Les jardins du roi

"A Little Chaos" is a period costume drama based on a simple fictional plot. It is set in 1682-1683 during the reign of King Louis XIV. A female "builder" is chosen to create a special project in the royal gardens at Versailles. A romance develops over time between she and the master gardener, the architect of Versailles, who chose her for the task.

Most of the performances are fine, but nothing special. Many of the characters seem wooden in the scenes in the royal household. The three main characters are Sabine De Barra (Kate Winslet), André Le Notré (Matthias Schoenaerts), and King Louis (Alan Rickman). Rickman directed the film but doesn't seem to be able to coax any spark out of most of the characters.

The story moves between Madame De Barra's landscaping work, and her awkward introduction to the court of the king and royal society. In between that, her acquaintance with the master builder, Le Notré, evolves into a romance. Some of the women of the royal household add interest to the story, but much of the king's huge entourage is portrayed as a den of ladies of rank with male courtesans. This seems a curious twist that doesn't add much to the main plot. Of course, without that the film would have needed something else to fill the time slot.

But for the scenery, costumes and excellent camera work, "A Little Chaos" would be a royal bore for most.

While several of the characters are historically true, Madame De Barra and others are fictional. Le Notré was the landscape architect for King Louis. He began designing and building the gardens at Versailles in 1661, but he would have been 70 years old in 1683. The king's wife who died that year was Maria Theresa of Spain (1638-1683). She and Louis married in 1660 when they were both 21. She was 44 when she died on July 30, 1683.

Louis XIV was also known as Louis the Great. He had the longest sovereign reign in European history. It lasted from May 14, 1643 (when he was four years old) until his death at age 76 on Sept. 1, 1715. He began his personal rule of France in 1661 at age 18, after the death of his chief minister, the Italian Cardinal Mazarin. Louis reigned 72 years and 110 days. Scholars consider him one of the greatest rulers in history.

Besides his military and other conquests, King Louis XIV was also a royal philanderer. He is known to have fathered at least 22 children, six by his first wife, Maria Theresa.

Within a year of his first wife's death, Louis again married. His second wife was Francoise d'Aubigné, the Marquiese de Maintenon. She is Francoise Marie in the movie, played by Hope Hancock. Perhaps the most powerful woman in the king's entourage though, was Francoise-Ahtenais, the Marquise de Montespan. She bore Louis seven children from 1669 to 1678. Jennifer Ehle plays her in the movie. At least four other women bore nine children by Louis. All of these 22 offspring were legitimized by the king in time.

When Louis married again in 1683, he was 44 years old and his known philandering ended. The Marquises de Maintenon was a devout Catholic and had a strong influence on the king becoming more devout himself.

Without knowing something of the history and the court surrounding Louis XIV, much of this film set in the king's household is meaningless. A little knowledge of these people and of the reign of King Louis XIV adds some interest to this film. Otherwise, this is a slow movie, with much doting on flowers, other plants and landscaping. While gardeners may enjoy this, many others may find it boring.

A rare gem in the world of contemporary movies, this story has sympathetic characters. I thought they all but disappeared from the screen. It is purely fictional, but I like to believe it could have happened. Schoenaerts plays Andre Le Notre, the real landscape architect who designed the park of Versailles for King Louis XIV. Andre is interviewing other landscape gardeners to help him with the job, among them the only woman, fictional Sabine De Barra (Winslet).

They don't meet so cute, but Le Notre is intrigued and Sabine is hired. In the society of the time, Sabine is a bit of a low class oddity who manages to make friends in high places. Admitted to court, she attracts attention and curiosity for her beauty and skills, but she also attract Le Notre's wife jealousy.

Le Notre is unhappily married with his unfaithful Madame, but Madame is well connected at court and sort of blackmails him into staying with her. However, that will not stop the slowly burning romance between Andre and Sabine.

Sabine holds back not only because Andre is married but also because of her mysterious tragic past.

