Pour seul bagage

I was hooked on the mystery vibes, but then it did turn into a pretty steady love story. It is in fact the story of several loves - In-ji's doomed love for Seo Do Ha, Jeong-won's love for Seo-yoon, Seo-yoon and her husband, Om Tae-seong's obsessive love for In-ji, and Jeong-won's unexpected love for In-ji. And vice-versa, in some of the cases.

The main story was a little surprising and a little unconvincing for me in the beginning, I am missing a timeline to understand how long it took Jeong-won to get over his obsession for his ex, which is paralyzing as shown in the first episode. There are quite a few things that don't make sense emotionally here, I am not given enough to believe it, there are connections that are a bit underdeveloped, such as Ji-o's apparent affection for his wife, which clearly doesn't serve him other than materially, and he seems to be a pretty material person, and by his own admission with a pretty mean streak. In-ji's past relationship with Do Ha is not revealed sufficiently for me to understand her heartbreak, or his actions, although I think we get quite a lot in episode 7. Better late than never.

I disliked the house, it felt very inhospitable and I don't understand why somebody would make (or keep) that as a home. Maybe getting stuck in your traumatic past. I didn't care for In-ji's style, I actually disliked the actress' face, I think the hairstyle that they chose does not do her any favours, it only makes her look old and gaunt, but maybe that's a matter of preference. I found her more appealing when her hair was more natural. It's an interesting pairing for sure, and not an obvious attraction. But this is a mature story and I liked that about it, despite what I said above. I guess I would have preferred more developed characters, because the mystery as such turned out to be pretty bland. It is slowly revealed piece by piece, but maybe the most shocking thing in this drama for me was Seo-yoon and Jeong-won's unhealthy attachment to her. And how a few weeks (is it weeks?) with a chill woman dismantles that whole relationship. It's a pretty tough sell, but I went with it because it felt satisfying to watch. What I didn't like, again, is the fact that they did employ the exhausting k-drama trope of them having met previously and it was sort of fate, right?

Also, how on earth did they find out about Ji-o? I wish they hadn't really. I felt sympathy for that guy, I don't know why.

Based on a novel, this is a dark psychological drama/thriller exploring complex themes of relationships, marriage and love. It also centers on themes of past traumas, psychological manipulations and complexities of different relationships. It's a powerful well-acted storyline that unwraps slowly but ever so steadily.

Thankfully, It's not a typical "Kdrama" series that you can find plenty of on Netflix and other streaming platforms lately but you wouldn't find Gong Yoo on one of those anyways.

The acting is quite solid especially from the main characters portraying their past emotional traumas and the slow healing they both go through finding each other again (as this was not their first encounter) and possibly lasting love from something that started as an unwanted, bizarre and disturbing contract marriage. But most marriages are contracts is one of themes the show explores and what binds two people together.

I haven't read the novel and I am sure this is not completely true to the book as others before it haven't been but on its own merit, this is a beautifully and well crafted production including the music scores and absolutely worth the watch.

Suspense dramas are not my favorite but I watched this one because it was also tagged as being a romance drama. It didn't really hit the mark for either genre for me. I thought the editing was rather poor. The first episode does not provide a very good foundation for what is going on an it took the next couple episodes for me to really get the gist of things. Also, while the flashbacks usually indicated how far back in time they were going, the flash forwards were generally not tagged and you had to glean from the context that the scene was happening in the future.

I also found the ending to be very unsatisfying...both the ending of the romance thread as well as the suspense thread...for the latter, some of the earlier flash-forward scenes provides misleading information about the fate of the villain that was intended to point you in the wrong direction as to who ultimately deals with the villain. That is just lazy/sloppy writing.

But on the bright side, I thought the acting was great. Seo Hyeon-jin and Jung Yun-Ha completely sold the animosity toward one another that their characters felt. And Gong Yoo brought to life how broken and submissive Han Jeong-won started and then how he was slowly rebuilt with the help of No In-ja.

Overall, I am glad I watched it but was also very glad it was only 8 episodes.

The storyline was interesting, kept me binge watching the whole series in 2 days.

However, the main actress had a pokerface throughout the whole series. I think, I only saw her making a facial expression 3 times, in the whole 8 episodes. I get she had to be stoic and serious but d*mn..... I feel like anyone could've played that role. I mean, you'd just have to stand there with no expression on your face.

The other actors were amazing though. The main actor did a wonderful job.

It's got a lot of twists and turns, and it keeps you on your toes, but the main actress lack of, well... acting, just threw me off.

I usually vote a series down for one of three reasons: 1) the ending isn't convincing and satisfying 2) the plot isn't logical and believable 3) one of the main characters is evil or just plain annoying andI lose all interest in him or her. The majority of K-dramas, lately, have fallen into one of these categories.

This time it's door no. 2.

I guess THE TRUNK works as a sophisticated, understated thriller, but I couldn't warm to the FL, played by Seo Hyun-Jin. She's an enigma, wrapped in a mystery - a reserved, cryptic presence, who seldom smiles and never laughs. Mistress of the blank stare, she gives herself away by small gestures, or the way her face freezes, mask-like, when she's guarded or frightened. Han Jeong-won, played by Gong Yoo, is like a needy puppy, blurting out his thoughts and emotions from time to time.

The details are what makes this series remarkable-the haunting, beauty of Han Jeong-won's opulent, but glacial, residence, the unusual score, and the terse, nuanced dialogues that insinuate more than they elucidate.

If you have the patience to unwrap each exquisitely conceived puzzle piece, you'll eventually suss out the situation. But by episode 3, I realized that I just didn't care. Why? Because the premise is so ridiculous. While the characters are well-delineated, the plot is contrived and unconvincing-especially the ending.