Comme des bêtes

Animated film that takes place in NYC. Two dogs named Max (voiced by Louis C.K.) and Duke (voiced by Eric Stonestreet) get separated from their owner when out for a walk. The film chronicles their journey back home.

This is clearly aimed at kids but has plenty of humor that adults will enjoy. I'm in my 50s and laughed long and loud at some of the antics. The script is good and moves quickly. I was never bored. With one exception the voices perfectly fit the characters. The one exception was Snowball. He's a psychotic rabbit voiced by Kevin Hart. Hart can be funny but not here. He YELLS every word out at the audience. It gets annoying quick. The animation is great--very fluid and pleasing to the eye. The backdrops of NYC are breath-taking. The only real debit is there are some glaring lapses in logic but it IS a kids film. Recommended.

When you see as many movies as I do (and you start writing reviews in your head while you're watching them), certain movies, parts of movies, plot points or characters remind you of other movies. In my reviews, I often note those parallels, using them to comment on the movie I'm reviewing. Sometimes I note similarities between movies to say that the more recent film is unoriginal. Other times, it's just to help explain what the new movie is like. The animated adventure comedy "The Secret Life of Pets" (PG, 1:30) reminds me very much of two other animated features… but that's not necessarily a bad thing.

Tell me if this sounds familiar: Someone's possessions (as he or she views them) actually have secret lives of their own which are only really apparent when the owner is not around. These anthropomorphic possessions relate to each other and form friendships. When a newer version of the original is brought into the group, jealousy emerges and the original tries to get rid of the interloper. This struggle results in both of the rivals being thrust out of the comforts of home into the little-understood big, bad world, a situation which requires their compadres to venture out of their own comfort zones to mount a rescue.

That set-up fits Illumination Entertainment's 2016 "The Secret Life of Pets" as well as it does the 1995 Pixar/Disney classic film "Toy Story". (Think, "Pet Story", or "The Secret Life of Toys".) But considering that the 2016 film is about animals rather than toys, maybe the better comparison is to another 2016 animated feature (also from Disney) by the name of "Zootopia". In both of those 2016 films, a couple of anthropomorphic animals (among many others living in a big city) form a partnership which develops into a mutually beneficial friendship. I guess it's not unfair to think of "The Secret Life of Pets" as a mash-up of "Toy Story" and "Zootopia". Nevertheless, this one charts its own unique course and is as entertaining as those other two… or the "Despicable Me" films, also from Illumination Entertainment.

Now that you know what "The Secret Life of Pets" is LIKE, here's what it's ABOUT: The movie focuses on a small brown and white terrier named Max (voiced by Louis C.K.) and his relationship with the other pets in his apartment building. Max lives in a small Manhattan apartment with his owner, a young woman named Katie (Ellie Kemper). When Katie goes to work each day, Max sits at the door wondering where she has gone and waiting for her to come back and play with him. Meanwhile, the pets in the building across the alley and above and below his apartment (and one guniea pig lost in the air ducts) are more active in their daily lives (and more mobile) than is readily apparent. (Thus, the title of the film.) Some of the neighborhood pets include an overweight white cat named Chloe (Lake Bell), a bulldog named Mel (Bobby Moynihan), a dachshund named Buddy (Hannibal Buress), a canary named Sweet Pea (Tara Strong), and Gidget (Jenny Slate), a white Pomeranian who has a secret crush on Max.

Except for missing Katie during the day, all is well in Max's little world… until one not-so-fine day when Katie brings home another dog she rescued from a shelter. Duke (Eric Stonestreet) is a large, shaggy, dark brown dog who has no problem throwing his weight around to get the best place to sleep, or as much food as he wants, or… anything else. Max starts scheming about how to get rid of Duke, but one such attempt while they're in the park with Katie's dog walker back-fires and sets both Max and Duke off on a wild and dangerous journey around the city. When Gidget realizes that Max has disappeared, she enlists their mutual pet friends, plus a caged hawk named Tiberius (Albert Brooks), and a few other neighborhood pets (including the Dana Carvey voiced "Pops"), to help her find Max. Meanwhile, Max and Duke have to try escaping from animal control workers, a disfigured alley cat named Ozone (Steve Coogan) and a small, but crazed and bitter bunny named Snowball (Kevin Hart), who was discarded by the magician he worked for and now leads a sewer-dwelling group of radicals called The Flushed Pets, who are bent on wiping out all the humans – and who decide that Max and Duke are also their enemies.

