Kuang biao

I have to say that this TV drama is one of the best Chinese ones I have ever watched. The topic is about anti-corruption in China, which is rare in this field and attractive to audiences. Its rhythm is suitable and the plots are much realer. It shows the crises about trusting and the efforts on the way to anti-corruption under such a corruptive and dull social environment. When everyone can not be trusted and even determined to hurt you, the courage to stick on fighting is quite valuable. Pretty-designed sharp and wonderful words in communication, and thoughtful decisions they made, all reflect how awful the gangsterdom is and how hard the work is. After watching, I considered about the connection and conflicts between Gao Qiqiang and An Xin, which lets me think of their fates, and also understand the importance to work step by step and stay true to my original self.

It has a good story, but its slow narrative completely ruins the viewing experience. After watching 27 episodes, I gave up as the show felt like it was dragging on for too long. The only saving grace for me were the episodes from 10-15, which I could listen to as background noise while doing housework. However, this is not the ideal way to enjoy a TV show.

The acting skills of Zhang Songwen and Zhang Yi are the best part of the show. Unfortunately, the writer's draggy storytelling means that they spend 60% of their time performing pointless scenes. This takes away from their excellent acting skills and makes the show less enjoyable to watch.

Lastly, Wu Gang's acting in the show is also a major letdown. His delivery of lines is painful to watch and I wouldn't recommend him as an actor in any film or television.

Overall, while the show has a good story, the slow narrative and poor acting performance makes it a difficult watch. I would not recommend this show to anyone who wants to enjoy an engaging and well-paced TV series.

The endings of this kind of Chinese TV dramas are all the same. TV dramas only celebrate the correctness and greatness of the government, so there is no need to watch them at all.

Mainland audiences always habitually criticize South Korean TV dramas and the hypocrisy of Korean society. In fact, it is they who are the most ridiculous. Chinese TV dramas either fail to shoot or forcibly perform the main theme at the end.

But it seems that Chinese mainland audiences have no memory, nor do they have enough strong and excellent literary works for them to remember.

They can only sing praises for their government from time to time.

The plot is compact and exciting, that reflects the determination of the government to deal with the problem of official corruption. "Kuang biao" not only restores the clothes, but also the mobile phones and vehicles used by the protagonists. This is a rare phenomenon in early TV dramas. However, the play "Kuang biao" has well balanced this point. It has not only completed the important task of education, but also made the play happy to fly. In the past, I was very curious that China's online Shuangwen has gone to the world, not only can cure depression, but also can help foreign youth detoxify. Why can't such a powerful Shuangwen model be transplanted into TV dramas?

Good effort from actors and actress, and the original story is facinating enough.

There are 3 chapters in total. The first chapter is definitely the good one. It has emotions, drama, conflict and character development. It's attractive and it gives a good start to the whole story setup.

When it comes to the 2nd chapter, the conflict and character development are still there, but the story pace becomes very unstable. There are certain parts of stories very slow and the ending of chapter no.2 is wrapped up in a storm manner, which makes me feel very disappointed.

The 3rd chapter is totally crap.

In addition, the main cop character has no long term character development. I know there are changes to his life, but I don't feel the description of that makes me feel his changes. So this character is very thin to me, more like a guy who stitches up the story.

Once again, I like how the actors and actresses interpret and perform the whole thing, but the final storyline and directing presented in these 39 eps certainly let down my expectations and their overall effort.