Mind Body Spirit

To my delight, I was treated to this film as the opening night film at the Freak Show Horror Film Festival. With a few exceptions here and there I can say with great passion that I am not a fan of the found footage genre, a genre that has its value in the genre but one that I find repetitive throughout and there always comes a point where I can't find justification in the characters' continued use of a camera outside of the need to carry forward a film for another 70 minutes.

Mind Body Spirit does what few in the genre have managed to do in creating a clever use of the camera and one that justifies its continued use and allows us, without giving spoilers, to not only view this piece through the eyes of our protagonist but as voyeurs as well, looking in on something truly frightening that we shouldn't be looking in on.

There are so few performances here in this one, with Sarah J. Bartholomew expertly carrying the bulk of the film on her shoulders, oftentimes being the only character we see on screen for extended periods of time. Madi Bready offers a strong supporting performance as an overly arrogant influencer and, with the little she has on screen, Anna Knigge also manages a sharp performance that feels emotional and grounded enough in its minimal appearance that it manages to pull the viewer in and make us care for the troubled separation of mother and daughter.

The scares are genuinely impactful, relying on clever camera work and a keen eye rather than jump scares and heavy gore with a minimalist score that never overstays its welcome and never comes too soon.

Overall, I've been to many festivals and seen many films at these festivals and I've never felt so compelled to run to IMDb and leave a review for one of them. This one is different. It's competently made and shows true artistic merit. Flock to this one when it's available. It's most certainly a top tier showcase of indie filmmaking.

Mind Body Spirit isn't necessarily a scary film, but it offers an intriguing and enjoyable watch. The storyline presents a unique concept that keeps the audience engaged, blending psychological tension with supernatural elements in a way that feels fresh. While it doesn't rely on outright horror, the film's atmosphere and themes create a sense of unease and curiosity.

I particularly liked the way the story unfolded, gradually pulling the viewer deeper into its mysteries. The execution was effective, making it an interesting film for those who appreciate thought-provoking narratives rather than pure scares. Overall, it was an enjoyable experience with a concept that stood out.

This movie had so much potential. But for me, it fell short. I rather enjoyed the ending, and the movie held my attention throughout. But I felt frustrated at the acting in some parts; in a lot of the scenes, it felt as though they didn't do enough takes; actors/actresses fail to feel real sometimes, and it felt like the director didn't wait until he got the right take.

Also, there were certain scenes that felt rather forced. And the end-twist, although very enjoyable to watch, could be seen coming a mile away.

I would have enjoyed this movie much more, had it been a 30 or 40 minute film in a VHS anthology.

Even though this movie has a fair amount of flaws, it was worth the watch; and I'm curious as to what the director will come out with next.

So of course there's a lot that's a bit silly that you might expect from a low-budget small crew film making their first feature-length horror. However many horror fans like myself can appreciate a fun ride even with highly flawed production.

Yes, it's laughable sometimes. The "book" looked like something a kid made for a school project on something that's supposed to look "aged". You can actually notice the stumble when a cameraman picks up a camera -- stuff like that. Putting in non-diagetic ambiance in a found footage film is rather silly, as is its clearly intentional editing. Pretty much there's not a moment the film that doesn't feel like filmmakers are making it. But, as a yoga influencer might say, just let it go!

Sarah J Bartholomew's committed performance had a tendency to sell all the silly props and tricks, and since *she* was taking it all so seriously, it helped the viewer suspend some disbelief and join her on her ride. She deserves some success in the future of acting.

But honestly, I think what I like most about this feature is the general concept of taking the piss out of new age granola-crunching culture. Usually a demonic possession film is designed to act as antithesis to the Christian church, and it's nice instead to see the target placed on the toxic positivity of westernized McYoga "find your own truth" types. Just like the Christians, Neo-hippies as well have the demons in their closet that's gotta be aired out! I was laughing quite a bit at how the film subverted the sanitized "sacred" vibe of that culture with some well-deserved demonic bloodshed!

Also, I have to appreciate the fact there's a found footage film that doesn't have a second of handheld shaky cam, which is so tiresome. Honestly the shot composition is very strong in the film, the leads performance and the cinematography were probably the strongest elements. And it's so refreshing that the camera stays still most of the time, or only moves very slowly, so you don't get the motion sickness you might usually get from a found footage film -- I have to say too that in many of the found footage films that use that handheld shakiness, it feels forced as if its trying to remind you that it's a found footage film, which is especially silly when it follows "documentarians". Like if they're professional documentarians, you'd think they'd know to hold a camera still! Luckily there's none of that in Mind Body Spirit, the camera is as still as a yogi's attention.

So I'm not gonna call this a great film -- it's definitely not. But I did think it was a hoot that was a lot of fun!

An aspiring yoga influencer goes to live in her late grandmother's house while working to elevate her channel and gain a following. A tale of jealousy and family demons, at times literally, is what follows. Mind Body Spirit is the latest in what seems like an endless slew of low budget found footage movies, and I'll start by saying that as far as that goes this one does manage to stand above the majority. Some fun and at times clever camera work and strong performances, especially by Sarah Barholomew, drive the movie and show that everybody involved has a lot of potential down the road. There are moments that are genuinely creepy, particularly a haunting hallucination involving one character witnessing varying versions of her own spiraling sanity. The downside is that the movie becomes more and more repetitive as it continues, and it breaks many a rule that is a no no to break in a found footage flick, particularly with its use of music. It also feels like a watered down version of Hereditary set in the found footage genre, but not being done as well it fails to live up to its obvious inspiration or provide anything unique to that story outside of the yoga setting. Mind Body Spirit has potential and is even worth a watch, but don't go in expecting anything above average which believe it or not is a compliment for this horror sub-genre.