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7.7/10
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A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.
- Directors
- Writers
- Stars
- Nominated for 1 Oscar
- 12 wins & 23 nominations total
Vivian Maier
- Self
- (archive footage)
Jeffrey 'Guffy' Levant
- Self - Interview Subject
- (as Jeffrey 'Duffy' Levant)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"Finding Vivian Maier" is one of the strangest documentaries I've seen in a very long time. Strange, however, does not mean it's bad--the movie is one that surprised me with how much I was drawn into this highly unique woman's life. And, it's just debuted on Netflix in case you'd like to give it a try, as it's amazingly original and worth your time.
When the documentary begins, a young and rather unusual young man, John Maloof, talks to the camera to explain how he came to know Vivian Maier. One day, a huge box full of photographs was being auctioned off and he bought it on a lark. It turned out that the pictures were amazingly good photographs of various everyday people taken in the 1950s. However, the pictures had a very artistic touch and it was obvious that the photographer was no novice---they had the eye of a wonderful artist. Armed only with a bit of information, John began researching for more on this woman. To his surprise, he learned that this Vivian Maier was a governess and maid--not a professional photographer. However, the story soon gets MUCH stranger. It turns out that there is a storage unit filled with her belongings and Miss Maier has recently died. And, with no apparently last of kin, Maloof buys the contents of the unit. Inside are boxes and boxes and suitcase after suitcase filled with approximately 100,000 photos taken from 1951 up towards the present. And, in addition, are many, many roles of undeveloped film-- and who knows what wonderful treasures are on these films?
The film, however, does not just talk about her photos or qualities as an artist. Instead, John goes on a journey to try to find people who knew Vivian in order to help him assemble her life story. What he finds is often contradictory, quite confusing and, above all, very strange. It seems that Vivian really had difficulty connecting with people and didn't remain on her jobs very long. She also created a persona of a French woman--though it turns out she was born in New York! Additionally, aside from one family with which she worked for about six years, most of her jobs seem to have lasted only a few months or perhaps a year (this was the case with Phil Donohue's family back about 1970--yes THAT Phil Donahue)! The reasons are not simple to explain without seeing the film, but could be boiled down to the fact that she was, as one person put it, a 'damaged person'--with so much emotional baggage and weird behaviors that she was unable to really connect with others. She could not allow herself to be physically or emotionally touched by others and her photos are a possible unusual way of connecting with the world. What else do you learn? Well, see the film--as the story takes many unusual twists and turns. Overall, it's less like a biography and more like a forensic case where some people are trying to re- create a dead person by interviewing all those who knew her during her odd life as well as using Maier's own photographs, film footage and audio tapes. And, what's really unusual is that most of the people she knew seemed to have no idea that she was a great artist...as she took this secret to her grave.
Fascinating....this is probably the word that best describes this film. You just have to see it to believe it and although many might think twice about seeing a documentary or a film about a strange eccentric, I heartily recommend you give this movie a chance. You won't regret it.
When the documentary begins, a young and rather unusual young man, John Maloof, talks to the camera to explain how he came to know Vivian Maier. One day, a huge box full of photographs was being auctioned off and he bought it on a lark. It turned out that the pictures were amazingly good photographs of various everyday people taken in the 1950s. However, the pictures had a very artistic touch and it was obvious that the photographer was no novice---they had the eye of a wonderful artist. Armed only with a bit of information, John began researching for more on this woman. To his surprise, he learned that this Vivian Maier was a governess and maid--not a professional photographer. However, the story soon gets MUCH stranger. It turns out that there is a storage unit filled with her belongings and Miss Maier has recently died. And, with no apparently last of kin, Maloof buys the contents of the unit. Inside are boxes and boxes and suitcase after suitcase filled with approximately 100,000 photos taken from 1951 up towards the present. And, in addition, are many, many roles of undeveloped film-- and who knows what wonderful treasures are on these films?
