Menace au sommet

This was a really amazing, suspenseful, and uncut movie. A worthy cinematic retelling of the life of Dag Hammarskjöld. Persbrandt is at the pinnacle of his career, and it is very mesmerizing to watch the contrast between his apparent stern and concentrated exterior and his tender and loving interior.

The stage design is excellent. So many breathtaking vistas. Everything from the huge opulent New York to the impoverished villages of the Congo and our lovely Österlen here in Sweden. Amazing contrasts that elevate the movie and give it a wider viewpoint.

The movie wasn't that exciting. Not too much was going on. However, there was depth, curiosity, passion, empathy, and feeling. Everything that is required. Too much focus on action had shifted the focus on a deep & poignant diplomatic conflict to a more James Bond looked like show.

The music in the film is made by Raymond Enoksen. He truly figures out how to depict a feeling of renunciation and strategic halts with his tones. The music really elevates the film, and he does a really great job.

This is a phenomenal depiction of Dag Hammarskjöld and I truly suggest allowing the film an opportunity. You won't be let down.

The story of Dag carries the story of Congo, which needs to be told in our present times. The western backed coup and our crimes to the people of Congo were to become significant for the way the western powers for a century have conducted mafia methods to gain and consolidate any sort of capital to rule the globe. Today we can look at huge line of historic and present crimes, and we can look at a huge line of fingerpointing at leaders from countries that does not submit to the western regime.

Congo today is even worse off than the post-Lumumba era; Rwanda-backed rebels are choking the congolese people - and even western editorials ask the western powers to act. But our powers are in business with the proxy wars on Russia, Iran/Syria and China ... so the congolese people will have to be patient. Meanwhile perhaps it's not impossible to do business with the M23 and affiliates. After all, business is business.

The film "Hammarskjöld" presents an informative look at the life and impact of Dag Hammarskjöld, the second Secretary-General of the United Nations. Hammarskjöld's tenure at the UN was marked by his commitment to resolving international conflicts, and his work during the Suez Crisis and Congo civil war was notable. His contributions to peace were recognized with a Nobel Peace Prize awarded posthumously.

Mikael Persbrandt's performance as Hammarskjöld is commendable. He effectively captures the diplomatic demeanor and the sense of duty that characterized Hammarskjöld's approach to international affairs. The film benefits from Persbrandt's portrayal, which adds a layer of authenticity to the historical narrative.

In summary, "Hammarskjöld" is a film that sheds light on a key historical figure and offers a solid performance from its lead actor. It serves as a respectable tribute to Dag Hammarskjöld's legacy in the realm of global diplomacy.

The characteristics from Mikael Persbrandt perfectly add to the Dag Hammarskjöld the director wants us to see. No one can stare with his steelblue eyes as demanding as 'Gunvald' Persbrandt can; every inch a gentleman. At the same time, this eccentric diplomat with his poetry and bow tie knows that playing by the book won't bring him anywhere in his struggle to protect the weak and defenseless. Going his own headstrong way doesn't either, but that's his fate, as it is of international law in general. This biopic deserves therefor the same qualifications as Oppenheimer. The time is now for reassessment, before history swallowes the truth in undisclosed archives and fading memory.

I watched from the start and was fixed throughout.

This movie takes it with a slower, thoughtful pace. There's time for the characters, complexity and context to sink into the story...that's a frenetic true tale of utter chaos and mayhem appearing in the Congo.

It's nice that the writing dosen't ram these very emotive times, politics or conclusions down one's throat. There's a fog to it, the watcher has to make their own final analysis of this difficult subject. I appreciate the care that the makers of this made to tell the story, not preach, just tell it, without favour.

Dag was a fascinating character who tried his best and this pays homage to him and human frailty, which is the condition we all have to live with. Thanks!