Raayan

Dhanush has always been one of Tamil cinema's most consistent actors in terms of the quality of projects he accepts. So when he makes his directorial debut, one surely must be excited to see what his storytelling vision really is. It's not very surprising that he tries to model his debut along the lines of some of his most acclaimed work as an actor (think "Asuran" or "Vada Chennai"), and for the most part, he has a story that's good enough to get the conversation started.

"Raayan" is a movie about an orphaned family of siblings fending for themselves in a city infested with gang violence and one where the volatile instability of their lives are highlighted. It has all the markings of a good 'Vetri Maaran-esque' movie, and it promisingly starts off in that regard too. Right until the movie's interval block, it has its sights set on where it would want to end up, and does a great job keeping the audience interested and invested in the movie and its characters.

For as well as it started, it's the movie's second half that disappoints massively, as it just comes across as if the movie is stuck not knowing where to go from here. It has very few points of interest from thereon, and the story beats just don't seem to work. The movie drags and drags to the point where you're now just waiting for it to end. The second half has nothing to offer and that stance is insulted further by the time we get to the movie's climax, which seems to be entirely unaware of the mockery it's making of the entire movie and its premise. It's disappointing especially, considering how promising the movie looked during its first half.

Most of the mistakes in this movie comes from bad flow and writing. It had the foundation to succeed, but didn't have the experience to build off that, and that is ideally where Dhanush would have to improve should he want to continue down this particular path of storytelling. And as for whether this movie is worth checking out in cinemas, no, it's not, don't bother.

RATED 6/10 Language: Tamil Source: nil

The cast, production and all technical aspects are perfect. But failed to connect the character and emotion to audience with the writings. The sentiment sequences, action blocks are crafted very well, but as a WHOLE movie it failed miserably.

Looks like all characters are in confused state in second half. There are lot of decisions taken by character just to move the story towards climax, in real/cinematic life no one will do such actions/decisions.

Compared to this second half, the first half was better. Even the great interval block failed to give goosebumps, as that block is so illogical.

Failed to impress, even if you lower your expectations.

Good attempts but failed to touch.

Honestly it was getting in to the life but then slipped again.

No matter what, its always a pleasant experience to watch Dhanush's acting.

The side role guys were good enough but I think the story lacked what required to be a punch in the stomach it was kinda like a facepalm. But I didn't find anything that will make me want to whistle at any scene for the movie. But again there were no place where I felt bored too much to sleep. It was kinda same but it made me feel a bit different. Different enough to watch it thoroughly.

Its about struggle of an elder sibling to be a family man and support and love his family but fate had a different plan and they got stumbled in a clash between 2 rival gangster group. The movie is all about how a brother attempt to save his sister.

While in this year (2024) no quality films were released.

Tamil cinema had seen numerous gangster making movies or like normal person to being a gangster.

+ve : A. R. Rahaman Music, Dhanush performance, screenplay, -ve: Dhanush doesn't where is needs to go in the second half, SJ suryah is not a right person

Like the Audience are hungry searching for Briyani,Fried Rice, Full non-veg meals finally settled for chapathi..

We have seen many movies like this Bhagavathi, Thirupathichi, Thotti jaya of charters revolving around the families. Same as that on a different angle.

One time watchable.. It would be good experience on theaters not on OTT.

Action-gangster-dramas tend to follow a pattern of origins-rise-conflict-resolution, and Raayan is no different. It, in fact, has a fantastic first half. There is style oozing in every frame, and Dhanush the director takes precedence here, over the writer and performer. Some interesting-yet-familiar conflicts are established, and it gave off the feeling that the Dhanush the writer may at least have a few tricks up his sleeve in the second half (this is such an Indian movie thing - the whole first-half second-half breakdown, i.e.). But then, the writing is really loose; twists happen for the sake of twists - nothing much makes sense. The style quotient still remains on the higher side - the music (Rahman in GOAT mode), the edits (GK Prasanna), and the cinematography (Om Prakash) are top notch. I strongly believe Dhanush benefited from working with his regular collaborators, and that's visible in the film's audio-visual output.

Dushara Vijayan gets a meaty role and she even gets a fantastic set piece in the second half. However, the writing of almost every character (except the protagonist) is two-dimensional, and this includes the primary antagonist played by SJ Suryah. He brings in the eccentric mannerisms (that we didn't get to see in Indian 2), but the writing doesn't elevate him to a major threat. The metaphor of a wolf in the jungle is used to good effect, though I like to believe some Selvaraghavan interventions in the script could've helped. The brothers, played by Kalidas and Sundeep, are also well portrayed, even when their parts are badly written in the second half. Overall, it's still a fine effort from D, the director.