The film, however, does not just talk about her photos or qualities as an artist. Instead, John goes on a journey to try to find people who knew Vivian in order to help him assemble her life story. What he finds is often contradictory, quite confusing and, above all, very strange. It seems that Vivian really had difficulty connecting with people and didn't remain on her jobs very long. She also created a persona of a French woman--though it turns out she was born in New York! Additionally, aside from one family with which she worked for about six years, most of her jobs seem to have lasted only a few months or perhaps a year (this was the case with Phil Donohue's family back about 1970--yes THAT Phil Donahue)! The reasons are not simple to explain without seeing the film, but could be boiled down to the fact that she was, as one person put it, a 'damaged person'--with so much emotional baggage and weird behaviors that she was unable to really connect with others. She could not allow herself to be physically or emotionally touched by others and her photos are a possible unusual way of connecting with the world. What else do you learn? Well, see the film--as the story takes many unusual twists and turns. Overall, it's less like a biography and more like a forensic case where some people are trying to re- create a dead person by interviewing all those who knew her during her odd life as well as using Maier's own photographs, film footage and audio tapes. And, what's really unusual is that most of the people she knew seemed to have no idea that she was a great artist...as she took this secret to her grave.
Fascinating....this is probably the word that best describes this film. You just have to see it to believe it and although many might think twice about seeing a documentary or a film about a strange eccentric, I heartily recommend you give this movie a chance. You won't regret it.
"Finding Vivian Maier" is actually quite a remarkable documentary about a completely unknown photographer who was, sadly enough, overlooked in her lifetime.
It was only by a stroke of sheer luck that John Maloof (this documentary's co-writer/co-producer) came across this surprise discovery of negatives amongst Vivian's possessions, which he had purchased at an auction (of her abandoned personal property) in 2007.
Vivian (who worked as a nanny for various families for nearly 40 years) apparently never showed her photographic work to anybody. But thanks to Maloof's uncovering of Vivian's personal possessions, it is now realized that her photographic-eye was truly exceptional.
This is definitely one documentary that is really worth seeing.
It was only by a stroke of sheer luck that John Maloof (this documentary's co-writer/co-producer) came across this surprise discovery of negatives amongst Vivian's possessions, which he had purchased at an auction (of her abandoned personal property) in 2007.
Vivian (who worked as a nanny for various families for nearly 40 years) apparently never showed her photographic work to anybody. But thanks to Maloof's uncovering of Vivian's personal possessions, it is now realized that her photographic-eye was truly exceptional.
This is definitely one documentary that is really worth seeing.
This film is recommended.
Filmmaker John Maloof stumbles upon a trove of unwanted photos at an auction by a relatively unknown artist named Vivian Maier and this documentary, co-directed with Charlie Siskel, wants to make her well known and just may do so. His Antique Roadshow story becomes the basis for his documentary, Finding Vivian Maier, and it's almost too obvious that this filmmaker wants to create a legend and myth in this well done infomercial for this talented woman. Through interviews and archival footage of her photographic work, we learn little about this eccentric artist's life, she remain an enigma. But her photographic more than fulfills her lasting legacy.
To be honest, the film does not present a well balanced view of the late artist, and is purposely biased in its approach to heralding her fame. But Miss Maier's work, part Diane Arbus, Robert Frank, and Walker Evans, is certainly powerful. Her street photography is quite remarkable with a dark and insightful point of view.
Armed with a Rolleiflex camera, Maier shot over 100,000 photos of street life. Her imagery, mostly head shots of people on the streets of Chicago beginning in the 1960's, is varied and quite accomplished. Her photo journalistic style documents those times well into the 90's era. Her use of shadows and light are particularly effective and help to create a chilling mood with its subjects and their environs.
