography and acting are amazing. I love the storyline and how slowly we are getting to the truth. Not a single episode was boring. The chemistry between the leads is awesome! I love the bond Jae I and Hong Rang had. Their eyes speak for themselves. The fighting scenes were great as well. It was a real surprise to see the real villain. I will not say more to avoid spoilers.

The OST is great, so fitting to the drama. It is not a typical drama; it is dark, and with each episode, there is more suffering, but it is a beautiful story of two people who try to protect each other. The last episode was very emotional.

Tangeum (Dear Hongrang) is not just a historical drama - it is a cinematic poem woven with silence, sorrow, beauty, and longing. From its haunting score to its breathtaking cinematography, every frame feels like a painting brought to life.

At the heart of it all is Lee Jae Wook, delivering the most nuanced and soul-stirring performance of his career. As Hongrang, he carries the weight of pain, secrets, and impossible love with a depth rarely seen on screen. He acts not just with his voice and expression, but with breath, posture, and silence - conveying entire worlds through a single look. His transformation throughout the series is subtle yet powerful, and his final moments on screen leave an ache that lingers.

The story unfolds like a tragic lullaby - slow, deliberate, and devastatingly human. Tangeum is a rare drama that dares to feel deeply, and dares its audience to do the same. A true gem that deserves recognition for its artistry, emotional depth, and the unforgettable performance of its lead.

Dear Hongrang is not your typical K-drama. It's a tragic, poetic exploration of trauma, power, and identity set against the backdrop of ritualistic tradition and corrupted belief. The storytelling is rich in symbolism - every snowflake, brushstroke, and silence carries weight. Lee Jae Wook delivers a heartbreaking performance as a boy turned into a sacred object, used and discarded by those obsessed with fate. Jo Bo Ah's character adds emotional depth as someone who learns to see the human behind the mask.

This isn't a drama that offers easy closure or conventional romance - it lingers with you, asks difficult questions, and quietly devastates. A masterpiece of mood and meaning.