The Good Lie

This can be a touching and humorous movie, which has the rare ability to transfer thematic elements from the harrowing and horrific to sugary sweet humor, all in one film. It centers around a group of young Sudanese refugees living in the Kakuma Refugee Camp, in Kenya, who are selected after 13 years at the camp to participate in a relocation program to America, which became known at the time as the "Lost Boys of Sudan". Actually, they will be sponsored and under the auspices of the Faith Based Charities organization once they arrive in the U.S.A..

The first part of the movie can be difficult to watch, as it depicts the horrors of the Sudanese Civil War, and how these surviving children saw their families killed by invading troops. Also, how they trekked nearly 900 miles across the sub-Sahara, under the most dangerous and difficult conditions to reach the Kakuma Camp. The remainder of the film depicts the culture shock awaiting them in Kansas City as they relocate to America.

Reese Witherspoon is superb, as usual, as Carrie Davis, an employment counselor assigned to help the new arrivals find local jobs as soon as possible, but who will also become more involved in their well being. Corey Stoll and Sarah Baker also add well to the mix in supporting roles.

The group of young Sudanese that the film focuses on, are all either actual refugees from the camp, some being child soldiers at one point, or direct descendants of refugees in the camp. Their performances are terrific and there's lots of deadpan humor that emerges from their characters. The group includes Arnold Oceng, as Mamere, Ger Duany, as Jeremiah, Emmanuel Jal, as Paul, and Kuoth Weil, as Abital.

The film was directed by Canadian filmmaker Philippe Falardeau (Monsieur Lazhar), and written by Margaret Nagle.

By the way, there is a well presented documentary on this exact subject called "Lost Boys of Sudan", which I viewed in the last year or so, that you may want to check out.

In summary, I thought this movie had heart and was able to illustrate the ravages of war, but then show what can happen when people are given a second chance in life.

I literally just got home from the movie right now and this is the very first thing I do. Rate 10 and write this review.

The movie premiered today in my country, Cambodia. And guess how many people had show up??? 1. It was me.... Lol. I honestly sit the entire movie theatre alone. Yes, I am a horror films fan and that creep me out very much. However, this is the very good opportunity for me to enjoy the film alone without those annoying cinema's rat people. I can laugh, cry loudly without worrying nobody. My country's people is not a drama fan... They probably squeezing each other at the comedy's and action's section.

Oh right.... the film is a masterpiece. The storyline and scenery, the cast and everything about the film is just wonderful. It's like one of the most beautiful film I have ever seen since Blackswan. This film should win an Oscar just for its existing. The storyline was beautiful. And the fact that it is real made me cry even more. At the beginning of the film it was so so touching and sad, and then it made me laugh somewhere in the middle, and it ended with me crying like a baby alone in the theatre. Like literally. The cast performance is wonderful. They should probably need to win some awards or i'll hate everyone.

The film ended, and I walk out alone from the entire theatre, with red eyes, tear all over my face and every single cinema's employees stare at me like what wrong with this guy LOL. And I drove home thinking about the movie and cry some more. And yes, just like after Blackswan, it took me at least a few hours for me to recover from the film's effects.

We saw this movie on the spur of the moment while vacationing in Tel Aviv. I was worried it would be a hokey version of "The Blindside," where the focus of the story is on a white woman helping some underprivileged people of color, but instead it was a captivating, beautifully written story that was both authentic and deeply moving. The film skillfully portrays the enormous difficulty facing the Lost Boys of Sudan as they try to adapt to America while absorbing the unbearable trauma of their childhoods. Reese Witherspoon was a delight, and was surprisingly restrained -- the movie was not all about her. The acting was superb, performed by Sudanese who did a remarkably good job. The writers did a great job of not allowing this story to wander off in to mawkishness or sentimentality. There is no attempt to tie it all up in a neat bundle, yet it's ultimately uplifting. It's a great film that I have continually recommended to friends.

THE GOOD LIE was only seen in theaters for a brief time back in October, but it has left a lasting impression on me. There are few movies that have a heart like this one. And don't let the advertising mislead you: Reese Witherspoon has a supporting role and doesn't even appear in its first half hour. This story is one of uplift in the face of incredible odds. Its cast of virtual unknowns are superb. And all four of the young African actors are themselves refugees or children of refugees and their ability to relate to the experience allows for a kind of acting you don't see in your average film. I can't wait for it to be available for download or on a DVD. I intend to have friends over to watch it and see for themselves what a really good movie is all about.

The Good Lie, it's a great movie about humanity and values. It's not a documentary about the civil war in Sudan. The trailer is very misguiding, letting the viewer thinking of a cliché' comedy which is not. Nor it's an informative guide about the who and why of a civil war. What I've found interesting, listening to the Q&A at the Tiff, is that the writer took ten years to build this story mixing the life real event of few Sudanese refugees. During the first part of the movie, I was expecting more blood, more extreme violence. But then, the more the movie was going, the more I understood that skipping graphic brutality was a choice, and the whole product was becoming more poetic at moments without losing that neorealism characteristic of Philippe Falardeau's work. At times, I felt like when I was watching for the first time Benigni's "Life is Beautiful" or the work of a modern De Sica. Acting wise, Whiterspoon's work is great in this movie, realistic and never overwhelming and so Corey Stoll does a great job.

But I was greatly pleased with the excellent performance of Arnold Oceng, all the Sudanese actors in the movie, all former refugees, and the stunning newbie Kuoth Wiel.

Overall, I'd suggest to bring your preteens to watch this movie: it would set an example on how family and value should never be forgotten no matter how hard life gets.

Thank you.