The Well
- 2023
- 1h 31m
IMDb RATING
5.0/10
2.8K
YOUR RATING
A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and... Read allA budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.A budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
- Director
- Writers
- Stars
Gianluigi Calvani
- Tony
- (as Gianluigi Galvani)
Courage Oviawe
- Madison
- (as Courage Osabohine)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Federico Zampaglione's The Well is a chilling exploration of ancient curses and the darkness lurking beneath the surface of seemingly idyllic settings. The Italian filmmaker creates an unnerving atmosphere, layering the film in so much dread, you'll find yourself gripping the armrests in anticipation, even during its pitfalls.
The film follows Lisa Grey, a young art restorer, as she is commissioned to restore a medieval painting in the picturesque Italian village of Sambucci. What begins as a seemingly routine assignment soon unravels into a nightmare. As Lisa delves deeper into the painting's history, she becomes entangled in a web of malevolent forces and terrifying encounters.
Amongst the incredible creature design, one of the film's greatest strengths, lies in its atmospheric storytelling. It's an enchanting, eerie, atmospheric, gothic nightmare that lulls you into a hypnotic state. Zampaglione's direction is astute, creating a palpable sense of dread and unease throughout the film with ease. The haunting score, combined with the film's moody cinematography, immerses the viewer in a world of darkness and decay.
While the film's plot may seem familiar to fans of the horror genre, for the most part, The Well manages to offer a fresh take on the haunted house trope. The film's exploration of ancient curses and the supernatural elements add a layer of complexity that makes it all the more intriguing.
The performances in The Well are generally strong. Lauren LaVera delivers a convincing portrayal of Lisa, a woman caught between the beauty of art and the terrifying secrets it holds. The supporting cast also provides solid performances, adding depth and credibility to the film's characters.
However, The Well is not without its flaws. The pacing can be a little too slow in places, some of the plot developments may feel predictable and slightly underwritten. I personally wanted more lore, and scarier scares. Despite these minor shortcomings, The Well remains a chilling and unsettling cinematic experience. Its masterful direction, strong performances, and exploration of psychological horror make it a standout film in the genre. While it may not be a cinematic masterpiece, it's a well-crafted horror film that deserves to be watched.
The film follows Lisa Grey, a young art restorer, as she is commissioned to restore a medieval painting in the picturesque Italian village of Sambucci. What begins as a seemingly routine assignment soon unravels into a nightmare. As Lisa delves deeper into the painting's history, she becomes entangled in a web of malevolent forces and terrifying encounters.
Amongst the incredible creature design, one of the film's greatest strengths, lies in its atmospheric storytelling. It's an enchanting, eerie, atmospheric, gothic nightmare that lulls you into a hypnotic state. Zampaglione's direction is astute, creating a palpable sense of dread and unease throughout the film with ease. The haunting score, combined with the film's moody cinematography, immerses the viewer in a world of darkness and decay.
While the film's plot may seem familiar to fans of the horror genre, for the most part, The Well manages to offer a fresh take on the haunted house trope. The film's exploration of ancient curses and the supernatural elements add a layer of complexity that makes it all the more intriguing.
The performances in The Well are generally strong. Lauren LaVera delivers a convincing portrayal of Lisa, a woman caught between the beauty of art and the terrifying secrets it holds. The supporting cast also provides solid performances, adding depth and credibility to the film's characters.
However, The Well is not without its flaws. The pacing can be a little too slow in places, some of the plot developments may feel predictable and slightly underwritten. I personally wanted more lore, and scarier scares. Despite these minor shortcomings, The Well remains a chilling and unsettling cinematic experience. Its masterful direction, strong performances, and exploration of psychological horror make it a standout film in the genre. While it may not be a cinematic masterpiece, it's a well-crafted horror film that deserves to be watched.
"The Well", is where "Hostel" meets "A Picture of Dorian Grey", and indeed with some old school Italian gore direction, a la Umberto Lenzi. I've been waiting for this one since Stieges 2023 and Zampaglione (Tulpa)'s direction did not disappoint. La Vera (Terrifier 2) carried her "final girl" crown well, though obviously in a more demure manner. The acting by the four prisoners was excellent and the cinematography was top notch. The story was a bit thin but the gore and other visual effects made up for it in spades. Zampaglione truly got right that which Rob Zombie usually buggers up. He even had a family member who could kinda act in the film.
It's like lemonade. Little substance.
Were it not for the annoying sickening gore, it would be something to leave on in the background and occasionally glance up at.
With the gore you can't even do that.
