Echo Valley

I gotta be honest... it was actually way better than I expected.

First of all, the movie is rage baity as hell (but I didn't mind it) Normally that kind of thing annoys me, but here it kinda worked. That's part of what kept me so locked in. It's like, you want to yell at the screen because you're actually into it. It's like a roller coaster of emotions,

Also, the acting was honestly impressive.

The movie is def not perfect. Some scenes dragged a little, and there were a few moments where the characters did things that didn't totally make sense unless you just accept that people sometimes act irrational when they're panicking. Also, the ending left me feeling a little weird. Not bad weird, just like... rage baity :D

Overall, Echo Valley isn't your typical big flashy movie, but it is something that pulls you in and doesn't really let go. It's messy, emotional, a little rage-inducing, and honestly, kind of thrilling in a quiet, twisted way. If you're looking for a wild ride that's not just action but also hits hard emotionally, I'd definitely recommend giving it a shot. It's not a perfect movie, but it's way more interesting than most of the stuff that comes out nowadays.

Kate (Julianne Moore) is dealing with a personal tragedy while owning and training horses in Echo Valley, an isolated and picturesque place, when her daughter, Claire (Sydney Sweeney), arrives at her doorstep, frightened, trembling and covered in someone else's blood.

Right from the off the film promises to be something good, there's just a vibe about it. As the story grows you think it's going to be all about her wasting her life on her daughter and coming to an untimely end because of her.

But after some skilful twists and turns we realise it was never the film we thought it was going to be. Moore is fabulous as the mother, and Sweeney sure shows her acting chops as the wayward daughter. Domnhall Gleeson is at his menacing best in this taut, surprising thriller.

I very much enjoyed it and give it a solid 7.

Greetings again from the darkness. We should all be so fortunate to have a friend as loyal as Leslie, and we should strive to be wiser than Kate so that we don't ever have the need to test that friend's loyalty. Director Michael Pearce (ENCOUNTER, 2021) is working with a script from screenwriter Brad Ingelsby (the excellent "Mare of Easttown", OUT OF THE FURNACE, 2018), and a superb cast to deliver a thriller that offers both familiar territory and twists and turns in a film that is ultimately relatively entertaining to watch.

The film opens with a stunning overhead shot of a lifeless body floating in the middle of a tree-lined lake. We don't know who it is or the story of how it got there. Oscar winner Julianne Moore plays Kate, still in a grieving funk nine months after a tragic accident killed her wife Patty (Kristina Valada-Viars, "Chicago Med"), who is seen only in flashbacks and heard on saved voicemails. Kate manages to crawl from bed each morning and do just enough to keep her horses alive on the farm where her business is giving riding lessons. Since she's cancelled most of those lessons, she must grovel to her ex-husband (Kyle MacLachlan) so she can fix the sagging roof on her barn. The two argue about money, her state of mind, and their daughter ... whom dad describes as "sick".

It doesn't take long for us to understand how all the pieces of their argument fit together because daughter Claire (Sydney Sweeney, "The White Lotus", "Euphoria") shows up at the farm, and we learn that her mother Kate is the ultimate example of an enabler. Claire has a long-standing drug problem as well as the corresponding mental issues. She knows her mother can be manipulated into doing just about anything for her. It doesn't take long for a couple of other players to enter. Ryan (Edmund Duncan) is Claire's drug-addled boyfriend, and Jackie (the ubiquitous Domhnall Gleeson) is their compelling drug dealer ... one who is out about ten grand due to the idiocy of Claire and Ryan.

Once the dynamics are in place, the twists and turns begin - none of which will be detailed here. You should know that it's all pretty suspenseful provided you are able to overlook a bit of creative stretching from a storytelling perspective. Fiona Shaw plays Kate's bestie Leslie (as mentioned in the opening paragraph), and what comes across clearly here is that this group of actors definitely elevate the material to the point where we actually care what happens to Kate, Claire, and Leslie. Ms. Moore excels in her grief, in her role as (overly) dedicated mother, and as a shrewd independent. Ms. Sweeney goes against her usual glam role and flashes some pretty impressive emotional range, while Mr. Gleeson nails the opportunistic drug dealer. It's kind of hard not to notice that the males in the story are all various shades of scumbags, save for the detective near the end.

Cinematographer Benjamin Kracun (PROMISING YOUNG WOMAN, 2020) manages to capture both the beauty of the setting and the intensity and emotion of the personal interactions. Composer Jed Kurzel (SLOW WEST, 2015; THE BABDOOK, 2014) takes a unique approach to the score, preventing it from sounding like most suspense films. It seems probable that Mr. Ingelsby writing and Mr. Pearce's directing would have been better served in a limited series ... although this outstanding cast might not have happened. I found the film's ending somewhat less than satisfying, yet overall the entertainment value was fine.

The film will premiere globally on AppleTV+ on June 13, 2025.

The telltale sign that this was a great movie was the range of emotions I felt throughout. Julianne Moore and Sydney Sweeney give incredible performances, along with the supporting actors. They truly make you feel frustrated at times, angry at other times and super sad along the way.

Julianne Moore is every enabling parent that you can never talk sense into, and Sydney Sweeney is every junkie kid that puts substance of use ahead of their family. Both characters are just as frustrating and heartbreaking as anyone who's watched this play out in real life.

And although the movie starts out a little slow, there's a twist in the middle that works toward another twist at the end that's even more surprising.

Definitely worth putting on your watch list.

If ever a film made you want to scream in frustration, this would be it. From the constant betrayals of trust, to people getting away with horrendous crimes, to the overly-forgiving mom... it will drive you INSANE! That said, the acting was excellent across the board. Julianne Moore is convincing as the mother who will do anything for her child, even if her role is identical to what she's done in her last 50 films. Sydney Sweeney, while perhaps slightly exaggerated at times, delivers a strong performance as an addict, with very realistic addict behaviours. The standout for me was Domhnall Gleeson, who truly shone as the conniving, self-centred drug dealer. I'm so used to seeing him in more passive, underdog roles, so this was a great chance for him to show a different side.

That being said, the story and plot were absolutely maddening. I cannot accept the way Moore's character Kate treats Claire (Sweeney), and vice versa. It felt far too unrealistic. A mother's love is unconditional, yes, but there is a difference between unconditional and overindulgent. At some point, long before the events in the film, Kate should have realised that her constant "help" was doing far more harm than good. I hate when films normalise this dynamic between parents and children and villainise the voice of reason. I fully understand the parental instinct to protect your children at all costs, but when your actions only drag them deeper into their self-destruction, who are you really protecting?