When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
- Awards
- 1 nomination total
- Narrator
- (voice)
- Director
- Writer
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Featured reviews
Director Zach Cregger continues to prove he's not afraid to break the mold, following up Barbarian (2022) with another unpredictable, non-traditional narrative. The story starts off familiar, but quickly evolves into something far more layered and unsettling.
I especially appreciated the decision to split the narrative across multiple characters - it added depth and gave the audience a clearer view of the bigger picture.
My only real critique is the ending - it was a bit abstract and left me slightly unsatisfied. Still, it fits the film's overall tone and ambition.
Highly recommended for fans of horror that challenges the norm.
While writer-director Zach Cregger's "Barbarian" attracted a significant following among genre fans, I was not particularly a fan of that film; while I thought it had its share of strong elements and could see why some people loved it, the tone and genre-bending grotesque humor did not appeal to my taste. Because of this, I had tempered expectations for this film, but on the whole was pleasantly surprised. There is certainly dark humor here, but it is played in a more human way.
The screenplay utilizes segmented vignettes that interlock, forming a larger portrait of the strange, almost Stephen King-esque events unfolding in the small community. Tensions abound, as the missing kids' schoolteacher, Justine Gandy (Julia Garner) receives her scarlet letter, with grief-stricken parents such as Archer (Josh Brolin) blaming her for their children's disappearances. Further characters are thrown into the mix and each have their own narrative strands in the chain of events, including a struggling cop (Alden Ehrenreich), a young drug addict and petty thief (Austin Abrams), and the school principal Andrew (Benedict Wong).
While this narrative mode can often be hit-or-miss, it is played to great effect here and is clever without being too gimmicky or pretentious for its own good. On a purely technical level, the film is solid-the cinematography and locations are atmospheric, the sparse use of music and silence is pointed, and the performances are uniformly good from everyone involved. That being said, Amy Madigan, playing the aunt of the sole child in his class who didn't vanish into the night, steals the thunder from everyone , giving a performance that is of "What Ever Happened to Baby Jane?" proportions.
Many have noted that the less you know about the film going into it, the better, and while I think that adage stands true for most moviegoing experiences, it is especially true here. The interlocking character vignettes are compelling in their own right, and the plot strands playfully connect by degrees, keeping the audience firmly planted on their toes. The truth eludes you until the outrageous final act, which is where I think the film could lose some people; however, by that point, I think even most hardened horror fans will remain invested due to the high level of intrigue that has brewed over the previous hour and a half. "Where could this possibly go?" was a recurring thought as I watched this, and even when it stretched credulity as the answers came, I remained firmly in the crosshairs, just as each of the children in Ms. Gandy's ill-fated homeroom. 8/10.
Normally, it takes a while for a film to draw me in and build up the suspense, but this one grabs your attention from the very first scene and keeps you hooked all the way through.
The pacing is tight, the atmosphere is intense, and the story unfolds in a way that keeps you constantly curious. I also really appreciated the performances - the acting felt authentic and added depth to the overall experience.
The ending was satisfying, though I gave it 8 stars because a few elements of the mystery remained unresolved - or perhaps intentionally left open to interpretation.
Still, a fantastic film and a must-watch for fans of smart, original horror!
Did you know
- TriviaNetflix was ready to pay more money upfront than New Line, but an assured theatrical release and New Line's track record with horror were the better selling points.
- GoofsIn one POV, the homeless man is in the back of the officers car until dark- until the point when the officer, who is clearly possessed, charges the car and drags him in the house. Yet, in another POV, Alex comes home from school during the day, notices the cruiser, and then sees the homeless man possessed inside his house. Alex would have noticed the cruiser when leaving for school in the morning OR the homeless man would still be inside the cruiser.
- Quotes
Captain Ed: Mr. Graff, I can understand your passion and I don't mind having these conversations with you because god forbid if it was my child, I'd be demanding answers too. Those kids walked out of those homes, no one pulled them out. No one forced them. What do you see that I don't?
- Crazy creditsThe New Line Cinema and Domain Entertainment logos have the sounds of children talking in the background.
- ConnectionsFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- SoundtracksBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
- How long is Weapons?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- La hora de la desaparición
- Filming locations
- Atlanta, Georgia, USA(location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $134,972,687
- Opening weekend US & Canada
- $43,501,217
- Aug 10, 2025
- Gross worldwide
- $235,172,687
- Runtime
- 2h 8m(128 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1