Plainclothes

Yes, it's still necessary.

Even in 2025, homosexuality is still punishable under the law in some places - even as far as a death sentence - and/or gay marriage is illegal. Even now, rights of queer people are being withdrawn and denied in the supposedly more forward-thinking West.

Some may criticise the film's focus on the story of coming out, and long for happier queer films. Guess what, they exist. But this isn't it. And, actually, coming out remains a terrifying experience for many, which is not exclusive to the queer community.

In any case, I wouldn't even call this a coming out story.

Actual plot: Set in a time and place where the local law enforcement is cracking down on homosexuals, by trapping them into revealing themselves to undercover police officers in bathrooms, the undercover cop in question is struggling with feelings of homosexuality and suffering anxiety due to the opinions of those in his life, but begins to fall for one of his marks.

This is a very tragic love story between two people, so ashamed of their existence and their feelings they are forced into secrecy. For me, the nostalgic, bygone, filming style** only adds to the effect of the main character's anxiety and sucks you right into it with him.

It's a story about people and it delivers. Forget the rest. All the mess and chaos and pain of love - it's there - and the final scene is as devastating as their love.

Solid movie. Perfect pacing. A very interesting watch. Two exceptional performances.

At just an hour and a half, I wanted more.

*for anyone unfamiliar with Tovey's work, he starred in a British sitcom, titled Him & Her.

**a smarter person than me could analise and opine on this decision and how it mirrors the films themes, but check Sight & Sound or something for that.

Wow. I seriously enjoyed this film. Loved the way it was shot; grainy and authentic. The director really evoked the time and place so well. The acting was all round knock out (I can see why it won Sundance ensemble award), but particular credit to Tom Blyth - an actor I am not familiar with. He hooked me in from the 1st second and never let go until the last line of the film. Maybe he just reminded me of myself in the 90's; expectant, excited, hopeful, disappointed, frustrated all wrapped up in one confusing mess. There are not many films that I watch more than once (ok, I've seen Aliens more times than I can count) but I hope to revisit this one at some point in the future.

I was completely blown away by Plainclothes in 2025. I'm a movie lover who enjoys great storytelling, and this did it all for me. The journey of Lucas, an undercover cop torn between emotional duty and police duty, was beautiful and incredibly acted. The setting was comfortably in the 90s, if that makes sense, and directorial choices and style were nice too with amazing restraint. The best part is how the movie navigated the complexities of identity, morality, and human connection with no overt agenda. Plainclothes gave me a lot to think about in terms of where we have been and where we still are. Anyone looking for emotional storytelling and meaningful cinema needs to see this film. Remarkably unforgettable.

Watched at the 2025 Sundance Film Festival.

The experiences of how gay individuals are going through and the homophobia around is sad and unfortunate, especially with today's climate. Director Carmen Emmi has created an interesting movie about heartbreak, lust, gay identity, and closeted emotions with great performances from Tom Blyth and Russell Tovey, atmospheres, direction, and writing throughout. The narrative strikes with some interesting themes, character dynamics and tension revolving around its setting. While it's conventional writing does have some moments that feel a bit messy, no doubt Emmi has an ambitious tale to tell.

The theme about love and the closeted aspects of being gay is explored pretty well. Examining the troubled effects and feelings one can go through and using a cop vibe approach is quite an interesting take. As mentioned, the main two lead performances are great as the feelings and emotions they are going through are both, while aren't perfect, understandable and honest. Editing wise, there are some weird editing choices that are a bit headaching, alongside with some strange dialogue choices and pacing that feels aimless.

Otherwise, it's a good romantic thriller that achieves with its purpose and themes. Providing a really good third act that leaves the satisfaction on rise.

I was really excited to see this film because Russell Tovey is one of my favorite actors, and representation matters to me. I try to watch everything he's in. His performance as Andrew evoked a familiar mix of love, lust, and the potential for heartbreak.

Tom Blyth's performance as Lucas was phenomenal! He completely drew me in; I felt every emotion and experienced everything Lucas went through right alongside him.

Carmen Emmi-I'm a huge fan! The story was beautifully crafted and directed, transporting me back to 1996. This time, though, I was observing the stories that were used as scare tactics to keep us in line. Learning about the elements of Carmen's own life woven into the narrative, and hearing Carmen's motivation for creating this film during that specific time period, made me connect with it even more deeply.

The movie explores several themes that most queer adults have experienced. I'm being intentionally vague to avoid spoilers, but much of what Lucas experiences resonated with me. Some aspects were painfully familiar, while others made me laugh with recognition-yes, I've been there, even the minivan!

Lucas's anxiety and pain are palpable. Andrew's words in two key moments were spot-on, and I respected his character for the way he communicated with Lucas. He didn't shy away from the pain, but wrapped his words in compassion. It made my younger self feel seen.

Finally, the ending was so satisfying. I've encountered that type of person in my own life, and it was refreshing to see that moment of freedom portrayed so powerfully.