Not once does it make you feel horrified, terrified, or thrilled in any way, and it doesn't grip you with intrigue, characters, or plot. You feel calm and occasionally disgusted. If the genre was called "disgust" instead of "horror" it would make sense. This way however, it's just not well made. If you want to watch gore go look at a slaughterhouse.
The cinematography is basic, the acting ok, the audio between irritating and incomprehensible. At one point a character repeatedly calls out for "tony". And i could have sworn it was "charlie"
It got 4 stars, because while it is nauseating and pointless, it isn't actively evil and damaging, and the plot is actually somewhat interesting.
Were it not for the annoying sickening gore, it would be something to leave on in the background and occasionally glance up at.
With the gore you can't even do that.
Not once does it make you feel horrified, terrified, or thrilled in any way, and it doesn't grip you with intrigue, characters, or plot. You feel calm and occasionally disgusted. If the genre was called "disgust" instead of "horror" it would make sense. This way however, it's just not well made. If you want to watch gore go look at a slaughterhouse.
The cinematography is basic, the acting ok, the audio between irritating and incomprehensible. At one point a character repeatedly calls out for "tony". And i could have sworn it was "charlie"
It got 4 stars, because while it is nauseating and pointless, it isn't actively evil and damaging, and the plot is actually somewhat interesting.
5gvis
When I read the synopsis, I thought:" great, finally a horror that isn't about some group of friends getting killed, or a family moving into a haunted house etc.". Well, sadly it doesn't deliver what it could have been.
The story starts with the main character, a painting restorator, travels to Italy for a (duh!) painting restoration job. Along te way she meets some guys, who are traveling to a different destination but end as prisoners in the same mansion.
Here it already starts to go wrong. The movie immediately descends into torture p0rn the moment those prisoners are shown, which distracts from the supernatural theme and add little to the story. And who is that fat inbred motherf'er walking down below ? Why is he wearing that goofy face paint ? He adds little to the story other than just being the person who carries out some mundane torture scenes.
The so-called well, that the movie is named after, actually plays a little negligible role in the whole scheme of things, and maybe a different title would be appropriate. The ending is a total letdown and anti-climax, with lackluster acting of nearly every character involved except maybe Lauren LaVera, who somewhat manages to carry the whole thing and make the best of it.
It's a shame, because this movie really had potential. Oh well, I'm sure all those low IQ gore hounds that infest the horror fan base will get some enjoyment out of this.
The story starts with the main character, a painting restorator, travels to Italy for a (duh!) painting restoration job. Along te way she meets some guys, who are traveling to a different destination but end as prisoners in the same mansion.
Here it already starts to go wrong. The movie immediately descends into torture p0rn the moment those prisoners are shown, which distracts from the supernatural theme and add little to the story. And who is that fat inbred motherf'er walking down below ? Why is he wearing that goofy face paint ? He adds little to the story other than just being the person who carries out some mundane torture scenes.
The so-called well, that the movie is named after, actually plays a little negligible role in the whole scheme of things, and maybe a different title would be appropriate. The ending is a total letdown and anti-climax, with lackluster acting of nearly every character involved except maybe Lauren LaVera, who somewhat manages to carry the whole thing and make the best of it.
It's a shame, because this movie really had potential. Oh well, I'm sure all those low IQ gore hounds that infest the horror fan base will get some enjoyment out of this.
As an Italian I am really happy for this film, finally an Italian horror shot well and with extraordinary special effects thanks to my friend Carlo Diamantini, national pride, one of the best make-up artists ever and my fellow countryman who invited me to the preview of this film and also introduced me to the director Federico Zampaglione (who confirms that he has a certain talent when it comes to horror) and a couple of cast members, including Lorenzo Renzi who I had already appreciated in the Amazing TV series "Romanzo Criminale".
About The Well, I can say that we are faced with an exquisitely old school product, with monsters and blood and a very suggestive final scene, Zampaglione has great mastery with the camera and knows the old Italian horror classics, especially Argento and Fulci. As an Italian, horror lover and friend of Diamantini I tell everyone to run to the theater and enjoy this little jewel full of gore and violence!!!
About The Well, I can say that we are faced with an exquisitely old school product, with monsters and blood and a very suggestive final scene, Zampaglione has great mastery with the camera and knows the old Italian horror classics, especially Argento and Fulci. As an Italian, horror lover and friend of Diamantini I tell everyone to run to the theater and enjoy this little jewel full of gore and violence!!!
Did you know
- TriviaLauren Lavera stated that she has only seen part of this film.
- SoundtracksThe Well
Performed by Ginny Vee
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El Pozo: Rituales Satánicos
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $491,556
- Runtime
- 1h 31m(91 min)
- Color
- Aspect ratio
- 2.39:1
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