Le Pavillon des hommes

Japanese anime can be hit or miss for me. Sometimes the characters or themes don't work, but this wasn't the case in Ooku: The Inner Chambers. It's an interesting interpretation of female and male roles in one of the most traditional societies to be found on earth. Not only are you as the viewer given an interesting look at Japanese culture, which is always a treat when done right. You are given this view through the premise of an alternate society where female's rule by necessity and then by choice because of a strange disease that wipes out most of the men. Actual Japanese history is interspersed through this tale, so the saga feels very "real" and down to earth. I have never read the manga associated with this, and I doubt I ever will, but I truly enjoyed this anime as a fan and as a person who enjoys a good story. It's not overblown, and the themes and characters work so well in the story you find yourself just watching things play out. I hope there are more seasons because this is a well done anime and I hope to see more of it.

8/10.

The story is an alternate history anime. It's not meant to be an action or fighting anime. The story has a slice of life feel from the Edo Period. The content has more adult themes than other anime but the story needs these to build into the crisis being experienced. The Ooku being a real entity within the historic Edo Castle lends weight to the story, making the story closer to reality than other anime. Go into this not expecting anything other than alternate historical drama and you'll be pleasantly surprised. Wish there were a couple more episodes in the season but definitely more material for another season.

Ooku: The Inner Chambers has a very interesting premise: Edo devastated by a plague targeting only men, that inevitably brings about a reversal of roles for men and women. So the shogun is now a woman, and she is served by a 3000 men strong harem (Ooku being the name of the building where the male concubines live).

I thought that it was pretty interesting for those who are familiar with the history of Japan (Edo era), but one never really relates to the characters, so... However, just to put things right regarding a 1 star review posted some days ago, implying that having 800 concubines were never the case in East Asia: the real Ooku was home to 3000 concubines at its peak,and don't even get me started with China. The Ming Emperor, for instance, had at some point 9000 concubines (many of whom he never, ever saw).

I'm uncertain about how the first character we encounter in the introduction contributes to the overall story, as we never see him again after the first episode. Initially, it seems like we're following him, but then that changes. Next, we think we're focusing on another character, only to find out that's not the case either. We start to follow the current shogun, but once again, that direction shifts, leading us back to the previous shogun. It feels like a series of character setups that only leave you dizzy. I paid close attention, yet I found it challenging to keep up due to the introduction of what appears to be a main character who ultimately isn't. Ooku: The Inner Palace is convoluted and difficult to follow.

This is an interesting take on alternative history. I liked it all in all but if you're used to watching explosive (mostly shonen) anime series such as myself (the likes of AoT, Demon Slayer, Death Note etc.) please take into consideration that this series is as similar to those as The Dead Poet's Society is to Mission Impossible. It's just a completely different genre of anime with a much greater emphasis on very subtle character driven plotlines and grounded philosophical themes than your run of the mill shonen anime. This series does not rely on the power of friendship/love tropes you find in Pokemon and Yu-Gi-Oh! This does not have the bombastic action scenes of Attack on Titan, the witty humour of Demon Slayer or the thrilling, clever plot line of Death Note. This series does however have its own mysterious charm. It asks questions such as "What would happen if women had to replace men in most matters of business and politics?" and "Is a person either good or evil or can they be a little bit of both?". It explores humanity, human emotions and the reasons for why we do the things we do and why we are the way we are. Most of the characters have both redeemable and reprehensible character traits; there is no good side and bad side, it's all a question of survival and making the best of the hand you're dealt.

The animation was mostly good, although there were a few scenes scattered in between where you could clearly see they switched from traditional hand animation to CGI, but nothing too jarring. I watched it with the English dub and I think they did a pretty good job, although the dialog was a little bit coerced in some scenes and a lot of very poorly disguised exposition forced into it (which, to be honest, I don't know is the fault of the English translators or if the script was just written that way originally). For example, in one of the scenes a boy talking to his mother says something along the lines of "You'll leave my little brother Niko behind." No child speaks to their mother about their sibling like that; they both know Niko is his younger brother, there's no need to elaborate on that, it just sounds very exposition-y, if you ask me. Anyways, I digress.

I would recommend people give this series a chance, at least the first couple of episodes, bearing in mind that this is neither and action- nor an adventure series but a somber, even melancholy exploration of human nature. If you enjoyed Violet Evergarden I think you might definitely like this one.