A pair of new hires must unravel their identity while navigating a corporate metaverse that controls virtually every aspect of its employees' online reality.A pair of new hires must unravel their identity while navigating a corporate metaverse that controls virtually every aspect of its employees' online reality.A pair of new hires must unravel their identity while navigating a corporate metaverse that controls virtually every aspect of its employees' online reality.
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As I mentioned in the title, I was hoping for and expecting more. I am familiar with the writer and a few of the actors, and I generally enjoy things that they produce. This is not the case here, as the writing feels very stilted and heavy on clichés, and the actors generally do a good job with the material that they are given to work with.
You would likely be better served watching something else, like Cube, and supporting LGBTQ+ stories elsewhere. The themes and ideas of the short are good ones but feel to be applied very poorly. Questions of identity in identiteaze is almost as comically simplistic as a bad episode of Star Trek.
As I mentioned in the title, I was hoping for and expecting more. I am familiar with the writer and a few of the actors, and I generally enjoy things that they produce. This is not the case here, as the writing feels very stilted and heavy on clichés, and the actors generally do a good job with the material that they are given to work with.
You would likely be better served watching something else, like Cube, and supporting LGBTQ+ stories elsewhere. The themes and ideas of the short are good ones but feel to be applied very poorly. Questions of identity in identiteaze is almost as comically simplistic as a bad episode of Star Trek.
Full disclosure I've been a fan of writer director Jesse Earl known on YouTube as Jesse Gender for at least a year by now. While I don't agree with everything she says I always find her analysis of current Star Wars shows and other similar stuff to be compelling. I would love for this to lead to a series as she has expressed a hope for though it does also tell a full story. This is deeply impressive and not just for a debut. It is primarily made for members of the LGBTQ+ community especially trans and non-binary folks and I really appreciate that it doesn't feel the need to bend over backwards to accommodate us cis-het allies. But don't fret, everyone can find something to relate to in the exploration of identity, of being forced to hide part of who you are.
The technical aspects are immaculate. Impressive acting and writing getting across the ideas. No, the metaphor and allegory are not subtle but I think given how bad things have gotten with legislation(the bathroom bills etc.), we've gotten to the point where just being direct is the best approach. The editing captures the liminal space, the cinematography uses careful framing to underline, in a style somewhat reminiscent of Kubrick, the sterile, alienating set design which takes some inspiration from the masterpiece Cube. There's also some Matrix going on - it's no secret that the Wachowskis did an amazing job exploring what it's like being trapped in a system that hates you, in part for your individuality, and this takes that to a new level without ever feeling like a lazy rehash.
This is thankfully not as winky and frankly kind of gatekeepy as the Channel Awesome anniversary movies - rather, it is what it looks like when *talented* nerds(a term I use affectionately, as I myself am one) are able to make a piece of fiction that they're passionate about. This manages to put every cent of its budget on screen, similar to for example the pilot for Lost and unlike the one for Star Trek Enterprise. The special effects are great and it makes the wise indie decision to not try to depict something it can't do well. It features solid criticism of systems, corporations, the metaverse and binary choice. 8/10.
The technical aspects are immaculate. Impressive acting and writing getting across the ideas. No, the metaphor and allegory are not subtle but I think given how bad things have gotten with legislation(the bathroom bills etc.), we've gotten to the point where just being direct is the best approach. The editing captures the liminal space, the cinematography uses careful framing to underline, in a style somewhat reminiscent of Kubrick, the sterile, alienating set design which takes some inspiration from the masterpiece Cube. There's also some Matrix going on - it's no secret that the Wachowskis did an amazing job exploring what it's like being trapped in a system that hates you, in part for your individuality, and this takes that to a new level without ever feeling like a lazy rehash.
This is thankfully not as winky and frankly kind of gatekeepy as the Channel Awesome anniversary movies - rather, it is what it looks like when *talented* nerds(a term I use affectionately, as I myself am one) are able to make a piece of fiction that they're passionate about. This manages to put every cent of its budget on screen, similar to for example the pilot for Lost and unlike the one for Star Trek Enterprise. The special effects are great and it makes the wise indie decision to not try to depict something it can't do well. It features solid criticism of systems, corporations, the metaverse and binary choice. 8/10.
From the brilliant mind of revolutionary artist Jessie Earl, Identiteaze is a stunning and captivating sci-fi short film. Set in a virtual reality limbo in a dystopic corporate controlled future, the film centers around two strangers with missing memories faced with an impossible decision and an unknown fate. An astounding cast, amazing writing and direction, and beautiful visuals highlight this exploration of identity, conformity, our place in the world, and what we owe to each other. Lovingly made by true fans of science fiction, the film features numerous nods to iconic works that aren't necessary for your enjoyment but that enhance the experience greatly if you are. The allegorical exploration of queer identities is heart wrenchingly potent, and relatable to anyone who's ever struggled to know who they are or what their place in the world should be. I cannot recommend this film enough. It is fully worth a membership to Nebula for this film alone!
This short film reminded me of the TV show Severance, but where Severance provided enough information to generate specific questions about the core mysteries of the story, Identiteaze gave too few clues to spark an investment in the story. The visuals were good and the actors did well with what they were given. Much of the dialogue was repetitive or frustratingly vague, including a convoluted series of musical metaphors. I appreciate that this is a sincere effort from a cast and crew comprised of people often underrepresented in media, and I generally enjoy science fiction that explores elements of the human experience, including gender. The execution just didn't work for me.
There are a couple of moments in this short film that I found to be pretty funny, or clever, but overall I think even at its best, Identiteaze is just okay. And unfortunately, for most of its runtime, it feels pretty bland, and lacking in anything to really engage the viewer; with the central characters (character?) being rather ill defined, and seeming to have different personalities each line in order to facilitate the dialogue, and the plot being mostly pretty standard sci-fi tropes, and hinting at some greater scope without really telling, I feel, a satisfying story by the end of its 40 minutes. The actors did fine (although I found something a little off about Abigail Thorn's performance, tbh), and the effects were mostly decent for the kind of budget I'm assuming this had.
I am definitely interested to see what more nebula artists make with this kind of backing.
I am definitely interested to see what more nebula artists make with this kind of backing.
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