We finally get to know Sabine's sad history during one of the most moving scenes of the film. Sabine talks to the court ladies and discovers that they also share tragic losses, although at court it is forbidden to talk about death. Once able to face her past, Sabine can finally move into her future.

Winslet is really good as Sabine and Schoenaerts seems particularly gifted for the role of the strong, silent, lover. He had similar roles in The Danish Girl and Suite Francaise and was equally good. Their scenes together are moving and tender, without any of the artificial slickness or aggressiveness of contemporary romances.Rickman playing Louis XIV as a rather melancholic man who takes a fatherly fancy to Sabine.

The music is not overbearing period and the costumes are absolutely fantastic. The final scene looks like is taking place in the real, still existing, rock ballroom.

Great movie, a balm for the soul.

It was the perfect film to take my elderly mother to, given that we both enjoy gardening holidays in France.

The story is uncomplicated - in a time when gardens were the fashion statement of the rich, the French king wanted a statement to silence the globe. Matthias Schoenaerts' character is given this task which is mammoth given the bogland to be used and he hires Kate Winslet's character for one element of the garden. They fancy each other.

Alan Rickman has a few key scenes but Stanley Tucci steals the show entirely. Costumes and setting are lavish, as they should be.

I cannot comment on the historical accuracy but my immediate thought was 'How does she garden with the corset on when I wear nothing under my t-shirt?' As a gardener, nothing is ever done (weeding, composting, planting etc.) but this project did appear to have a somewhat finite end, which is a fantasy in itself.

More historical dramas with a gardening theme I say!

Until now, I've never seen Kate Winslet portray a character in any movie that I could connect with. I've always thought she was miscast in Titanic. In A Little Chaos though, she draws us out n, bit by bit, by showing a great deal of vulnerability, a person bruised, but not quite broken by her paifully past. I could not hold back thevtears when she finally faces what haunts her. Good movie about a gentle soul trading a potentially treacherous path in life, willing to reach for what seems barely possible.

OK, OK, the "professional" reviews are tepid, but for my taste, A Little Chaos is a perfect summertime movie. No heavy themes, impeccable acting (Kate Winslet, Matthias Schoenaerts, Stanley Tucci, and Alan Rickman), beautiful scenery, and gorgeous late 17th c. costumes. It's one of those movies where you can sink into the cushioned theater seats, breathe the welcome air-conditioning, and let the film wash over you. No heavy mental or emotional lifting required. The premise is that on a ridiculously short timetable and budget, France's Louis XIV, the Sun King, has decreed that paradisaical gardens be created to expand the grounds at his Versailles palace. Garden design has been placed in the reliable hands of André Le Nôtre (Schoenaerts), a proponent of order in the landscape. His plans include an elaborate display of fountains. But he needs help. After interviewing numerous candidates, he chooses the wildly fictional Madame Sabine de Barra (Winslet) to create the garden's ballroom, for the reason that she will introduce new ideas (a shaky premise, there)—and, as the title suggests, a little chaos. The two of them are attracted to each other, but have vastly different temperaments and face a fairly predictable set of obstacles. Critics who pooh-pooh the film as a failed feminist fable miss its many pleasures: the absurd courtiers, Stanley Tucci as the king's gay brother, the interplay among the women when they're alone behind closed doors, scenery to drool over, the joy of bringing dirt and greenery to beautiful life, and, especially, Alan Rickman playing Louis XIV—"a character worthy of his imperious, reptilian charisma," as Stephen Holden said in the New York Times. Rickman directed and helped write the film, too. "Acting should be about risky projects as much as it can be about entertaining," he told Joe Neumaier at the New York Daily News. "The risk is what makes you want to do it." Bringing to life characters from another culture and long-past century in a revisionist history confection is almost as risky as thinking you can make water dance. The real Salle de Bal (the Bosquet des Rocailles) at Versailles was inaugurated in 1685 and is the gardens' only surviving cascade. If you don't go with inflated expectations you won't be disappointed. You will be well pleased.