Whiplash
- 2014
- Tous publics
- 1h 46m
A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.
- Won 3 Oscars
- 99 wins & 144 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Whiplash' delves into ambition and obsession through a toxic student-teacher dynamic. Miles Teller and J.K. Simmons deliver intense performances, highlighting the sacrifices for artistic excellence. Critics praise the film's technical achievements but find its depiction of jazz and mentorship unrealistic. Concerns arise over the glorification of abusive behavior and the ambiguous moral resolution. Despite these issues, 'Whiplash' is celebrated for its gripping narrative and jazz score.
Featured reviews
After seeing Damien Chazelle's Whiplash - a film the young up-and- coming director wished to do for some time now - being so beautifully realized and brought to life by everyone involved in the project, I was glad and relieved, mainly because I have seen the short film, which was pretty incredible.
I believe that among the most telling facts about a film's fortunes and qualities, is the ability to broaden it's public, but in the same time not forgetting that cinema is not all about commercial success and mass audiences.Or with other words - a film that is not just eye candy and booms and explosions, but also craft, soul, dedication and wits.
Those are some of the things not only the film itself possesses, but the people behind it have in abundance as well.
The upcoming Miles Teller plays the young and dedicated student Andrew Nieman, who has the drive, the ambition to succeed and to be great, which is fine, as long as it doesn't derail your personal life.A lesson the young drummer learns the hard way.
Blind ambition is the thing, that can describe our anti-hero of sorts, Terrence Fletcher a.k.a the brilliant J.K. Simmons, who has a thing for mindeffin' his students to the point of total physical and mental exhaustion and even depression.But he does it for a reason, for the sole purpose of finding the next big, even great, thing in jazz and in music as a whole.The next prodigy, the next "Yardbird" Charlie Parker that will be otherwise lost, if not being pushed to the very limit.
And boy, does J.K. Simmons nails it.Chazelle has done a masterful job in casting the two leads in Teller and Simmons.Their respective acts are full of purpose, full of tension and ultimately terrific.
Expect some awards going in the way of "Whiplash" and look out for Simmons in the Oscars shortlist, that's how good he is in it.And in his own words: "What a shame we wrapped it up in only 19 days".It must have been really fun playing a part like Terrence Fletcher and Simmons completely sold it.
As I said, the best movies are those, that reach out to the most diverse and wide spectrum of audiences, not those, who can connect to a massive number of people, who are representatives of only one specific audience type.And Chazelle has achieved just that with "Whiplash" - a precise, tension-building film, full of beautifully staged pieces and above all else, a love towards music and the challenges it often represents if you want to get to the very top.
The film ended in a big round of applause from the packed theater and I am sure that will be the case a long time from now!
My grade: 9/10
I believe that among the most telling facts about a film's fortunes and qualities, is the ability to broaden it's public, but in the same time not forgetting that cinema is not all about commercial success and mass audiences.Or with other words - a film that is not just eye candy and booms and explosions, but also craft, soul, dedication and wits.
Those are some of the things not only the film itself possesses, but the people behind it have in abundance as well.
The upcoming Miles Teller plays the young and dedicated student Andrew Nieman, who has the drive, the ambition to succeed and to be great, which is fine, as long as it doesn't derail your personal life.A lesson the young drummer learns the hard way.
Blind ambition is the thing, that can describe our anti-hero of sorts, Terrence Fletcher a.k.a the brilliant J.K. Simmons, who has a thing for mindeffin' his students to the point of total physical and mental exhaustion and even depression.But he does it for a reason, for the sole purpose of finding the next big, even great, thing in jazz and in music as a whole.The next prodigy, the next "Yardbird" Charlie Parker that will be otherwise lost, if not being pushed to the very limit.
And boy, does J.K. Simmons nails it.Chazelle has done a masterful job in casting the two leads in Teller and Simmons.Their respective acts are full of purpose, full of tension and ultimately terrific.
Expect some awards going in the way of "Whiplash" and look out for Simmons in the Oscars shortlist, that's how good he is in it.And in his own words: "What a shame we wrapped it up in only 19 days".It must have been really fun playing a part like Terrence Fletcher and Simmons completely sold it.
As I said, the best movies are those, that reach out to the most diverse and wide spectrum of audiences, not those, who can connect to a massive number of people, who are representatives of only one specific audience type.And Chazelle has achieved just that with "Whiplash" - a precise, tension-building film, full of beautifully staged pieces and above all else, a love towards music and the challenges it often represents if you want to get to the very top.
The film ended in a big round of applause from the packed theater and I am sure that will be the case a long time from now!
My grade: 9/10
Nominated for five Oscars, and winning three (editing, sound and Best Supporting Actor, with nominations for screenplay and Best picture), 'Whiplash' is positively blistering, with a darker and more realistic view on aspirations and done in a way that's tense and inspirational.
