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Yves Saint Laurent

  • 2014
  • Tous publics
  • 1h 46m
IMDb RATING
6.2/10
14K
YOUR RATING
Pierre Niney in Yves Saint Laurent (2014)
A look at the life of French designer Yves Saint Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Berge.
Play trailer1:42
5 Videos
57 Photos
Costume DramaBiographyDrama

A look at the life of French designer Yves Saint-Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Bergé.A look at the life of French designer Yves Saint-Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Bergé.A look at the life of French designer Yves Saint-Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Bergé.

  • Director
    • Jalil Lespert
  • Writers
    • Marie-Pierre Huster
    • Jalil Lespert
    • Jacques Fieschi
  • Stars
    • Pierre Niney
    • Guillaume Gallienne
    • Charlotte Le Bon
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    14K
    YOUR RATING
    • Director
      • Jalil Lespert
    • Writers
      • Marie-Pierre Huster
      • Jalil Lespert
      • Jacques Fieschi
    • Stars
      • Pierre Niney
      • Guillaume Gallienne
      • Charlotte Le Bon
    • 34User reviews
    • 114Critic reviews
    • 51Metascore
  • See production info at IMDbPro
    • Awards
      • 2 wins & 9 nominations total

    Videos5

    Theatrical Trailer
    Trailer 1:42
    Theatrical Trailer
    Yves Saint Laurent: I'm Not That Nice (UK)
    Clip 1:08
    Yves Saint Laurent: I'm Not That Nice (UK)
    Yves Saint Laurent: I'm Not That Nice (UK)
    Clip 1:08
    Yves Saint Laurent: I'm Not That Nice (UK)
    Yves Saint Laurent: I'm Yves Saint Laurent (US)
    Clip 1:18
    Yves Saint Laurent: I'm Yves Saint Laurent (US)
    Yves Saint Laurent: Haircut (Us)
    Clip 1:02
    Yves Saint Laurent: Haircut (Us)
    Yves Saint Laurent: I Like It A Lot (UK)
    Clip 1:22
    Yves Saint Laurent: I Like It A Lot (UK)

    Photos57

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    Top cast91

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    Pierre Niney
    Pierre Niney
    • Yves Saint Laurent
    • (as Pierre Niney de la Comédie-Française)
    Guillaume Gallienne
    Guillaume Gallienne
    • Pierre Bergé
    • (as Guillaume Gallienne de la Comédie Française)
    Charlotte Le Bon
    Charlotte Le Bon
    • Victoire Doutreleau
    Laura Smet
    Laura Smet
    • Loulou de la Falaise
    Marie de Villepin
    Marie de Villepin
    • Betty Catroux
    Nikolai Kinski
    Nikolai Kinski
    • Karl Lagerfeld
    Ruben Alves
    • Fernando Sanchez
    Astrid Whettnall
    Astrid Whettnall
    • Yvonne de Peyerimhoff
    Marianne Basler
    Marianne Basler
    • Lucienne Saint-Laurent
    Jean-Édouard Bodziak
    Jean-Édouard Bodziak
    • Bernard Buffet
    Adeline D'Hermy
    Adeline D'Hermy
    • Anne-Marie Munoz
    • (as Adeline D'Hermy de la Comédie-Française)
    Xavier Lafitte
    • Jacques de Bascher
    Alexandre Steiger
    Alexandre Steiger
    • Jean-Pierre Debord
    Philippe Morier-Genoud
    • Jean Cocteau
    Anne Alvaro
    • Marie-Louise Bousquet
    Patrice Thibaud
    Patrice Thibaud
    • Christian Dior
    Gérard Lartigau
    • M. Boussac
    Michèle Garcia
    • Raymonde Zehnacker
    • Director
      • Jalil Lespert
    • Writers
      • Marie-Pierre Huster
      • Jalil Lespert
      • Jacques Fieschi
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews34

    6.213.5K
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    Featured reviews

    6l_rawjalaurence

    Beautifully Shot but Ultimately Superficial Biopic of the Great Fashion Designer

    YVES SAINT-LAURENT traces the career of the eponymous fashion designer (Pierre Niney) from his early days in the late Fifties to the zenith of his fame two decades later. The film concentrates on his professional as well as his personal struggles with long-time lover (and manager) Pierre Bergé (Guillaume Gallienne).

    Director Jalil Lespert makes a lot out of Saint-Laurent's background as an outsider; born in Algeria during the colonial period, he never really felt at home in mainstream Parisian society. He began his career by following existing fashion patterns; but after being dismissed as "boring," immediately after leaving the house of Dior (Patrice Thibaud) he branched out on his own. This proved a wise move, as the film shows how he shot to stardom with a series of daring and often innovatory designs. There are several shots of Saint-Laurent working on his new creations day and night, to the despair of Pierre.

