Hurry Up Tomorrow

The title Hurry Up Tomorrow is incredibly appropriate-because the entire time I was watching it, I just wanted it to hurry up and end. Calling this a "film" is generous; surviving it felt more like a cinematic endurance test.

The plot is laughably shallow, padded with so much pointless fluff that the pacing is downright painful. Abel Tesfaye, a.k.a. The Weeknd, essentially plays himself-and not well. His acting is so stiff, it's almost impressive. Sharing scenes with Jenna Ortega only makes it worse; she effortlessly outshines him at every turn, making his performance look like a high school drama rehearsal.

To make matters worse, the whole movie is drenched in ego. There's a scene-I'm not making this up-where Jenna's character actually analyzes the deep themes of his music. It tries to present itself as some kind of profound artistic statement, but really, it's just a 100-minute commercial for his new album.

Abel, please-stick to your day job.

What a waste of time that was. Self-indulgent storyline with plugs for the latest songs. The last 15 minutes appear to have come from a different movie and are completely nonsensical. The earlier part is a major snoozefest with shaky camera work and repetition. Not sure how this was ever greenlight but presumably due to star power. At some point during the movie, someone says to Abel that he should avoid acting and stick to what he does best. Shame he did not follow the advice - that would have saved everyone their time and money. It looks like it will bomb in the box office which is understandable. Avoid.

Prefacing this by saying i am a huge fan of the weeknd, and was willing to give this film a chance after the idol. That being said, this film just felt wholly unneeded? It might be better than the idol, sure, but that's not saying much. But it didn't really DO anything, narrative wise, development wise, etc. The best way i'd describe this would be it feels like a long music video, with nice shots, and (maybe too many) songs, but lacks any real substance to it... i will say i appreciated some parts, especially when there was a dive into abel's introspection in the dream sequences. But the issue was, it really just didn't dive deep enough to feel meaningful, and ultimately fell flat.

Abel's acting is an improvement from his last stunt but it's not saying much. Coming from a place of love for his music and craft, i think he would be much more successful behind the scenes rather than in front of it (at least for now). Overall? I would watch it if you want to get a few laughs in from unintentionally funny scenes, and if you are a big fan of the weeknd, it's worth a shot.

It's an okay movie, but not what I was expecting story-wise. I do get why a lot of diehard Weeknd fans will like it, and I don't want to take that away from them, but coming from a semi-fan who really enjoyed the album, it could've been a lot better. A lot of fluff could have been cut to make a much better ending. And I'm not just talking about unimportant scenes, there are several moments where characters just stand and do nothing for like, 6 seconds or so. Basic information even slight fans of the Weeknd should know is spoon-fed, while critical information about the entire movie has to be pieced together as the credits roll. It is pretty emotional, it just could have been executed so much better. Also, if you at all suffer from epilepsy or dizziness, do not see this movie. There's no warning but there's a ton of bright rapidly flashing lights and fast moving camera angles.

A soft 5/10. Abel Tesfaye's Hurry Up Tomorrow flirts with greatness but gets caught in its own spin, literally. The overused spinning camera becomes more distracting than dynamic and pulls from an otherwise intimate movie that gradually finds its own rhythm. The small cast works well and the slow-burn structure kept me guessing what kind of movie it really was until it clicked into place. It tries a little too hard to feel surreal and there's definitely some ego stroking going on by The Weekend. A few memorable moments.. It's Trey Edward Shults and feels like it. It's ambitious, uneven, and intriguing.