Visually, 'Whiplash' looks great with grittily atmospheric photography with plenty of beautiful, gripping shots (like close-ups of the drum playing) and some of the tightest, cleverest and most audacious editing of any film that year. The sound is also thrilling in its intense authenticity, and really add to the impact of the pulse-racing Jazz soundtrack. There is in particular unbelievable drum playing that serves as a fond reminder of iconic drum players of the classic Jazz Age, the final drum solo is long but exhilaratingly played and a huge part of why the ending sends up a storm as much as it does.
The script is sharp and cutting, sometimes uncompromising and at other points patient. The story is not new, but makes a point of aspirations and talent having its dark and less glamorous side, competitiveness and that there are always obstacles (including dictatorial bullies). While not quite as extreme in life as shown here situations and people like seen in the film exist. The story is at its most successful in its tension between Andrew and Fletcher, which is thrilling and nail-biting, and Andrew's very relatable and inspiring drive and passion, and much of it is very taut and rarely laborious in pace.
Damian Chazelle directs with a clear love for film and the jazz style and passion for the subject. 'Whiplash' has great performances all round. The secondary cast do much with little and Miles Teller more than holds his own in a telling lead performance. This is JK Simmons' film however, proving that his Oscar win was one of that year's most deserved wins. He doesn't just dominate the film with his ruthless manner as a terrifyingly dictatorial character, but actually IS essentially the film, one's terrified of him but also understands his point of view.
'Whiplash' could have been slightly better this said. Most of the supporting cast, especially Andrew's family (the film at least tries to say why the romance was rushed and dropped, in that it didn't mean anything to him like his playing of music did), are severely underwritten and underused. The car crash scene and the aftermath also feels out-of-kilter and even the most committed musician wouldn't be in the right function to do what happens after that scene.
Otherwise, this is a blisteringly great film with a huge amount to recommend. 9/10 Bethany Cox
Visually, 'Whiplash' looks great with grittily atmospheric photography with plenty of beautiful, gripping shots (like close-ups of the drum playing) and some of the tightest, cleverest and most audacious editing of any film that year. The sound is also thrilling in its intense authenticity, and really add to the impact of the pulse-racing Jazz soundtrack. There is in particular unbelievable drum playing that serves as a fond reminder of iconic drum players of the classic Jazz Age, the final drum solo is long but exhilaratingly played and a huge part of why the ending sends up a storm as much as it does.
The script is sharp and cutting, sometimes uncompromising and at other points patient. The story is not new, but makes a point of aspirations and talent having its dark and less glamorous side, competitiveness and that there are always obstacles (including dictatorial bullies). While not quite as extreme in life as shown here situations and people like seen in the film exist. The story is at its most successful in its tension between Andrew and Fletcher, which is thrilling and nail-biting, and Andrew's very relatable and inspiring drive and passion, and much of it is very taut and rarely laborious in pace.
Damian Chazelle directs with a clear love for film and the jazz style and passion for the subject. 'Whiplash' has great performances all round. The secondary cast do much with little and Miles Teller more than holds his own in a telling lead performance. This is JK Simmons' film however, proving that his Oscar win was one of that year's most deserved wins. He doesn't just dominate the film with his ruthless manner as a terrifyingly dictatorial character, but actually IS essentially the film, one's terrified of him but also understands his point of view.
'Whiplash' could have been slightly better this said. Most of the supporting cast, especially Andrew's family (the film at least tries to say why the romance was rushed and dropped, in that it didn't mean anything to him like his playing of music did), are severely underwritten and underused. The car crash scene and the aftermath also feels out-of-kilter and even the most committed musician wouldn't be in the right function to do what happens after that scene.
Otherwise, this is a blisteringly great film with a huge amount to recommend. 9/10 Bethany Cox
The story of a jazz drummer who is pushed to the brink by sadistic music conductor.
As a drummer myself, I found the depiction of the art, the the elements of 'the band room' very accurate - with the exception of the crazy conductor (mine was quite nice by contrast). What makes this film so excellent is the character driven storytelling. I watched this the same weekend as Doctor Strange in the Multiverse of Madness ("MOM"), and I was far more captivated by the conflict between the characters of Whiplash than I was of MOM.
Whiplash featured incredible twists and turns, that kept me glued to the screen. This is an underrated gem that deserves more praise.
As a drummer myself, I found the depiction of the art, the the elements of 'the band room' very accurate - with the exception of the crazy conductor (mine was quite nice by contrast). What makes this film so excellent is the character driven storytelling. I watched this the same weekend as Doctor Strange in the Multiverse of Madness ("MOM"), and I was far more captivated by the conflict between the characters of Whiplash than I was of MOM.
