Identity

Identity, directed by Akhil Paul and Anas Khan, is a crime investigation drama cum action thriller with a very solid first half, followed by an overstuffed yet engaging second half. The film excels in establishing a highly engaging case, although it occasionally resorts to spoon-feeding scientific jargon. In the second half, the tone shifts from investigation to action, introducing new characters and plot points, which might feel slightly distracting. However, the action set pieces, especially the amazing car chase and the well-executed aviation thrill sequence, keep you hooked. While the twists and turns are intriguing, they could have been more impactful, and the emotional elements feel somewhat underwhelming. The climax includes certain commercial elements that seem out of place.

Tovino delivers another very good performance, with his body language adding uniqueness to his character. Trisha performs well, while Vinay Rai starts off good but later devolves into a clichéd character. Aju Varghese and Shammi Thilakan provide good support, and the rest of the cast does a decent job. Technically, the film is impressive. The camerawork and Bejoy's music complement the narrative effectively. The editing, with its use of jump cuts, might feel distracting at times The screenplay is smart and ensures every question is answered with minute details, while also addressing open points later. However, it feels very overstuffed at times. Overall, Identity is a good thriller that could have been even better if it had avoided being overly packed.

OVERALL - 7/10.

Identity, starring Tovino Thomas, is a technically impressive film that offers an engaging start. The movie hooks you right from the beginning with its gripping narrative and outstanding technical aspects, especially the music by Jakes Bejoy, which elevates the intensity of the scenes.

The first half is a treat-tight, thrilling, and supported by a strong cast. Tovino shines throughout, with his action sequences and the car chase standing out as highlights of the film. The layers in the story are commendable as the movie attempts to address several important issues, showcasing depth and ambition.

However, as the movie progresses, the pace takes a hit. The second half feels overstuffed with complex narratives and too many viewpoints, leaving viewers feeling exhausted and occasionally lost. While the intention to create a multilayered story is clear, the excessive writing and overwhelming content dilute the impact. The complexity becomes the film's biggest drawback, making it harder for the audience to stay connected.

Despite its flaws, Identity deserves appreciation for its ambition, technical brilliance, and Tovino's compelling performance. If the storytelling in the latter half had been more streamlined, it could have been an exceptional thriller.

Verdict: A bold and technically excellent movie that falters under the weight of its overambitious narrative. Worth watching for the first half and Tovino's stellar action scenes.

To start with, the movie is not a cheaply crafted entertainment: the team has done efforts to make it something that seems like a suspense thriller: unfortunately, the efforts have not succeeded. Wholistically speaking, it is a slow paced thriller that does not get into the audience to be connected with the characters, or to feel for them. Not even a single character leaves a sentimental impression on the audience while the cinema is over. There is little emotional content that can be felt and related.

The thriller part does not excite audience who have witnessed better movies. There is a whole load of stuff as thrilling packed, but without any effect.

The theme is somewhat new, however, not novel. There are many occasions where improbable surpasses reality, which fails to connect to the audience. There are so many questions unanswered for the audience, such as the identity of the protagonist himself. In a nutshell, it is cheap parody of a suspense thriller.

In many ways, Identity is technically superior to Forensic and boasts some interesting characters (like that of Tovino's and Trisha's). But the "hack" writing that somewhat derailed Akhil Paul & Anas Khan's previous venture is a major drawback here too. This is a film with several twists and turns, though none of them pack a serious punch. It's almost as if the writers knew this beforehand, so they've tried their best to salvage it in the making. As such, we're treated to some slick action blocks, both on land and in the air. Most of the exposition has a Wikipedia-reading feel to it, packed with a little too much info. Sure, it helps provide additional context, but do we really need SO MANY characters and subplots to get to the rather obvious conclusion?

The technical aspects are commendable - Yannick Ben and Phoenix Prabhu effectively crack the stunts, DoP Akhil George captures the leads and proceedings stunningly, and Jakes Bejoy delivers a killer score (though a bit reminiscent of Forensic). Visual effects are also largely decent (with the exception Aju Varghese's moustache). The screenplay could've gone in interesting directions, especially with respect to Trisha's character. But when the focus shifts to Tovino's Haran Shankar (sketch-artist-turned-whatever), the film starts faltering big time. I think the writer-director duo needs to ensure that their next screenplay is fat-free, unnecessary-characters-free, and most importantly, uses non-linearity only if it amps up the (actual) thrill quotient.

IDENTITY brings a unconventional narrative though the plot is rather slender. The screenplay skillfully keeps the suspense alive but fails to maintain engagement for most of its runtime. While some moments do lag with the slow pace narration, some are crafted with sheer brilliance and pulse-pounding excitement. Few plot twists add intrigue and keep the audience guessing but others feel forced and perplexing.

Trisha is an undeniable powerhouse of talent and beauty but her character isn't explored to its full depth, her performance is nuanced, authentic, and compelling. However, her styling and makeup could have been more refined.

Tovino, in the lead role, delivers a pitch-perfect performance, embodying his character with charisma and conviction. Supporting actors like Vinay Rai and Shammi are equally commendable, each bringing distinct energy to their roles, making the ensemble cast stand out.

The cinematography experiments with inventive shot compositions and lighting, yielding a visually dynamic experience in parts. While not consistently striking, the overall visual tone is effective.

The action sequences are choreographed with precision, exuding style and intensity.

The background score deserves applause for setting the right tone, seamlessly elevating the narrative.

Production design complements the story well, adding authenticity to the world-building.

Directors Anas Khan and Akhil Paul deliver a polished film that often feels like a Hollywood venture, thanks to its slick execution and ambitious vision.