IMDb RATING
5.0/10
3.2K
YOUR RATING
A young musician hopes to marry his beautiful Indian girlfriend, but his plans hit a snag when her family learns he's Pakistani.A young musician hopes to marry his beautiful Indian girlfriend, but his plans hit a snag when her family learns he's Pakistani.A young musician hopes to marry his beautiful Indian girlfriend, but his plans hit a snag when her family learns he's Pakistani.
- Director
- Writers
- Stars
Kirron Kher
- Asha's Mom
- (as Kiron Kher)
V.M. Badola
- Dadu
- (as Vishwa S. Badola)
Tom Christian
- Pimp
- (as Thomas Christian)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Director Mr. Eshwar Niwas work is just average. Idea is cute. Screenplay is OK but gags in the screenplay are good. Dialogues are impressive. Maximum humor comes out only due to very good dialogues. Credit goes to writer Neeraj Pandey. Length of this movie, which is 1.45 hours, is too short according to Hindi cinema. Even it drags at too many places. First half is good but second half is loose. There are lots of scenes which are abrupt, i.e Suddenly memory loss and again memory gain, both are pushed just to create humor. This track is boring and lengthy. They inform that grandfather hears loud but all talks to him in normal way. Even he is blind but he can target gun and play with knife! Track of Pakistani neighbour is also weak and pushed one. Performance wise Ali Zafer is very good. His voice modulation is amazing and it set the mood of scene very well. Yami Gautem is good. Kirran Kher is fine. Sara Khan as Jia Singh is OK. Anupam Kher is wasted. Music is OK. Total Siyapaa, tera pyar track is good.
Loosely based on the Spanish rom-com 'Seres Queridos' ('Only Human') in which a Palestinian boy meets his Jewish girlfriend's family, Total Siyapaa explores the India-Pakistan cultural divide through the relationship of Aman (Ali Zafar) and Asha (Yami Gautam), set in London. Everything in their relationship is picture perfect, till Asha invites Aman to meet her family over dinner. Asha's family goes crazy when they come to know that Aman is a Pakistani. The chaos begins and Aman finds himself in nightmare, which just doesn't seem to be ending!
The first half of the movie is a breezy comedy of errors, with some sharp dialogues and funny situations. But second half goes on an entirely different tangent that doesn't tie in with the first half. After a while, the screenplay seems super stretched, with too many pointless sub-plots. Even when the movie is less than two hours one wishes that at least 15 minutes more were edited. Also other than a few dialogues that evoke a hearty laugh rest just fail to make any impact.
Performance wise, Kiron Kher steals the show, playing the loud Punjabi paranoid mother with perfect comic timing, barring a few scenes where she overacts
Ali Zafar plays himself, a musician from Pakistan, offering nothing new in his poker face type of performance. He still has the natural charm and is likable as the confused, ill-fated Pakistani boyfriend stuck in a crazy situation.
Yami Gautam's character, as the Indian Hindu love interest, was poorly written and she did not have much scope to perform. Also, there was no chemistry between Ali and Yami. On the other hand, watching the interactions between Zafar (the damaad) and Kher (the mother-in-law-to- be) together on screen were an absolute delight.
Anupam Kher is completely wasted and it is sad to see an actor of his talent play a silly, cameo- ish role in Total Siyapaa. New-find Sara Khan comes across seductive. Other actors were plain and bland.
Anupam Kher and his real life wife Kiron Kher play the on screen couple for the first time and their chemistry and pairing has not been properly exploited in the movie.
Total Siyapaa has a very telefilm or theatric look and feel and director Eeshwar Nivas has made the entire flick in essentially three sets and the entire cast has donned one outfit throughout. Outcome of a low budget more then the script's demand, because the artists are also badly styled.
Music is strictly average and not very memorable - although 'Palat meri jaan' is enjoyable and compliments the plot.
Total Siyapaa is really a major chaos. Overall, the best moments from Total Siyapaa were already shown in the snappy promos and a very interesting concept is churned out as strictly average movie lacking charm, spark and humor.
The first half of the movie is a breezy comedy of errors, with some sharp dialogues and funny situations. But second half goes on an entirely different tangent that doesn't tie in with the first half. After a while, the screenplay seems super stretched, with too many pointless sub-plots. Even when the movie is less than two hours one wishes that at least 15 minutes more were edited. Also other than a few dialogues that evoke a hearty laugh rest just fail to make any impact.
