Where the Devil Roams

Living in a floundering carnival, a group of workers trying to make due during the Great Depression find themselves under the spell of a gruesome object in the possession of a popular act in the carnival with them which forces them into a massive killing spree to find a better life for themselves.

This was a massively disappointing and nearly unwatchable genre effort. Among it's only positive points here stem from the technical qualities on display which are genuinely impressive at capturing a haunting, dark mood. The period setting, the miserable existence working in the type of environment that looks like a soul-crushing existence, and the general lifestyle of the various participants they stumble across in the rampage they commit secures this kind of atmosphere incredibly well. Even with the way this plays out that shows the descent into madness that they fall into, with each of the family members shown to have a special liability that helps to make the plight seem all the more dynamic and ingrained into this atmospheric setting. Coupled rather nicely with the genuinely gruesome and bloody kills featured here which come about not just through the carnival acts but also the incredibly graphic murders they engage in as the sense of the curse carries out, these are enough to give this one some positives. There are some massively disappointing detriments on display with this one. The main drawback here is the absolutely draining and just plain dull pace that this one plays at where it's not really that interesting in the slightest. The tempo is a major part of this where it's just so slow-going and plodding that there's very little chances to do something interesting with a clunk storyline that doesn't warrant this type of length so it's sluggish means of carrying out the family's destructive rampage or the inner workings of the carnival where their work with the sacred heart for their deal is all just so bland and dull it's not that interesting. That factor is the other big factor here, where even though this goes for the type of in-depth analysis on the family it does very little make them endearing or worth following in this type of feature as so little of it tends to just become quite uninteresting. Added with some obvious anachronistic tendencies that give its setting away, these bring the film down overall.

Rated Unrated/R: Graphic Violence and Graphic Language.

And this one is out there. In my best estimate, it is as though they have pureed Alejandro Jodorowsky's Santa Sangre with Arthur Penn's Bonnie and Clyde and distilled that into a feature-long Dresden Dolls music video.

Set during the Great Depression, it's a tale of ukeleles, dronecore, baby shoes, shell shock and side-show extremity regeneration. As with most of their previous offerings, the Adamses have done a lot of lore and world-crafting but leave a good deal of it unexplained. Weird things just happen in their films as if all is normal.

And I am totally fine with that.

They are making films they want to make - which is admirable in its own right.

Is it shot on a budget? Sure.

Is the acting oddly stilted? Absolutely.

But that is the charm. Like John Waters carefree guerilla cinema style. They're just making quirky horror in upstate NY with anachronistic scoring with no fear of taking things in odd directions. And that is what makes their movies interesting and different.

This one maintains that trend.

My patience with their projects will not be wearing thin anytime soon. I will continue to follow them until Zelda gets her big break which I see coming sooner rather than later. I think mom and dad are geniuses artistically and Zelda has undeniable talent. And Lulu forget about it I'm absolutely in love with Lulu and she's so sexy. With that said I really liked this movie and the whole carnival concept I just feel like it was a little longer than it needed to be. From the outside looking it the movie could've ended when the mom and dad were killed and could've probably had a scene or two after to show Zelda either transitioning into her own form of deranged killer or have her discover and transition into this divine good person she never knew she was but always wanted to be, accompanied with her finding her voice and heading towards normal. It could've ended either way but to me those would've been good endings that would've kept us wanting more. After the axe scene where the breathtakingly gorgeous lulu murders the mom and dad I felt a little disengaged as I was expecting that to be the end so I couldn't really get into what followed the way I was up until that buildup. Sort of like when you ride the roller coaster after that first drop it's hard to build that feeling of the first drop again because it's already passed and looking at the roller coaster from the outside you see that the first drop is the big one. Anyway enough of my metaphors. I think Zelda has something else in the making according to IMDB so I will be watching. I will also continue to follow the family until they knock it out the park which I have a feeling they will. Living around upstate New York myself I feel connected to them. I hope they continue to thrive.

The filmmaking Adams family make low budget,chilly horrors that are several cuts above the usual stalk and slash horrors that populate the market. They have a keen eye for character and atmosphere that make for a more subtle horror, with well drawn characters that add to a rather brave whole.

Unfortunately here the plot is bogged down with tedious hallucinationary scenes, an overlong opening that doesn't excite or grab the audience but is daring nonetheless, and a music video that plays weirdly at the end- It adds nothing really.

The piercings and tattoos on the carnival workers,seem too modernistic out of place , like Lucy Osbourne appeared,minus her sodding phone!

The CGI on the WW1 scenes are a little too unsubtle.

Nonetheless, I applaud this family of filmmakers for trying to appeal to the more adult of horror fans. The designs and cinematography effectively evoke the back roads of 30s Catskills, the chilly look got to my bones and they look of the time and place.

After a couple of predictable' found footage' films of late at least these guys know there is room for low budget horror to develop interesting ideas rather than cliched use of the camera and lines of dialogue.

It could have been better but overall a memorable little chiller.

WHERE THE DEVIL ROAMS is another creepy film from The Adams clan. Set during the Great Depression era, we are taken along with a family of three carnival performers (John Adams, Toby Poser, and Zelda Adams), as they embark on their spree of grisly murder.

Known for making the best of meager funds, this movie is no exception. As usual, the story is unique and gruesome, and the practical gore effects are well-realized. It's cool to see a family of filmmakers put together such a dark genre effort. The music -also performed by the Adamses- is a sort of ethereal sounding gloom-metal that might not have been around in the 1930s, but fits the overall mood of the film.

Recommended for those who appreciate low-budget horror movies that are quite out of the ordinary...