Jug Face

I have just finished watching JUG FACE for the first time and I must admit that this is not at all how I expected to feel. The title alone does nothing to promote high expectations. Neither does the few clips that have been showing on the previews from other dvds. This is by all accounts a low budget affair but it still has ...something. There's not a lot of astounding visual effects to distract you or sugarcoat the story but the one thing this film has which is easy to spot is authenticity. It is not the shadowy beings that roam the woods that scare you. It's not the unknown entity that dwells in the pit. Those things are really just there to provide a focus for the real horrors in this movie which are the people that live there. The unshakable faith that the followers have in their myths and the fervor that is palpable in their rhetoric seems to dance just behind their eyes. The conviction that empowers them to commit unspeakable acts. These are the things that stand out about JUG Face. It's an absolutely enthralling depiction of single mindedness and ignorant worship. The characters here are convincing if not always polished. You really feel that they don't believe they have any other choices than the ones which they are compelled to make. They don't question their lives they simply live them out until the pit chooses them. However, once she is chosen, Ada must make a choice of her own...With a larger budget this could have been a masterpiece of modern horror. As is, this is recommended for fans of true dread and moodily atmospheric thrillers. 7 out of 10.

A weird thing here. At first dark, textured about hillbilly life, promising some novelty. The handpainted credits bespeak of more personal work, that this comes to us from people who wanted to be creative and not some Hollywood office.

A girl in a repressive backwoods village becomes pregnant just as her parents have arranged marriage and then a mysterious force in the woods (centered in a pit that the people venerate) that seemingly can divine these things, demands blood sacrifice in return for healing and grants visions.

All the tension and strangeness in us being called to parse these wrathful metaphysics through the eyes of people that genuinely believe in them and allow them to dictate life while independent of them having to juggle the possibility that it's all a backwards hallucination, possibly invented: that the imbecile potter merely sculpts faces from a stupor or thin air but does that make the hold of evil less real?

It's clear that they only had a small sketch of the idea as they set to work, interesting at first but goes nowhere, never deeper than something in the earth has to be appeased and the madness of being unable to fathom order; it's still more textured than all the Texas Chainsaw clones, more unusual, but it just smears around with the mythology it creates. A complete loss by the end. Sad.

Jug Face (2013)

*** (out of 4)

The "redneck-horror" genre has pretty much delivered either really bad movies or interesting and original takes on the format. JUG FACE is certainly unlike any other movie I can recall and on that level alone it's worth watching. Set in the backwoods, a community lives by a religion that includes sacrificing anyone who a local potter (Sean Bridgers) sees as a "Jug Face." If this potter sees someone they are taken to a pit in the woods where they are killed and their blood drained into it. Ada (Lauren Ashley Carter) finds out that she's pregnant with her brother's baby and soon she feels that she might be the one ready for the pit. If the plot makes you think you're getting some sort of weird exploitation movie then you're wrong. Writer-director Chad Crawford Kinkle actually delivers a very serious and straight-forward horror film that manages to be highly entertaining and creepy. In a lot of ways the film reminded me of THE WICKER MAN as both deal with a backwards community that offer up people for what they believe are good reasons. I'm not sure if the director was aware of that film or not but the two actually have quite a bit in common and I'm not saying that in a bad way. JUG FACE really does offer up an interesting story that keeps you glued to the screen because you never know how it's going to play out or what twist might follow. The director does a fantastic job at making you believe that you're actually in the woods with these rather sick people who are living by codes that most would find pathetic. The film also offers up some rather gory moments that never call attention to themselves in a sense of wanting to shock the viewer. Instead the scenes just come off as realistic. Another major plus is that we're given some excellent performances with Carter really delivering. This is the second picture I've seen her in and she's certainly a talent to watch out for. She brings such a warm feeling to this character to where you can care for her and want to see her survive this ordeal. Bridgers is also extremely good in his role as is Sean Young (yes, that Sean Young) who plays the girl's twisted mother. People who are tired of the same old type of horror films will certainly want to check this one out. It's not flawless but it's certainly entertaining and creepy.

While it clearly suffers from a low budget, this movie works harder and is more interesting than most of the product that comes out of Hollywood these days.

You will enjoy the twist and turns in the plot. The writers obviously put more effort into the storyline than their big-budget counterparts in the film industry.

The lead actress is impressive as a victim of circumstance who yearns to break free of her world.

It's an intimate look into a slimy dirty mini-society... decent acting, believable dialog and passable set design. Give these folks some real funding and I bet they hit a home run.

Yep, that's about it. After I finished watching the film and I came here to check out the rating, I was not surprised at all that it was a mere 5.2. And deservedly so...

The great writer Charlie Kaufman in his brilliant film 'ADAPTATION' had the experienced filmmaker tell his character that 'Rule #1' in writing was to make sure to give the audience a 'Slam-Bang' ending. Well, this is precisely, in my lowly and wretched opinion, where the filmmakers here fell far short.

The reason why this movie currently only has a '5.2' rating isn't because it wasn't made well. It isn't because it wasn't acted well, because the acting was superb. It wasn't because technically it wasn't down well, because the writing, direction, pacing, and above all 'Mood' was excellent. It it certainly wasn't because the story was poor; the idea was frigg'n BRILLIANT!

The reason, as clearly stated in my title above is because of the ending. And, without giving too much away, I do not mind 'Dark' endings. I do not mind endings that might give you a shock. BUT... in my lowly and wretched opinion, one thing I feel that a director should never, NEVER do, is put the audience through such a grueling and fascinating and creative journey and then just end it with a completely pointless, and I mean POINTLESS letdown.

Inexcusable...

And, thus, the deserved 5.2 rating. IF, and I really mean this, IF the filmmakers had just given the bloody ending a BIT more thought so that the audience either felt rewarded for going through all that they had, or given it some kind of nice twist, or at least given us some irony, just bloody SOMETHING, ANYTHING instead of the paltry nothing, meaningless ending that in my opinion did absolutely NOTHING for the audience, I feel quite honestly that it would have been a truly great film. But, sadly, It simply didn't leave us with a feeling of satisfaction. It didn't leave us with a sense of Mystery. It didn't even leave us with a true sense of Horror. The audience is left sitting there going, 'Is that it...?'

It just left us with a mindlessly STUPID non-ending that did nothing for us in any way at all...