IMDb RATING
7.1/10
30K
YOUR RATING
After his son is murdered by drug dealers, a snowplow driver starts seeking revenge.After his son is murdered by drug dealers, a snowplow driver starts seeking revenge.After his son is murdered by drug dealers, a snowplow driver starts seeking revenge.
- Director
- Writers
- Stars
- Awards
- 4 wins & 10 nominations total
Miodrag 'Miki' Krstovic
- Dragomir Bogdanovic
- (as Miodrag Krstovic)
Anders Baasmo
- Geir
- (as Anders Baasmo Christiansen)
Julia Bache-Wiig
- Receptionist Silje
- (as Julia Bache Wiig)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"In Order of Disappearance" is NOT a film for everyone. In some ways, I'd categorize it as 'Murder Porn'...a movie with many, many vivid and brutal killings...like a Tarantino or Guy Ritchie movie. And, like one of these incredibly carnage-filled movies, it's also exceptionally well made. But being well made does not mean it's for everyone....it is a really nasty story of revenge.
When the film begins, two guys are abducted and one is murdered. The other escapes and eventually makes it to see Nils Dickman--the father of the dead man. It seems that the guy who got away was involved with drug dealers but Dickman's son was completely innocent. Well, Nils isn't about to let go and has decided he must have justice--even though he's just one man against a gang of vicious drug dealers. It's funny, as Nils was just awarded a Man of the Year award...and now he's about to become a vicious killing machine.
Nils only has one lead and soon abducts this lead. He savagely beats and then murders the gang member after he learns the next one in the chain of command and does the same once again. After Nils kills his third gang member, the gangs take notice...and think it's a rival Serbian gang behind all this. Soon, it's all out war...and bodies are piling up faster than the audience can keep track of them.
This film is exquisitely directed and realistic to boot. But it's also blood-filled and violent...and I am talking about very realistic and hideous killings. I was actually surprised, as I just assumed Americans and Brits were the only ones making these sort of films! Well made...but please, please, please...DON'T let your kids, mother or Father O'Reilly catch you watching this film!
When the film begins, two guys are abducted and one is murdered. The other escapes and eventually makes it to see Nils Dickman--the father of the dead man. It seems that the guy who got away was involved with drug dealers but Dickman's son was completely innocent. Well, Nils isn't about to let go and has decided he must have justice--even though he's just one man against a gang of vicious drug dealers. It's funny, as Nils was just awarded a Man of the Year award...and now he's about to become a vicious killing machine.
Nils only has one lead and soon abducts this lead. He savagely beats and then murders the gang member after he learns the next one in the chain of command and does the same once again. After Nils kills his third gang member, the gangs take notice...and think it's a rival Serbian gang behind all this. Soon, it's all out war...and bodies are piling up faster than the audience can keep track of them.
This film is exquisitely directed and realistic to boot. But it's also blood-filled and violent...and I am talking about very realistic and hideous killings. I was actually surprised, as I just assumed Americans and Brits were the only ones making these sort of films! Well made...but please, please, please...DON'T let your kids, mother or Father O'Reilly catch you watching this film!
Sigh. Why couldn't I have been the writer or director of this film? Hell, I would even settle to be best boy, gaffer, caterer, shoe shine specialist or whatever. It's finally refreshing to see a movie that has all the T's crossed and the I's dotted. It stars Stellan Skarsgard and Bruno Ganz, for Heaven's sake. How bad could it be?
I didn't come into the film expecting much other than it was yet another entry in Norwegian cold landscape crime noir category. The scenery alone was worth the price of admission since it's quite the chore to film snowy landscapes. Here, the snow-capped mountains looked a postcard come to life. The direction was taut and there were no wasted scenes. I couldn't help but noticing there was a bit of a Tarantino-esque touch to a few parts of the movie, but I'm not complaining. This film has a lot of layers to it and it is easy to follow. The producers should be proud of themselves.
I didn't come into the film expecting much other than it was yet another entry in Norwegian cold landscape crime noir category. The scenery alone was worth the price of admission since it's quite the chore to film snowy landscapes. Here, the snow-capped mountains looked a postcard come to life. The direction was taut and there were no wasted scenes. I couldn't help but noticing there was a bit of a Tarantino-esque touch to a few parts of the movie, but I'm not complaining. This film has a lot of layers to it and it is easy to follow. The producers should be proud of themselves.
Well-made action-thriller with Stellan Skarsgård as a decent Swedish snowplowerer in the Norwegian mountains becomes an avenger for his dead son.
