The mid-70's: a timid young New Yorker leads an uneventful life until he is fatefully exposed to the pulsating rhythms of a brand-new genre of music: disco. Unable to control his murderous i... Read allThe mid-70's: a timid young New Yorker leads an uneventful life until he is fatefully exposed to the pulsating rhythms of a brand-new genre of music: disco. Unable to control his murderous impulses that stem from a traumatic childhood experience, Duane Lewis transforms into a dan... Read allThe mid-70's: a timid young New Yorker leads an uneventful life until he is fatefully exposed to the pulsating rhythms of a brand-new genre of music: disco. Unable to control his murderous impulses that stem from a traumatic childhood experience, Duane Lewis transforms into a dangerous serial killer exiled to Montreal.
- Awards
- 1 nomination total
- Duane Lewis
- (as Jérémie Earp-Lavergne)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Okay, it's all a bit silly really but with that in mind, this movie is such a cool load of fun.
Exploitation genre fans of stuff like Maniac, Tenebrae and The New York Ripper are likely to find much to enjoy in this tongue-in-cheek gore fest. When it gets gruesome, it ticks the splatter box pretty well so that hardened gore hounds can get their fix, yet it manages to keep the mood light, unlike the movies which it pays homage to.
The language switch halfway through the film is a bit jarring for the English speaking viewer, as the film kind of presses a reset button but it manages to regain pace fairly quickly and get back on track. Unlike many films these days, it has a very satisfying ending.
If you really can't stand disco music, this film might get a bit tedious, with the soundtrack being truly awash with the stuff but personally, I thought it was its beating heart.
If in recent years you have enjoyed the likes of Hatchet, House of the Devil and Planet Terror which look back fondly on the golden era of splatter, then this one will probably join those on your list. I'm not too sure if it is likely appeal to the rest of the movie-going public but then I don't think director Renaud Gauthier would care that much.
He certainly wears his heart on his sleeve for Discopathe.
Having said that, the movie also has some issues. It pays homage to "old" horror movies. Just the fact it's playing in the Disco era (hence the title and the music, both fitting) alone should be a giveaway. And it's not a bad thing, it's just that sometimes there are bumps and quite a few hiccups along the way. If the story was a tight as the look of the movie, we could have had a real winner. And while some of it is done on purpose (or as a tribute to the movies this was inspired by), you'd wish they'd have spent a bit more time on the script ...
Completely humor-free with the exceptions of a little humor towards the end but by then it's a little too late.
Overall pretty amateurish filmmaking with not much positive to say about it.
Well okay some of the songs on the soundtrack is pretty good, and was surprised they managed to get "Boogeyman" and "I Was Made For Loving You" in the movie, but that's the only surprise this movie will give you.
And it doesn't help that 50% of the movie focuses on some highly uninteresting cops; one with a bad blonde wig investigating the dead bodies the Discopath leaves behind.
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Дископат
- Filming locations
- Montréal, Québec, Canada(on location)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 2.35 : 1