WPC 56

There are some real Drama gems hidden away on daytime TV and WPC56 is certainly one of them. Why it's not on (or at least repeated) at a later time I'll never know.

Well written and performed it tracks the career of one of the first female police officers back in the 50's.

The show certainly looks the part in terms of set and costumes and the one a day style of episode screening only makes the cliffhangers that little bit more gripping.

Maybe in their wisdom the BBC will recommission the show for a third series or even better show it in an early evening slot. It would not look out of place against some of the other,bigger name Dramas.

Just as you're settling in to a series the BBC pull the plug, no reason given, no apology to the legions of fans who loved the show.

They have done it many times over the years, sometimes leaving you in suspense as to what happened next with a cliff hanger. There was a thread not tied up at the end of this serious with the obnoxious. Ass chief constable, I would have liked to see what happened to him.

This joins the likes of Survivors (2008), Tripods, Home Fires and Invasion Earth. The BBC are funded by us but never listen to what we have to say. Dr Who a case in point.

It's been gone too long now to bring it back, which is a shame.

The series is about Gina Dawson's, who is one of the first WPCs(Woman Police Constable), life as female police officer at precinct where dominated by male in West Midlands. Naturally She faces some difficulties as a woman because time is 1950s and it is the peak of the sexism and also awaking of the male protest. WPC 56's genre contains both drama and comedy and also beauty of the Jennie Jacques. There is an aspect, a thing thing that I can distinguish WPC 56 than other TV series. İt is not about the story telling or acting performance. Even I do like the both of them, there is an original shade in TV series. Both TV series focuses the female police officer's life and her life that is made difficult by her family, colleagues and dominant culture ideology of her community at that years, WPC 56 shows us and it take us an journey that how conditions of woman in business are in first. Also it offers us a compression about woman in the field that dominated by male between past and present. Consequently it is a great series to witness an era and discover how the woman rights and woman in business life comes far from past to present. I hope that there are more TV shows like WPC 56. I like that kind of series that there is real cause to makes it. So I rate it 8/10 because it deserves that. Acting, storytelling, scenario and reflection of an era when tells struggle of women are very fascinating.

The beautiful Jennie Jacques plays the lead role of WPC Gina Dawson. Although the series revolves around her there are many intelligently woven threads in the plot that give all the other players a good chunk of airtime, too. None of them disappoint, either. Things wind up nicely after five episodes but there's still a little wriggle room for another series and I, for one, hope that their is.

After all the time and trouble that the producers, cast and crew went to, to get this right I'm surprised that this was aired just after lunch during the week where probably not many people got the chance to see it. That was an extremely irresponsible decision by the faceless suits at the beeb who think they know something about television.

The story is well paced and intelligently laid out. The details, language and props were first rate and appropriate. The cast, photography and script were also all top notch. This is intelligent television drama... something the Americans are becoming good at and which we Brits have rather lost our way on.

Much, much better than that dreadful garbage, Prime suspect.

Jennie Jacques portrays all the ambitions, fears & acceptances of young women in 1956 England. I let myself go when watching the case solving, but I forget the plot when the camera is focused on her. I literally have to shake my head at times to follow the story.

I really like the scenes where she's not on camera. But from the first 5 minutes of episode one, she's the portrayed character I want to see next.

Not her fault, but Jennie Jacques' eyes are too magnetic. That said, the little known supporting cast are drawn from the deep well of British acting talent. This was Britain in 1956.

That I found Jennie Jacques' beauty distracting should not deter others from giving this a first viewing. She did what the writers & director dictated, & her performance is worthy of high praise.

I mark this down because of formulaic writing, but I mark it up because of the ensemble performances.

This is series worthy of watching.