"The Secret Life of Pets" is every bit as entertaining as you'd hope, based on its theatrical trailers, or its movie posters, or just its title. Co-writers Cinco Paul, Ken Daurio and Brian Lynch exploit many of the well-known quirks of different kinds of pets, but give each character in the film its own personality. Then, once the script clearly establishes who each of these characters are, it gives them plenty to do, but without making the story unnecessarily complicated. Co-directors Chris Renaud (who also voices the aforementioned lost guinea pig) and Yarrow Cheney bring this promising concept and excellent script to realization by keeping the plot moving and not overdoing any of the film's big ideas or overplaying any of the gags. Finally, with the film's impressive voice cast and the filmmakers' "Despicable" history, the performances and the visuals are excellent across the board. On the critical side, I found a subplot involving Duke's backstory and a "Grease"-inspired sausage-fueled dream sequence to be odd and unnecessary diversions, and I would've liked to see just a little more originality and inspiration sprinkled throughout the movie. However, there's no denying that "The Secret Life of Pets" is very well-done good, clean fun for the whole family. "A-"

Let's face it, we as pet owners have always wondered what our furry friends are up to when we're not home. It's an idea that has been played around with for years, from Tom and Jerry to Phineas and Ferb. As ideas go, it isn't original, but the possibilities it can bring are endless. When Illumination Entertainment, the French animation studio behind monster hits such as Despicable Me and Minions (the first non-Disney animated film to earn a billion worldwide) launched a teaser trailer documenting the mischief pets get up to, curiosities were peaked. The world cried in unison; what does this animation studio think pets do? We already have pets as spies, pets being obsessive compulsive mouse hunters, and pets finding their way home. There is still so much one can do with this age old trope, if one is clever enough. What we got, is a beautifully animated flick with plenty of humour and good spirits that packs too much into its run time that has good intentions, despite borrowing heavily from a certain 1990s film.

The film opens with our protagonist, Max (Louis C.K.), a Jack Russell Terrier living in New York City with his owner, Katie. Max, like any terrier, is full of beans and love for his master; Illumination got the happy go lucky attitude of the Jack Russell down perfectly. They also got the territorial side, for when Katie brings home a Newfoundland mix named Duke (Eric Stonestreet), Max is less than impressed. Not wanting his perfect life torn upside down by the hairy interloper, Max tries his darndest to get rid of him, leading, of course, to the pair getting whisked away by the pound when Duke tries to dispose of Max. Naturally, the pooches must cope with each other and find their way home, but not without obstacles; underneath the belly of NYC is an underground secret society of abandoned and unwanted animals, led by the not so cuddly rabbit, Snowball (Kevin Hart). Due to accidentally offing a valuable member of the society, Snowball and his henchmen swear vengeance on our furry duo. While all this madness is afoot, a Pomeranian named Gidget, who has a major crush on Max, enlists the help of all their animal neighbours to save him.

The main issue of the film, and it's a biggie, is that it's Toy Story with pets. There's no sugar coating it. The main species has a social circle that their owners aren't aware of. The main character loves his owner so much, and is insanely jealous when they bring home someone new. When one is trying to get rid of the other, they end up far away from home, and have to find their way back. They even have elements of Toy Story 2 and 3; friends coming together to find the main character, and a seemingly cute antagonist causing chaos. The only real original element is that the animals have their own language; they don't harbour the ability to speak to humans. Despite this, the film isn't a dud. By now, you've already heard from many sources about the parallels with Toy Story, and, if you're open minded, can enjoy the film for what it is; a slapstick comedy with talking animals. It doesn't remove the issue, but it allows one to see the effort the creators put in to the rest of the film.

