Ballard

In some instances, the dialogue is entertaining, with clever quips and moments of wit that land well. However, there are times when it feels like the script is so poorly written that not even the most seasoned actors can salvage it. Some scenes are cringeworthy, and it's clear that the dialogue doesn't serve the characters or the plot effectively. That being said, the cast does their best, and in certain moments, they manage to elevate the material despite the weak lines.

The standout performance, without a doubt, is Maggie. Her presence on screen is undeniable, and she really helps anchor the show, pulling the cast together. Her character feels grounded and compelling, and it's clear that her portrayal has more depth than the script may give her credit for. She certainly brings a sense of heart and authenticity to a show that occasionally struggles to find its footing.

Despite the questionable dialogue, the premise itself is strong, offering a fresh take on the crime genre. The storyline keeps you intrigued, and there's a solid foundation for the show to grow. The pacing and character development, while a bit uneven at times, are ultimately enough to keep you invested in the long run.

Ultimately, despite the script's flaws, the show has potential. It will probably become my new crime series, mostly thanks to the compelling premise and Maggie's stellar performance. With a bit more polish in the writing department, this could easily evolve into one of the top shows in the genre.

As a devoted Connelly fan, I was eagerly anticipating this series. However, after watching three episodes, I find myself rather disappointed. I struggled to connect with the characters and the storyline, which felt disconnected from the world of the novels.

In particular, Ballard's portrayal jarred with the version I've come to know and admire-an independent, gritty protagonist who lives out of her car and has no ties to family. That rawness was part of her appeal, and unfortunately, the writers have chosen to take her character in a far more conventional and uninspired direction.

I realise this might go against popular opinion, but despite Maggie Q's beauty and competence, she doesn't quite convince in the role. She lacks the commanding presence needed to carry the series as its central figure.

Overall, the show feels superficial, with obvious political messaging that detracts from the story rather than enhancing it. It's not terrible-but it's certainly not compelling enough for me to binge.

When I first wrote this review, I had just finished episode 2. Now that I've completed all 10 episodes, I have a much better picture, and I have to say, it didn't disappoint. I actually really enjoyed it, so I'm updating my review and adding an extra star.

I'm not familiar with the source material and haven't seen the original show, so I came in with no expectations. I enjoy police dramas, but I've grown tired of the ones that follow a rigid formula with no character depth, stand-alone episodes, and barely any ongoing story.

Ballard felt different from the start. The show gradually adds layers that unfold as the story progresses, and by the end, it all comes together nicely. I also really appreciate shows that release all episodes at once, so you can choose your own pace. I ended up watching quite a few in a row and It's a solid ride.

Maggie Q is great in this role. She brings strength and presence, and the character fits her perfectly. The rest of the team also has strong potential, and you can tell there's room to grow with their stories.

One thing I really liked was how the show kept things realistic. Injuries didn't magically disappear, bruises stayed visible, and wounds actually took time to heal. It's a small detail, but it adds a lot of realism, something many shows skip, and it was refreshing to see here.

Overall, I think the story was brought together well across the season, and I really hope it gets renewed. I'll definitely be watching if there's a second season. (hopefully soon)

The project is pitched as a spin-off of the iconic Bosch, and it shows right away: the atmosphere, narrative structure, and visual style are carefully carried over from the original. Everything works in the familiar key - restrained, dark, and refreshingly unflashy.

Casting deserves special mention. In the role of Renée Ballard is Maggie Q - an actress who masterfully combines steely resolve with emotional depth. She's magnetic, compelling, and perfectly at home in the action genre. Her character isn't just a narrative device but the emotional and dramatic core of the story. On a personal note, I've been a fan since Nikita, and she doesn't disappoint here.

Narratively, the show doesn't reinvent the wheel. It's a procedural machine: clashes with the system, cold cases, bureaucratic rot, personal demons - the playbook is well-worn. The clichés are not hidden, but rather presented openly. And that's fine - because what matters is the execution. It's solid, measured, and stylishly done.

Not a masterpiece. But far from a failure. A confident, competent crime drama made with respect for the genre and its legacy. For Bosch fans, it's a must-watch. For everyone else - a decent one-evening binge, as long as you manage your expectations.

I have been waiting for this show to arrive. Almost 2 hours after it's release I went to look up a few cast members, and I see 3 reviews, horribly rated. How did you watch 8 hours of show already? I chalk this up to two things. Misogynists or Bosch lovers who can't let go.

I only know Maggie Q from a failed, very decent sitcom...and Bosch.

Elevator Pitch: It's like "The Sandlot" meets "The Shield" with goodness.

Almost every episode, there is a 'sort' of win, for this rag tag team. Some story lines seem too quick and too wrapped up, but over all, this is quite entertaining. So much better than 3/4 of the American made tripe. Maggie Q is wonderful. The whole, "rag tag" team are fantastic. The "tussles" are great as are the police car barricade scenes. So worth it, Don't pay attention to nay sayers.