    YVES SAINT-LAURENT offers a sumptuous recreation of Fifties and Sixties Parisian society. Deliberately shot in washed-out colors, the film conjures up a lost world of large saloon cars, packed streets and never-ending parties where Saint-Laurent spent most of his leisure-time. The models' hairstyles are deliberately ostentatious, especially that of principal mannequin Victoire (Charlotte Le Bon) who at first attracts and then repels Saint- Laurent.

    Lespert's film doesn't tell us much about Saint-Laurent's life, other than the fact that he was something of a tortured genius, always on the lookout for personal as well as professional satisfaction but never seeming to find it. He enjoys a close relationship with his mother (Marianne Basler), and later on in life he always runs back to Pierre for emotional as well as professional support. With his black horn-rimmed lenses and increasingly disheveled hair-styles, Niney gives a convincing portrayal of the designed. On the other hand, perhaps the script should have offered more insight into how Saint-Laurent became such an iconic figure of the fashion world; what was it about him that made him so popular with both high society and the ordinary consumer.

    As Pierre, Galienne has to make the best of a supporting role, and succeeds brilliantly. He comes across as a patient person, ever ready to forgive Saint-Laurent's excesses; but nonetheless dedicated to the fledgling fashion-house's future success. In several backstage sequences he is shown managing the models, designers and other assorted hangers-on with quiet efficiency, clipboard in hand. It was mostly down to his efforts that the house of Saint-Laurent enjoyed its global success; without him, the designer might have only had limited appeal.

    YVES SAINT-LAURENT is definitely watchable - some of the party- scenes where the hero enters a drug-filled world of fantasy and hallucination - are particularly memorably shot. But I still think the film represents something of a missed opportunity to dramatize the life of an icon.
    6leonblackwood

    In depth biopic which covers every aspect! 6/10

    Review: This movie gives an in depth look into Yves Saint Laurent life, which had its ups and downs throughout his successful career in the fashion industry. I liked the way that the director showed how he became famous after his brief take over from Christian Dior. It really does show the dark side of his life and his battle with his inner demons whilst trying to sustain his career. Pierre Berge really was the genius behind the business side of his fashion world, but when it came to the actual designing and production of his amazing clothes, you really can't fault Saint Laurent. His whole thought process was extremely unique which was noticed by Pierre, earlier on his in career. After battling through many obstacles in his life, Yves always received love from the public through his fashion which is still popular to this day. As a movie, I found it entertaining and an eye opener, into a world which I know nothing about. Enjoyable!

    Round-Up: I haven't heard of any of the actors in this movie before, but man, they really did do a good job. The emotion and drama throughout the movie was great and the performance by the leading actor couldn't have been played better by anyone else. His mannerism and gestures were spot on and he actually did look like Saint Laurent. I would have liked to see what had happened in his career before he sadly died in 2008 of brain cancer, but it's still a very well put together biopic. After watching the bonus features on the DVD, I saw that the real Pierre Berge helped with the move and he gave them permission to use the real clothes and shoot in Yves apartments which shows how in depth the movie really is. It would have been good to see some real footage of the man himself, but that's just me being fussy. I'm not usually one that likes movies with subtitles, but I didn't lose interest throughout the movie, which is a plus for me.

    Budget: €12million Worldwide Gross: $20million

    I recommend this movie to people who are interested in Yves Saint Laurent and the troubled mind behind his successful career as a fashion designer. 6/10
    chousissy

    Lust For Life

    This movie is much better than I expected. I don't have much interest in haute couture, but I was gripped and the clothes whether on the catwalk or just in general were to die for. It's an awesome and skillfully made biopic that's really addictive and captures Yves Saint Laurent crazy life and pure genius as a self-destructive artist in a beautiful way.

    In a career spanning fifty years YSL changed women's fashion, but at the movie's core is Saint Laurent's emotional passion, and the dynamics of the love story between him and Bergé. Lets say there wasn't too much loyalty in the bedroom but the movie sure captures the story of the tortured genius and the partner who kept him on track.

    The movie is beautiful in every detail and the acting is exceptional throughout. Pierre Niney is outstanding as Laurent. He' s a freaking talented actor and I cannot believe that Yves himself would have been disappointed with the portrayal. His performance really made me feel for the guy. Guillaume Gallienne and Charlotte Le Bon are awesome too. I highly recommend this movie. There is something about French movies, even when they're not awesome, they're still great ☺
    5santiagocosme

    For fashion lovers. That's it.