Finding Vivian Maier tries to uncover this artist's personal life, but never achieves that goal, due to conflicting stories by interviewees and the lack of physical evidence left by Maier herself. We take away from the film the fact that she was a private person whose main job was being a full-time nanny, although she may have possibly had severe mentally issues. She was a creative and prolific artist on the side, rarely printing or showing her own work to others. But we also take away from this biography a slightly disturbing feeling that the filmmakers might have an ulterior motive, taking advantage of the artist for purely financial reasons rather than mere admiration of her work. Some details (her early life, her friends and family members, her death) are glossed over instead of examined with any depth or mention.
That said, the filmmakers have assembled a compelling portrait of the photographer and her work is certainly worthy of attention. We may not find the real essence of the artist in the documentary, Finding Vivian Maier, but the journey itself and Vivian Maier's memorable imagery makes for fascinating viewing. GRADE: B
Visit my blog at: www.dearmoviegoer.com
ANY COMMENTS: Please contact me at: jadepietro@rcn.com
Filmmaker John Maloof stumbles upon a trove of unwanted photos at an auction by a relatively unknown artist named Vivian Maier and this documentary, co-directed with Charlie Siskel, wants to make her well known and just may do so. His Antique Roadshow story becomes the basis for his documentary, Finding Vivian Maier, and it's almost too obvious that this filmmaker wants to create a legend and myth in this well done infomercial for this talented woman. Through interviews and archival footage of her photographic work, we learn little about this eccentric artist's life, she remain an enigma. But her photographic more than fulfills her lasting legacy.
To be honest, the film does not present a well balanced view of the late artist, and is purposely biased in its approach to heralding her fame. But Miss Maier's work, part Diane Arbus, Robert Frank, and Walker Evans, is certainly powerful. Her street photography is quite remarkable with a dark and insightful point of view.
Armed with a Rolleiflex camera, Maier shot over 100,000 photos of street life. Her imagery, mostly head shots of people on the streets of Chicago beginning in the 1960's, is varied and quite accomplished. Her photo journalistic style documents those times well into the 90's era. Her use of shadows and light are particularly effective and help to create a chilling mood with its subjects and their environs.
Finding Vivian Maier tries to uncover this artist's personal life, but never achieves that goal, due to conflicting stories by interviewees and the lack of physical evidence left by Maier herself. We take away from the film the fact that she was a private person whose main job was being a full-time nanny, although she may have possibly had severe mentally issues. She was a creative and prolific artist on the side, rarely printing or showing her own work to others. But we also take away from this biography a slightly disturbing feeling that the filmmakers might have an ulterior motive, taking advantage of the artist for purely financial reasons rather than mere admiration of her work. Some details (her early life, her friends and family members, her death) are glossed over instead of examined with any depth or mention.
That said, the filmmakers have assembled a compelling portrait of the photographer and her work is certainly worthy of attention. We may not find the real essence of the artist in the documentary, Finding Vivian Maier, but the journey itself and Vivian Maier's memorable imagery makes for fascinating viewing. GRADE: B
Visit my blog at: www.dearmoviegoer.com
ANY COMMENTS: Please contact me at: jadepietro@rcn.com
A box is bought at auction and explored, turns out the last owner collected a large hoard, of film and negatives, you start to build a narrative, for your curiosity, you receive a great reward. The picture that develops is profound, the images you've captured just astound, the story that it tells, puts you right under its spell, as more canisters (amongst other things) appear, it's quite profound.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
John Maloof buys one lot of photo negatives at a local auction house for $380 in 2007. He's looking for old pictures of Chicago to put in a picture book. He purchases the rest of the negatives from the other buyers and finds out after goggling that she was actually just a nanny. Her works find recognition as Maloof starts displaying them. She was also a pack rat and he pieces together her life from all of material she saved up. She seems like an eccentric private person who took pictures all the time. She would even bring her young charges to the slums to take interesting photographs. He continues to dig into her life and finds some fascinating mysteries.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
Did you know
- ConnectionsFeatured in The Oscars (2015)
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Details
Box office
- Gross US & Canada
- $1,514,782
- Opening weekend US & Canada
- $63,600
- Mar 30, 2014
- Gross worldwide
- $2,385,956
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.85 : 1
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