Intelligence

I'm another one who was really interested in the success of this show. It's lacking on a number of fronts, from writing to direction to technical accuracy. Fiction is one thing, but mixing up the simple facts of existing tech isn't forgivable.

Tech that doesn't exist yet is OK to go overboard with, but at least get current tech accurate.

From other shows, we've seen how good these actors are. So we know it's not their lack of ability.

There's a balance here that is way off kilter. To succeed, a show needs to overpower its weak points and compensate for the inadequacies, so there would be a net positive experience.

Taking a good concept, using modern tech and future tech, getting really good actors together in a vibrant team are all big positives.

The immature writing and direction outweigh all those positives. Then add in the failure to get good technical consulting and the show just can't win.

I so much wanted this to be a winner. What a letdown.

I don't know why people complain about this show. It is an amazing show with lot of potential and great acting. It started out a little slow with the subject of Gabriel and his wife but the episodes are better and better each week, the sparks are coming out. Unfortunately, people now days enjoy only shallow TV shows with romance and no substance. The characters are really interesting and their interaction is becoming more appealing every week, so is the plot and the way that writers put it up together. I also enjoy Riley's character since I honestly miss some strong woman character in the most of the shows and she is more alluring every week. I still have confidence that intelligent people will see how great this show is.

I really liked the Intelligence pilot but, on the other hand, I also like Nikita, Alias, Covert Affairs, Person of Interest, Numb3rs, Burn Notice, Agents of S.H.I.E.L.D., Arrow, Tomorrow People, The Blacklist, Orphan Black, Torchwood, The Unit, Almost Human, Homeland, 24... basically, all shows about espionage or spies, either as part of the higher level government security agencies (often secret ones) or free agent spies, trying to combat sinister terrorist organizations, corrupt governments and evil multinational corporations, with individuals who frequently have enhanced abilities (knowledge, fighting skills or super powers).

So, this show is right up my alley. But the question isn't if Intelligence is good, it's is it good enough in 2014 to not be canceled? Will the plots and characters be distinctive enough to distinguish this show from many other series that have the same episodic structure and design? And this question just considers spy-oriented shows, this series also has similarities to cop shows like Elementary or even procedural crime series that are basically 60 minute mysteries with, often, a long- arc story tying the season together.

After just seeing the pilot, I like the characters (or, at least, the actors) well enough but for this show to succeed, it will really rely on the talent of the writers and production crew. Espionage shows already demand a great suspension of disbelief because they reside in a world of secrets and lies that are hidden from ordinary citizens. Viewers won't compare Intelligence to life but to other espionage series and whether the world it creates is consistent to the one we have come to know in similar shows.

Right now, besides a likable cast of actors, Intelligence is trying to distinguish itself through the premise that a computer chip implanted in his brain enables the Gabriel Vaughn character to somehow download every fact that exists anywhere online, even behind firewalls and, seemingly on hard drives as well. It's accepting this premise that seems to be the main dividing line in user reviews of whether people like or dislike this show. While visually, it's stunning to watch Gabriel "cyber-render" a scenario, this show will succeed or fail on whether this goes beyond science fiction into fantasy territory. Will viewers buy this?

The other factor is scheduling and Monday nights at 10 pm is a tough time slot with audience-pleaser Castle and the very promising The Blacklist as opposition. It's hard to see the mid-season Intelligence ranking anywhere other than #3 and it would be wise for CBS to move the series to a less competitive night like Wednesdays or, even Friday nights where it will be more likely to develop an audience. I see this program as one that people DVR and may (or may not) ever watch later. While other shows survive being second choice viewing, it's not a good place for a new series to start from.

Personally, I hope the series last more than 10 or 14 episodes and lasts to a second season, hopefully on a different night of the week.

Please CBS give this show the chance it and the cast deserves. This is a real good action, scifi show with some good humor thrown in.The Actors are really settling in to their roles can't wait for finale Monday. Would love to see it back on after Unforgettable has finale cause we almost lost that too which woulda sucked. Good time slot and shows would compliment each other in my life for years to come. Love CBS shows don't hurt me by removing good shows. You managed to steal Josh Holloway before any one else did Do not give him up.You got Marge back out there. Just like you kept my man who started as a real awesome vampire and is now Hawaii 50 favorite actor Alex O'Loughlin. I REALLY HOPE THIS GETS TO THOSE WHO MATTER AND THEY DO NOT CANCEL!

Steve Austin meets Sherlock Holmes in a secret agent character (portrayed by Josh Holloway) and his adventures which capture the excitement of the very best of episodic television during its years before the medium became dominated by 'reality show' piffle.

This is a bold attempt at bringing back the kind of series which used to be a consistent ratings winner. This show, with stereotypical casting and solid (but unoriginal) writing touches all the bases adequately showing promise without reaching its full potential in its debut. It will get better via the ground laid by its premiere episode. The first episode is a field-goal. Touchdowns will follow.

Where it may grow tiresome is in the contrived relationship between hero Gabriel and his female partner which appears to be heading in the formulaic direction of so many other shows i.e. sexual tension interspersed with moments of grudging professional admiration and wisecracking camaraderie. Shows feature it because audiences still like it even though a lot of us have seen it so often.

High-minded viewers won't see the human insight of 'Game of Thrones', exploration of class consciousness in 'Downton Abbey' or sophisticated examination of power dynamics of 'the Borgias'. What they will get is a fun show they can watch with their kids.