    I was recommended this movie by my sister who is, like many girls, really into fashion. For her Yves Saint-Laurent represents one of the great masters of fashion. A man that was born to make women look beautiful. Now that said, I really don't see anything in the movie a man who is not particularly into fashion could like about it. The story of YSL is boring at best. Not his actual life but the way he is portrayed. Falling into drugs at a pretty young age and not being able to ever keep it together during the majority of his life. He had a boyfriend/manager who is used as the person telling the story of the fashion legend. By the end of the movie, I don't know if you feel like you have find out loads of things about YSL that you didn't know, you are just left to wonder how his boyfriend put up with him for so long.
    6paul-allaer

    Well intended but wafer-thin bio-pic lacks drama and depth

    "Yves Saint Laurent" (2014 release from France; 105 min.) brings the story of one of the biggest names ever in the fashion design industry, YSL. As the movie opens, we are in 1957, where we see young Yves with his family in Oran, Algeria (not long before the revolutionary war breaks out). During the opening titles, we jump to today, where YSL's partner explains why he is selling all of the art they had collected over the last 4+ decades. We then jump back to the late 50s, and it's not long before the crazily-talented YSL is off to Paris, where he works under that other monument of the French fashion industry, Christian Dior. When Dior unexpectedly passes away, YSL becomes the head designer (he was barely 22!). Meanwhile. we also get to know the personal life of YSL. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: first, there are dueling biopics on YSL currently out there. Besides this movie, there is also the similarly titled "Saint Laurent", also from France, so be careful to be sure that you don't mistakenly confuse one with the other. Second, this movie tries to give us both a look at YSL's professional life and his personal life, but in the end really doesn't do either one justice. It all seems very hurried (the movie covers 1957 through 1976), and as a result the movie lacks depth and drama. That is really a shame as there are some good moments in it. One of those is when YSL is under observation at a military hospital, and YSL's partner tells him: "Do you want to live or do you want to die?" Another good moment comes much later when the same partner observes "You are happy only twice a year: in Spring and in Fall, when the collections come out". I wish there were more such key observations. The two lead actors, Pierre Niney as YSL and Guillaume Gallienne as his partner, give their all in performances covering 2 decades, and it's certainly not their fault that the movie, while promising at times, ultimately falls short. Last but not least, tip o' the old hat to the production design of the movie, with the immaculate reproductions of Paris in the 60s and 70s (check out the old cars!).

    "Yves Saint Laurent" opened without any pre-release hype or advertising last summer (July, 2014) at my local art-house theater here in Cincinnati. I figure it wouldn't be playing long so I went to see it right away (I was right, as it disappeared after only 1 week). The early evening screening I saw this at was not particularly well attended. The other YSL biopic I mentioned earlier is finally opening this weekend here in Cincinnati and I'm looking forward to check that out, just to see how different it is from this one. Meanwhile, well-intended as it is but flawed, I still might suggest you check out "Yves Saint Laurent" when it is released on DVD/Blu-ray. If on the other hand you are a fashion aficionado, then this movie is a must-see!

    Storyline

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    Did you know

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    • Trivia
      The Yves Saint-Laurent foundation lent the filmmakers 77 actual pieces from their archive for use in the film. The actors and models who wear these authentic Yves Saint Laurent clothes had to wear special underwear underneath the outfits, so that the clothes never touched their skin. Conservators from the foundation were present to make sure the historic, irreplaceable garments were correctly handled and stored.
    • Goofs
      YSL's black leather Beat collection is shown as having been created in 1964 in the film, suggesting YSL was a leader of the Mod look of the mid 1960s, but in fact his Beat collection was done in 1960 and was too youthful for Dior clientele at the time and the main reason YSL was fired from Dior.
    • Quotes

      Yves Saint Laurent: I don't fear critics.

    • Connections
      Referenced in The White Crow EPK (2019)
    • Soundtracks
      Oran
      by Ibrahim Maalouf

      © 2013 WY Productions

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    FAQ19

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    Details

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    • Release date
      • January 8, 2014 (France)
    • Countries of origin
      • France
      • Belgium
    • Languages
      • French
      • English
      • Russian
      • Arabic
      • Japanese
    • Also known as
      • Ів Сен-Лоран
    • Filming locations
      • Marrakech, Morocco
    • Production companies
      • Wy Productions
      • SND Films
      • Cinéfrance 1888
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €12,000,000 (estimated)
    • Gross US & Canada
      • $723,593
    • Opening weekend US & Canada
      • $24,207
      • Jun 29, 2014
    • Gross worldwide
      • $21,026,290
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 46m(106 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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