Confronting the events that turned her into the Hangman - and led to a decade-long fight for survival in Arkham - Sofia makes plans for a more hopeful future.Confronting the events that turned her into the Hangman - and led to a decade-long fight for survival in Arkham - Sofia makes plans for a more hopeful future.Confronting the events that turned her into the Hangman - and led to a decade-long fight for survival in Arkham - Sofia makes plans for a more hopeful future.
Featured reviews
The writers did such a compelling job describing the horrors of what it is like to be in Arkham. Since its inception, Arkham Asylum has been written to be atrocious and considered hell on earth, but no other depiction has shown the audience through the terrifying perspective of an inmate imprisoned in Arkham.
Cristin Milioti should win every award available for this episode alone. She won't, as this is a comic book adjacent show, but she deserves them.
I feel sick watching what they did to Sofia, the only decent human in her family and she paid for it. Oz was always the antagonist of the show, but he was presented as the main character and so you rooted for him. But, now, after this, all of use are team Sofia.
This episode gets dark and more disturbing as it explores a place we have only briefly seen, or heard about in a sinister context! Arkham Asylum is portrayed masterfully with its dark and grim atmosphere!
This show is not affraid to get uncomfortable with this episode and I qm very pleased with this, as it nails the tone! To me, I think this is a better portrayal of Arkham than the one we got in JOKER 2!
The amounts of twists does not stop either! It was equally and intense and captivating experience, with Christin completely stealing the show as Sofia Falcone!
Wow.. just wow!
Sofía's story reflects the core tragedy of Batman's villains, echoing the Joker's words: "All it takes is one bad day." The depiction of Arkham as a grim, oppressive place emphasizes how redemption slips away in such environments, making her journey even more compelling. Exhausted but determined, Sofía emerges as a force to be reckoned with - a villain not born from power but from betrayal and suffering.
This episode enriches the series, balancing Gotham's criminal and psychological facets, and cements Sofía as a perfect foil to the Penguin. It's a nuanced take that adds emotional weight and tension, showcasing yet another brilliant layer of Batman's world.
Did you know
- TriviaSummer Gleeson, the journalist who confronts Sofia at her mother's fundraiser, works for the Gotham Gazette, which is the major newspaper in the city in both the comic books and in the wider The Batman series. She's also a character in Batman: The Animated Series who makes it her work mission to find out who the Batman really is.
- GoofsWhen Sofia raises her red wine glass to toast her family, saying "Cent'Anni," the fill level is down one inch or more from the rim, whereas when she had begun her speech, the glass was nearly overflowing.
- Quotes
Sofia Falcone: I've had a lot of time to reflect. And I have to say... I was genuinely surprised at how many of you wrote letters telling the judge that I was mentally ill, like my mother. Not that the judge needed much convincing. My father saw to that. Still, I trusted you. I loved you. And yet, not one of you... tried to help me. Except for my brother, the man you all flew in to mourn. And you know, the real thorn in my side is that, unlike everyone here... I was innocent. I mean, Jesus Christ, Milos has a higher body count than I do.
Luca Falcone: Sofia!
Sofia Falcone: I know you're all anxious for me to leave. No one has been shy about that. I'd really hoped that it would be different. But I understand, I don't fit into this family anymore. So tomorrow, I'm starting a new life. For the first time, I have hope.
[Raises her glass]
Sofia Falcone: To new beginnings. Cent'anni.
- ConnectionsFeatured in The 77th Primetime Emmy Awards (2025)
- SoundtracksStrange Little Girl
Written by Jean-Jacques Burnel, Hugh Cornwell, Jet Black, Dave Greenfield, Hans Axel Wärmling
Performed by The Stranglers
Details
- Release date
- Country of origin
- Language
- Filming locations
- 3 Dollar Bill, 260 Meserole St., Brooklyn, New York City, New York, USA(Exterior: Alberto leans on open car door to talk to Sophia, who is sitting in car.)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 58m
- Color
- Sound mix