Whiplash featured incredible twists and turns, that kept me glued to the screen. This is an underrated gem that deserves more praise.
"Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art."
Charlie Parker sums it all, Cinema is true Art. I wasn't expecting to feel this way after watching this movie. Every moment has tension and something unexpected occurring. It is as if the director had chosen to apply the tempo of the drums to the script. Anyone can relate to this story. We all have pursued a dream, a passion ... Rather or not we made it our everyday job or maybe just a hobby aside, some of us strive for something bigger.
This film is a journey in the search of your inner spirit, inner creativity ... not only will it make it clear that you cannot succeed without effort and hard work, it will also make you realize there are two different kinds of artists : - those who make art, - and those who make beautiful art
"Beautiful" because they are stimulated by a special strength within, a GIFT.
Is it because I reminisce N.Y.C. or that I play the drums? I simply believe the performances were astonishing and the actors perfectly chosen to embody these terrific characters. I won't say "good job" but rather "thank you", to the promising Franco-American director Damien Chazelle for sharing his vision.
Charlie Parker sums it all, Cinema is true Art. I wasn't expecting to feel this way after watching this movie. Every moment has tension and something unexpected occurring. It is as if the director had chosen to apply the tempo of the drums to the script. Anyone can relate to this story. We all have pursued a dream, a passion ... Rather or not we made it our everyday job or maybe just a hobby aside, some of us strive for something bigger.
This film is a journey in the search of your inner spirit, inner creativity ... not only will it make it clear that you cannot succeed without effort and hard work, it will also make you realize there are two different kinds of artists : - those who make art, - and those who make beautiful art
"Beautiful" because they are stimulated by a special strength within, a GIFT.
Is it because I reminisce N.Y.C. or that I play the drums? I simply believe the performances were astonishing and the actors perfectly chosen to embody these terrific characters. I won't say "good job" but rather "thank you", to the promising Franco-American director Damien Chazelle for sharing his vision.
This movie was far better than the trailer made it look.
JK Simmons gave a stellar performance as a music teacher in the best Jazz school, trying desperately to find and develop the next jazz legend. From the moment he appears he demands the screen, literately. There's a part in the flick were he just burst open the door putting a halt on whatever is going, and makes it all about what he wants, which sets the tone for the entire movie. One of the best antagonist I've seen at the movies.
Miles Teller plays the protagonist, A first year Jazz student who wants to be the next Jazz legend and is willing to go through the pain needed to become just that. I've been a fan of Miles Teller for a while and this movie just increase my fandom
It does not matter whether you are into jazz or not, this flick is about and boy willing to kill himself to become the best and the man willing to kill the boy so he can be the best. For anyone who has ever been in that kind of pressure, weather it be at college or on the playing field(I kid you not, watching these guys play Jazz played out like I was watching a Football movie with Miles being the Quarterback and JK being the coach)
It was an emotion trill ride with a lot of ups and downs, and just when you think the ride is over, we go for a second time around.
Excellence!!
JK Simmons gave a stellar performance as a music teacher in the best Jazz school, trying desperately to find and develop the next jazz legend. From the moment he appears he demands the screen, literately. There's a part in the flick were he just burst open the door putting a halt on whatever is going, and makes it all about what he wants, which sets the tone for the entire movie. One of the best antagonist I've seen at the movies.
Miles Teller plays the protagonist, A first year Jazz student who wants to be the next Jazz legend and is willing to go through the pain needed to become just that. I've been a fan of Miles Teller for a while and this movie just increase my fandom
It does not matter whether you are into jazz or not, this flick is about and boy willing to kill himself to become the best and the man willing to kill the boy so he can be the best. For anyone who has ever been in that kind of pressure, weather it be at college or on the playing field(I kid you not, watching these guys play Jazz played out like I was watching a Football movie with Miles being the Quarterback and JK being the coach)
It was an emotion trill ride with a lot of ups and downs, and just when you think the ride is over, we go for a second time around.
Excellence!!
Did you know
- TriviaThe director and writer of the film, Damien Chazelle, could not get funding for the movie, so he instead turned it into a short film and submitted it into the Sundance Film Festival in 2013. The short film ended up winning the Short Film Jury Award, and he got funding soon after.
- GoofsWhen Fletcher throws the chair at Neiman, the guitarist is behind Neiman in the first shot then missing in the second, probably removed to avoid being hit by the chair.
- Quotes
Terence Fletcher: There are no two words in the English language more harmful than "good job".
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Whiplash: Música y obsesión
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,300,000 (estimated)
- Gross US & Canada
- $14,003,391
- Opening weekend US & Canada
- $135,388
- Oct 12, 2014
- Gross worldwide
- $50,360,880
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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