Reminds me more of American revenge flicks like 'TAKEN (2008)', 'JOHN WICK (2014)' and 'THE EQUALIZER (2014)' than anything typically Scandinavian... Without ever getting too cheesy or 'poserish' which tend to happen at times when the Scandis attempt at this (for instance 'EXIT (2006)', 'GANGSTER (2007)' or '9 MILLIMETER (1997)' are examples of this when done poorly).
But yeah here they get it right, with a solid and incredibly intense crime boss played by Pål Sverre Hagen and overall pretty stellar acting.
A bit of dark comedy in the mix as well reminiscent of 'FARGO (1996)' and 'THE BIG WHITE (2005)'.
Liam Neeson is in the talks of being the lead in an American remake and that seems like it would be the go to guy with the task, however not sure if it will get any better as it's just fine the way it is.
Reminds me more of American revenge flicks like 'TAKEN (2008)', 'JOHN WICK (2014)' and 'THE EQUALIZER (2014)' than anything typically Scandinavian... Without ever getting too cheesy or 'poserish' which tend to happen at times when the Scandis attempt at this (for instance 'EXIT (2006)', 'GANGSTER (2007)' or '9 MILLIMETER (1997)' are examples of this when done poorly).
But yeah here they get it right, with a solid and incredibly intense crime boss played by Pål Sverre Hagen and overall pretty stellar acting.
A bit of dark comedy in the mix as well reminiscent of 'FARGO (1996)' and 'THE BIG WHITE (2005)'.
Liam Neeson is in the talks of being the lead in an American remake and that seems like it would be the go to guy with the task, however not sure if it will get any better as it's just fine the way it is.
Well first of all let me say that I certainly did enjoy this movie. What I don't understand is the fact that some people consider it as a funny crime comedy. Maybe it's because I don't understand the language that I missed some subtle humor or so, I don't know, but the fact is that I for sure didn't laugh once with this movie. The story might not be very original but the actors all did a great job so I can't complain about that. Stellan Skarsgård showed us again that he is a good actor. The story is just another normal citizen searching for revenge after the death of his kid. All in all I thought it was well played and filmed with nice nature shots as well.
Stellan is stellar in Kraftidioten and so are the ever-neurotic villain and his comrades. Northern comedies are famous for a sort of mocking realism, spiced with irony, complete, as a rule, with a generous amount of black humor (cf. Adam's Apples, Flickering Lights, The Green Butchers). Kraftidioten doesn't fail to deliver on that count, for sure. It is at the same time serious, playful, hilarious, and thus highly entertaining. The plot doesn't have huge surprises in store, but what it does have is of the finest strain. The story is nicely spun; the characters are memorable, and dialogs are well-written and wonderfully witty throughout.
The son of a snow plower driver is killed by drug dealers for something he's not involved in. This sends the father, who is by the way a highly-esteemed citizen thanks to his work for the community, into a paternal rage and on a quest to avenge his son, setting a domino effect in motion in the local mafia's life.
A snow-covered dark comedy that should please a wide variety of movie lovers for all the good reasons. Double thumbs up! 9/10.
The son of a snow plower driver is killed by drug dealers for something he's not involved in. This sends the father, who is by the way a highly-esteemed citizen thanks to his work for the community, into a paternal rage and on a quest to avenge his son, setting a domino effect in motion in the local mafia's life.
A snow-covered dark comedy that should please a wide variety of movie lovers for all the good reasons. Double thumbs up! 9/10.
Did you know
- TriviaThe Battle of Kosovo (1389) was a battle between the combined army of Serbians and Bosnians against invading Turks of the Ottoman Empire. Both armies suffered heavy casualties, both being basically annihilated. The eventual outcome was the annexation of the Serbian provinces by the Ottomans. The Battle of Kosovo is significant in Serbian history and integral to Serbian national identity.
- GoofsThe Fisker Karma, being an electric vehicle, should have a license plate starting with 'EL', not 'DN'.
- Crazy creditsIn the end credits the names of all actors appear at the same time, in grey letters on black background, scattered across the entire screen. In order of their disappearance (their last appearance in the film) the names are highlighted in white, then fade away entirely.
- ConnectionsFeatured in Sang froid (2019)
- SoundtracksFloden
Written by Bjørn Eidsvåg
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- In Order of Disappearance
- Filming locations
- Beitostølen, Norway(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €4,576,591 (estimated)
- Gross US & Canada
- $50,251
- Opening weekend US & Canada
- $5,208
- Aug 28, 2016
- Gross worldwide
- $904,446
- Runtime
- 1h 56m(116 min)
- Color
- Aspect ratio
- 2.35 : 1
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