Noël a disparu !

First, nice story, very typical Hallmark (with can be a good thing). The two leads had great chem and were nice to watch together. Lyndsy was funny on her own and a better actor than some of the other Hallmark Heroines.

But there were too many problems to overcome for me to like this more.

1) Dad's constant passive aggressiveness toward his daughter. No wonder she doesn't come back more often. I know I wouldn't if I had face that barrage of attacks.

2) The green screen effects for a bunch of the fake backgrounds (in color or BW) were so cheap, I thought they were done with an iPhone. I guess if they had to blow their budget on the BW -> Color stuff, something else was going to suffer

3) Dad DOESN'T get his color after the heartfelt convo with daughter, but only when the rest of the town sings his praises... self-centered much?

4) Too much of a rip off of Pleasantville. My wife and I often play the "guess the movie it's based on", but this wasn't even subtle.

Good people in a less than good movie.

This movie was, obviously, planned with great ambitions and its theme is perfect for Christmas. Addy, played by Lyndsy Fonseca, has lost proper balance in her life, focusing on material goals, and forgotten her Christmas spirit. Back to her hometown, once the epitome of Christmas yuletide, she finds her family and friends struggling with real life constraints that mar the seasonal joy. She wishes a life without Christmas and wakes up in a black and white world. The story leads us to understand that only finding real joy and love can bring (back) color to a drab life. In this production, the huge metaphor is carried far, perhaps too far. Situations are somewhat overblown and characters feel stereotyped, a bit empty. The love connection of Andy with the somber town mechanic, played by Michael Rady, is poorly developed and unconvincing, with minimal chemistry between the two. Essentially, the movie fails in the attempt to create the magic that could have resulted from the premises, with a more insightful script.

The wonderful metaphor of gray vs color life could have been a winning point, if it had not been stolen, and not so well played, from the successful 1998 movie 'Pleasantville'. In summary, I feel this film is watchable, family-friendly, great on intent, yet weakened by a less than inspired execution. Accepted that real sentiments and emotions provide color to our life, where are the colors in this movie?

Addy is going home for Christmas after his brother asked for it. She usually doesn't go back during this season so this is quite exciting for everyone. While having problems with her car she meets Hunter, a mechanic who is dealing with stuff of his own. She accidentally wishes Christmas doesn't exist and he is the only one who can help her. Funny.

Such a imaginative plot, one that I wasn't expecting but quite liked. Michael Rady never fails (at least for me) and I think Lyndsy Fonseca is quite funny and I hope she gets to make more movies.

Something I really like is that this movie kind of mocked Hallmark with two lines: one about the NYE's movies starting in June and at the end about someone falling in love and kissing like in those movies. Nothing bad just the truth.

For once, the actors playing the parents could actually be the leads parents. They always are so young. I felt this movie wasn't so much about romance but the Christmas spirit. In my opinion, the leads had few scenes for them to fall in love.

Not a favorite regarding the romance but overall, nice Christmas movie.

It is difficult to find truly new themes for these Christmas movies. It was a good effort borrowing the main idea from Pleasantville to give us a new angle for this Christmas movie. But when it comes down to it, there were still many of the usual Christmas movie subplots. Addy living in big city Chicago comes home for Christmas. Like many of the leads in Christmas movies, she hasn't been home in a while and there is family resentment. And even Addy is having trouble finding her Christmas spirit. It gets so bad that she wishes Christmas away completely.

The rest of the movie is Addy trying to restore the color of Christmas, first to those around her and ultimately to herself. She quickly teams up with her romantic opposite, Hunter.

I usually consider Michael Rady to be one of Hallmark's go-to actors, but I was disappointed this time. He and Lyndsy Fonseca didn't have much chemistry and the inevitable love affair between the characters lacked credibility. Part of this was because Addy was the center of the story until later in the story and until then Hunter was secondary. Another reason for lack of chemistry was the attitude of Hunter. His wish to stay out of the spotlight came off as him wanting to be a victim.

I thought the vehicle for Addy's restoration was obvious until it wasn't. I was mostly wrong leaving the movie with a cliche ending.

Still, give the movie points for a new take on losing the Christmas spirit. My interest was maintained to the end despite my preferring a slightly different ending.

First of all, don't expect strict realism from this movie; it's more of a fantasy.

Once you accept that, I think it's really well done. There are a few sketchy and unexplained parts, such as how an app can grant a wish and erase the memory of Christmas from the entire world, but as I said, it's a fantasy. Lyndsy Fonseca, I think, was a great choice for this movie and I felt a great deal of sympathy and affinity for her character. When she first meets up with her romantic interest (Hunter), you can tell he is quite taken by her. And I can understand why.

I was impressed with the merging of color and black-and-white portions in the scenes, and I think it added a great deal to the film. It was also interesting to see how the normally good-hearted characters could be so easily portrayed as not so pleasant with the change in circumstances, particularly the father. The ending could probably have been written a little better, but overall it was an enjoyable movie and I'd probably watch it again.