Sovereign

While it's script could improve regarding it's structure and pacing, it's a slow-burn yet good exploration character study about the individuals who are anti-government "sovereign citizens" filled with a strong emotional and tenseful atmosphere, good direction, and two great performances from Nick Offerman and Jacob Trembaly.

What director Christian Swegal does well is that capturing the essence of what sovereign citizens are like, capturing their selfish and controversial beliefs without feeling forced or messy. The direction on the tone, the writing and what the purposes for the characters and choices were realistic and tense. Including great themes about the poison settings of indoctrination amongst people and how it can cause an affect on society. Alongside with the good camerawork and soundtrack, as mentioned, Offerman and Trembaly provides great performances to their chilling and uneasy characters, allowing them to have some great dialogue moments and tension between the topics of father and son.

Regarding it's faults, the emotional layer on certain elements and some writing moments did feel a bit short. As if there were patterns and decisions that could have been a bit better. But overall, it's strong debut direction and atmosphere showcases the extremist and unfortunate relevance of today's society in the United States.

This movie is gut turning. Most people recognize the sovereign movement from online videos showing citizens being difficult with law enforcement and then being arrested. What I find important about this film, while it is barely touched directly by the films dialogue, is its presentation of mental illness brought on by trauma. Near the end of the film we see a very brief discussion on a tragedy that, if offered up sooner, would have given the viewer a bit more of a grip on Jerry's mindset and why he had taken up the path he chose. While this movie is a slow burn it is also a rather fast spiral of decision making which held my interest till the end.

I think this and other films like it should be given note since it reflects the actions of people in other real life events. Being able to recognize when someone has fallen down the rabbit hole and landed themselves and others into dangerous waters is useful in life and benefits society. We see the young teen, Joe, in this story obviously confused and without true understanding of the peril he is in. We see the theme of growing up thinking life is "normal" when it's far from it.

I saw this movie in theaters with a group of friends, all of us born and raised here in the Midwest. Afterwards the mood was pretty somber because everyone in the group recognized scenes from their own family upbringing. The kid sitting in the backseat listening to Dad rant about the government, cops being trained to immediately rely on overwhelming force, all of it building a system that pushes normal people into potentially violent situations over and over again until eventually somebody pulls a trigger. If you grew up in a working last neighborhood, I can guarantee you're gonna recognize some family members in these characters and chances are that you'll sympathize with each of the main characters. It's a great movie, but it's not a fun movie to watch.

Just watched Sovereign (2024) and found it to be a well-crafted tragedy. It's a haunting exploration of father/son dynamics, with Nick Offerman as a delusional, anti-government father grooming his teenage son for a future he doesn't want-but doesn't have much choice in. Inspired by true events, the film is a slow burn-there's action, but it takes its time building tension and developing its characters. It's melancholy, tense, and beautifully acted, with a supporting cast including Dennis Quaid, Nancy Travis, and Martha Plimpton-an interesting mix of talent that totally works. An impressive directorial debut from Christian Swegal.

Christian Swegal's directorial debut is truly encouraging, delivering a highly political thriller based on a true story about "Sovereign Citizens." A raw, intelligent, and highly political thriller that won't be to everyone's taste, but is well worth a chance.

The film solidifies its cast, especially Nick Offerman, who delves into his dramatic side in a highly developed and masterfully performed role. A character study that takes us on a journey through an extremist capable of dominating everything around him. We also find Jacob Tremblay, who reconnects with all the dazzling talent he gave us in The Room, and here he once again sustains a film with his sheer acting and stage talent.

The work also involves supporting actors such as Dennis Quaid, Thomas Mann, and Martha Plimpton, who do not lose the interpretive power of their two protagonists.

It's a raw, slow-burning thriller. In the first half, we empathize and even understand certain aspects of the protagonist's debate, and in the second half, everything explodes, shattering all that empathy with a heartbreaking climax. Its director and screenwriter invite us to reflect on the extremism of the new right in a compelling film that fits precisely with the current global times.

This intense thriller is worth your time. It may not be entirely perfect, but it's daring, thoughtful, and uncomfortable, providing an addictive watch with all its strengths and weaknesses, but establishing one of those films that hopefully won't be forgotten in a rather interesting 2025.