Eka & Natia, chronique d'une jeunesse géorgienne

The new Georgina film ''In bloom'' makes Deep impression onlooker, great performance by Lika Babluani and Mariam Bokeria, - a classic story about the transition to adulthood and its attendant difficulties, where the great camera work and acting of spaces were completely wiped out in the story, rather odd mounting solutions, and, most importantly, the only female view of the world.

The film is full of tragic scenes, typical of the Georgina, ''in bloom'' - talking about everyday life, it is often very cruel to us, on the abnormal situation in the families of the strong friendship and mutual assistance, first love ... yes, of love, of course, he said. And again about his childhood.

I think This film is actually In Top 5 made In Georgia During last 20-25 Year.

I do not agree with Nika Gigashvili. I think Georgia should not do international movies.

I am in love with the country. And I am from Hungary. And we have similarities, after the socialist era collapsed.

For me was quite enough, how they were speaking about the whole rape and stuff during marriage. Maybe 'cuz I am a girl. The ignorance is a very massive part of the film. And during my travel through the country I experienced the same. I mean the locals with each other, not with me. But situations were quite similar during my childhood. Except guns.

I was a great movie. I watched it two weeks before and it is still keep me thinking.

Nana Ekvtimishvili's "In Bloom" is the story of steadfast friendship, of familial strife, of young love and premature commitment, of jealousy and intended revenge, of economic hardship set in the backdrop of civil war and of a precocious maturity which surpasses the misfortune.

Fourteen year-old Eka (portrayed by the mesmerizing Lika Babluani), who resides in Tbilisi, labors in line with her neighbors to buy a couple loaves of the meagre stock of bread, at school with her boisterous classmates whom her teacher cannot seem to control, at home where her father is away, her mother seems detached and her sister patronizes her, and at times with her bosom friend, Natia, who makes a decision to escape her own strife which has dire consequences.

It is this adolescent bond, between Eka and Natia, about which the story principally revolves, the comfort and support they are able to give each other as the one or the other faces a drunken or screaming family member, tormenting peers, pressure from and violation by willful men and verbal abuse from nearly everyone. Eka is the stalwart, principled character who seems to be able to see beyond the chaos.

Exquisitely directed and acted, the viewer senses not one false note among any of the characters or their actions. Emotions are heightened and several times brought to a head, and they are so well played that the sense is that it all could have happened, exactly as portrayed.

In several scenes the camera stays on minor characters, shooting from behind or over a protagonist as she addresses them or engages in some action which holds their attention, to play out the scene through capturing the reactions of the minor cast instead of training eyes on the principal character herself: the supporting cast project their characters so impeccably, this occasional perspective works seamlessly.

On other occasions, scenes are not concluded, such as during the circumstance of a kidnapping or the consequences for the perpetrators of a mortal act or a meeting which closes the film. But the characters, all of them, and the scenes, in the short space of 100 minutes, are so finely developed by writer Ekvtimishvili and portrayed by the actors, that it is unnecessary, there is nothing wanting, the imagination easily completes the picture.

The able editing, post-processing and spare soundtrack all complement and amplify the superior direction. Stand-out cinematography, pace of the film and color grading are reminiscent of Romanian New Wave cinema, such as those of "The Death of Mr. Lazarescu," "The Way I Spent the End of the World," "California Dreamin'," or "12:08 East of Bucharest."

If a viewer were pressed to find fault, he might say that "In Bloom" relates a story which lacks transcendent or inspirational moments, grand epiphanies, heroic characters or poetic dialogue. But it is the totality of poignant story and evenly-skilled effort from those behind and in front of camera to convey that story which makes the indelible mark.

This viewer was reminded several nights back in starting a commercial film (a film in which everything is spelled out, for the densest audience, nothing left to interpretation) and in having completely forgotten a recent viewing of it: the vast majority of movies are forgettable. "In Bloom" stays with you.

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Rating: 7.5+/10 (rounded up for IMDb)

Viewing: DVD, distributed in the USA by Big World Pictures (widescreen presentation; English subtitles; Dolby Digital 2.0; trailer aside, no special features relevant to picture)

In Bloom is a must see movie about Georgia's recent past. This period has been covered time after time in many movies but none of them compares.

To start with the plot - it's very simple and depicts almost everyone's life in 90s Georgia. Yet it is so well transferred to the screen, I could not tear away. The movie shows every ugliness we have lived through and it was so authentic I could not get rid of a lump in my throat throughout whole film. Small Georgian quirks might be also interesting and funny to a foreign viewer.

Beautifully shot, with every detail taken into consideration. Tbilisi has changed so much in these 20 years and yet the film captured the 90s vibe perfectly.

None of the child actors are professionals but they are doing magnificent job. They are very real and relatable.

Overall it was a brilliant effort, which deserves to be recognized.

Grzeli nateli dgeebi is a film from Georgia shown as In Bloom (2013) in the U.S. It was directed by Nana Ekvtimishvili and Simon Groß. Nana Ekvtimishvili is also the writer.

The film takes place in the Georgian city of Tbilisi in 1992, shortly after the disintegration of the U.S.S.R. Although life is not easy in Tbilisi--people are always standing in line waiting to buy bread--the movie doesn't depict widespread misery. Young people are attending school, and there's enough food on the table for everyone we meet. (I assume this is an accurate portrayal of the situation at the time, although I have no way of confirming this.)

The film is, at its core, a coming-of-age movie about two adolescent girls--Eka (Lika Babluani) and Natia (Mariam Bokeria). They are best friends and manage to protect each other, as much as possible, from male aggression and bullying.

Things don't work out very well, but I can't say more without spoiling the movie. I can say this much--there's a wedding in the film, and one of the friends gives the bride the gift of an incredible folkloric dance. It's very different--at least for me--from what I expected an Eastern European folk dance to look like, but it's truly beautiful.

We saw this movie at the excellent Dryden Theatre in Rochester, NY. However, it will work well on DVD. I noticed that most of the IMDb reviews of In Bloom came from Eastern European viewers. I don't know whether that's because the movie has had limited release in the U.S., or because U.S. viewers just haven't been motivated to review it.

The good news is that, as I write this review, its IMDb rating is a very high 8.1. So, those who have seen In Bloom really, really like it. That supports my suggestion to seek it out and view it if at all possible.