Performance wise, Kiron Kher steals the show, playing the loud Punjabi paranoid mother with perfect comic timing, barring a few scenes where she overacts
Ali Zafar plays himself, a musician from Pakistan, offering nothing new in his poker face type of performance. He still has the natural charm and is likable as the confused, ill-fated Pakistani boyfriend stuck in a crazy situation.
Yami Gautam's character, as the Indian Hindu love interest, was poorly written and she did not have much scope to perform. Also, there was no chemistry between Ali and Yami. On the other hand, watching the interactions between Zafar (the damaad) and Kher (the mother-in-law-to- be) together on screen were an absolute delight.
Anupam Kher is completely wasted and it is sad to see an actor of his talent play a silly, cameo- ish role in Total Siyapaa. New-find Sara Khan comes across seductive. Other actors were plain and bland.
Anupam Kher and his real life wife Kiron Kher play the on screen couple for the first time and their chemistry and pairing has not been properly exploited in the movie.
Total Siyapaa has a very telefilm or theatric look and feel and director Eeshwar Nivas has made the entire flick in essentially three sets and the entire cast has donned one outfit throughout. Outcome of a low budget more then the script's demand, because the artists are also badly styled.
Music is strictly average and not very memorable - although 'Palat meri jaan' is enjoyable and compliments the plot.
Total Siyapaa is really a major chaos. Overall, the best moments from Total Siyapaa were already shown in the snappy promos and a very interesting concept is churned out as strictly average movie lacking charm, spark and humor.
Is it an Oscar worthy masterpiece? No. But it's an amazing comedy. At times it makes no sense, it can be very dumb but in a very fun and laughable way. Defiantly worth checking out!
Despite the giddy pace, it soon becomes clear that there's not enough of a story here, merely a string of gags. The thin plot is stretched out until it collapses under the weight of its contrivances, squandering a good cast, particularly Kirron Kher as the shrill Mummyji. Such a shame that the film's central conflict evaporates conveniently and unconvincingly in a hurried, all-too-neat finale. Funny, but in a pedestrian sort of way. While the promos of the film prepare you for a laugh-riot, what unfurls on screen doesn't keep you in splits through and through. Initially, yes, the humor works, especially when Ali meets his prospective mother-in-law Kirron Kher, but thereafter, a few sporadic instances apart, several episodes fall flat. On the whole, TOTAL SIYAPAA appeals in bits and spurts. You expect a laugh-riot, but what comes across on screen is half-baked.
One sentence to wrap up the whole film is " A genuine forceful effort to make people laugh (Only possible on Gun Point)". Ali Zafar's 4th Movie (2nd disaster in sequence) is out and finally the fans are disappointed again. The whole plot from start till the end was beyond apprehension. One feels tortured and painful while watching this so called comedy flick. The idea to shoot the movie in one night, one dress and one go is poorly conceived, weakly written, immaturely directed and childishly portrayed. The characters appear in a haphazard manner. The cast was quite limited. The scope remained narrow, dialogs highly unimpressive and acting substandard. The father of the heroine (Yami) is missing, brother fighting with Pakistani neighbor (without any good reason), sister is acting weird (crushing on Ali and at the same loving her husband and the mother is making a joke of her husband while he is missing. Ali Zafar should quit movies immediately and concentrate on his music. Acting is probably out of his league. Yami Gupta was not seen as fresh as she was (I mean it is an achievement to shoot the complete movie in only one dress without any definite reason). Kirron Kher was OK but Anupam Kher was not seen at all in the movie (invisible character) The idea of India Pakistan tussle among a love couple surely would have achieved a great success and a nice movie if conceived and directed with some sense. Such ventures only add frustration to the audience and adds another disappointment to the flop charts numbers in the Bollywood. I do not recommend this movie to watch even when you don't have anything to watch. A failure with two thumbs down !!!
Did you know
- TriviaIn this Bollywood remake of the Spanish comedy "Only Human", the Jewish and Palestinian lovers become Indian and Pakistani.
- ConnectionsFeatures Dilwale Dulhania Le Jayenge (1995)
Details
Box office
- Gross worldwide
- $184,730
- Runtime
- 1h 48m(108 min)
- Color
- Aspect ratio
- 2.35 : 1
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