The animation is fantastic; the textures and anatomy of the animals, while stylised, is still very true to what it represents. The look and feel of New York is large in scale and immensely colourful. The characters look like they have weight to them, that despite their cartoony appearance, they could be real animals. The characters are likable and cute, with the actors making them sound like they are animals; in better terms, you believe they are animals, not animals being voiced by humans. I don't know how they managed that, but they did.

What little character development is present it given to Max and Duke, with the latter having a genuinely heartbreaking moment which is sadly glanced over, and thrown aside. There is so much life and likability here. The only issue with character, is that there's too many to remember, and not enough time to get to know them. It's a good thing when you want to see more of the characters, but it also gives glaring warning signs: an inevitable sequel. Or perhaps, that may be a good thing. For this film, despite its flaws, seems like it could be the precursor to a creative franchise. There is so much that can be done with these characters, and with this world, that a sequel would be welcomed. The only issue is, would it be milked to the death like the poor Minions?

The jokes are mostly funny, with some misses; there is a jab at YouTube cat videos that will forever be relevant, and the metal loving poodle is amazing. The little quirks that the animators and actors gave the animals are fantastic, such as the dogs having short attention spans, and the cat sitting in too small containers. There's a lot for pet owners to relate to, especially in the ending.

It may be a mixed bag, but it's a good, likable one. The Secret Life of Pets had potential to be amazing, and still has potential to become a creative, lasting franchise. This beautiful film is plenty of bark, with little bite. If you leave without a smile on your face, then you were clearly neutered.

Rating: B2

With the animation genre in such a golden age, more and more studios are starting to drop their name into the mix.

The latest one is Illumination Entertainment. After starting really well with Despicable Me, it has seemed to have made OK flicks such as Hop, The Lorax, Despicable Me 2 and Minions.

Now we have what many people are hyping as their best feature since Despicable Me, in the form The Secret Life Of Pets. The marketing has been pretty good and trailer suggests a good time at the cinema.

For me, I was pretty satisfied with what I saw. The first third of the film was its strongest part. It was introducing the characters well, there were some solid laughs and they were setting up the story nicely. However the longer the film went on, the slightly sillier it was getting. It was starting to lose its feet, and the gags were getting a bit too much. Thankfully, it was not that bad at all on the whole. It was still moving a long nicely, the characters were being solidly developed and the story rounded off pretty well. I think it might have peaked too soon and everything else felt inferior.

The voice performances were good. Jenny Slate continues to do well in her voice work and I felt she gave the strongest performance. Kevin Hart played his character really well, and had some nice laughs. Louis C.K. was well cast as the lead and gave us a character you could root for. The rest did their job well. They were not good enough to be memorable, but not bad enough to be negatively criticised.

On the technical side, the animation looked really nice and fitted the tone well. The action was entertaining if not a bit over the top at times. The character designs were strong, and I can see them being sold well as merchandise.

Overall, some of it felt disappointing. But on the whole I had a fairly good time watching this. It is definitely the studio's best film since Despicable Me. But with so many other animation studios delivering much stronger films at the moment, this could be forgotten sooner than you think. This might not do as well in the box office as originally expected. Especially a new Pixar film on the way.

There is also a short before the main film, and it features the studios most famous characters. It was o.k. But nowhere near as strong as Pixar's shorts.

... it's not a classic. Has a nice family feel to it and kids will like it, but unlike some recent animations doesn't have much for adults. The gangsta rabbit is quite funny, and I wish that Claudia the fat cat had more lines as there was scope to develop that character a bit more. The plot is pretty thin but there again you don't really expect a lot more from this type of film. I quite liked it but was also a little disappointed - it was so hyped and unfortunately didn't really live up to it. I could watch Happy Feet and Shrek all day but I wouldn't want to sit through this again. But all in all it is what it is. It's aimed at children and they will enjoy it - my grandchildren aged 7 and 10 certainly did.