A Pulitzer-winning writer grapples with being a widower and father after a mental breakdown; 27 years later, his grown daughter struggles to forge her own connections.A Pulitzer-winning writer grapples with being a widower and father after a mental breakdown; 27 years later, his grown daughter struggles to forge her own connections.A Pulitzer-winning writer grapples with being a widower and father after a mental breakdown; 27 years later, his grown daughter struggles to forge her own connections.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Based strictly on content, "Fathers & Daughters" is not the type of movie I would usually see. However, after watching the trailer and seeing the star power of Russell Crowe, Amanda Seyfried, and Aaron Paul, I decided to give it a try. While the plot of this film can be a bit shaky at times, one almost doesn't realize it because the quality of the acting invokes such strong emotions all the way through.
For a basic plot summary, "Fathers & Daughters" opens with writer Jake Davis (Crowe) struggling to cope with his life after the loss of his wife in a car accident. Fortunately, he still has his lovely daughter Katie (Kylie Rogers), but even that is threatened when his seizures and medical problems begin. Flash-forward 20-some years later, and Katie (Seyfried) has grown up to become a successful social worker...who is also as promiscuous as they come in terms of love life. However, when a new little girl named Lucy (Quvenzhane Wallis) is put in her care, and then Katie meets Cameron (Paul), she begins to be confronted by the demons in her life that have caused her so much pain.
I wish I could say that "Fathers & Daughters" is a "best of all-time" type of movie, but the fact is that it isn't. The writers/producers/director make some head-scratching choices about how they play the narrative out, and there are a few key plot points missing that probably needed to be included to make this a "tighter" film. So, this is really more of a "niche" film built on emotion.
But boy oh boy, though, does that niche ever get filled perfectly here! I'm not usually one to get overly emotional during a film-watching experience (at least visually), but "Fathers & Daughters" moved me to tears on a few occasions. It truly is that powerful of a film, as it deals primarily with the relationship between a father and daughter (something that isn't always seen in these types of films). It would have been very, very easy for this film to turn into a typical tearjerker, as all the elements for it are indeed present. Fortunately, although not without a few hiccups along the way, it ends up producing natural instead of contrived emotions, which I have a great deal of respect for. All the emotional moments in the movie feel earned.
In large part, I believe that is due to the incredible acting performances in the flick. It has been awhile since I've seen a movie where every performance was this spot-on. Crowe really commits (and when that happens, he's always golden), Seyfried is (as usual) perfect for her role, and Paul is absolutely killing every role he takes these days. Even the youngsters, Wallis and especially Rogers, bring the emotion perfectly.
So, while "Fathers & Daughters" may not rise to elite heights due to a few storytelling difficulties, it has more than enough acting and emotion to be a solid film. It uncommonly moved me during my viewing of it, and I will always remember the experience because of it. Even if this doesn't look like your "cup of tea", you may want to give it a chance, as more than likely you'll be moved as well.
For a basic plot summary, "Fathers & Daughters" opens with writer Jake Davis (Crowe) struggling to cope with his life after the loss of his wife in a car accident. Fortunately, he still has his lovely daughter Katie (Kylie Rogers), but even that is threatened when his seizures and medical problems begin. Flash-forward 20-some years later, and Katie (Seyfried) has grown up to become a successful social worker...who is also as promiscuous as they come in terms of love life. However, when a new little girl named Lucy (Quvenzhane Wallis) is put in her care, and then Katie meets Cameron (Paul), she begins to be confronted by the demons in her life that have caused her so much pain.
I wish I could say that "Fathers & Daughters" is a "best of all-time" type of movie, but the fact is that it isn't. The writers/producers/director make some head-scratching choices about how they play the narrative out, and there are a few key plot points missing that probably needed to be included to make this a "tighter" film. So, this is really more of a "niche" film built on emotion.
But boy oh boy, though, does that niche ever get filled perfectly here! I'm not usually one to get overly emotional during a film-watching experience (at least visually), but "Fathers & Daughters" moved me to tears on a few occasions. It truly is that powerful of a film, as it deals primarily with the relationship between a father and daughter (something that isn't always seen in these types of films). It would have been very, very easy for this film to turn into a typical tearjerker, as all the elements for it are indeed present. Fortunately, although not without a few hiccups along the way, it ends up producing natural instead of contrived emotions, which I have a great deal of respect for. All the emotional moments in the movie feel earned.
In large part, I believe that is due to the incredible acting performances in the flick. It has been awhile since I've seen a movie where every performance was this spot-on. Crowe really commits (and when that happens, he's always golden), Seyfried is (as usual) perfect for her role, and Paul is absolutely killing every role he takes these days. Even the youngsters, Wallis and especially Rogers, bring the emotion perfectly.
So, while "Fathers & Daughters" may not rise to elite heights due to a few storytelling difficulties, it has more than enough acting and emotion to be a solid film. It uncommonly moved me during my viewing of it, and I will always remember the experience because of it. Even if this doesn't look like your "cup of tea", you may want to give it a chance, as more than likely you'll be moved as well.
I anticipated an emotional tale from the director who is quite famous for it, and yes, it was, but not as I was looking for, yet I still liked it for portraying a beautiful father-daughter relationship. It was not like all about the happy scenarios, but it began with a tragedy and then moved to narrate a father who struggles to provide a better life for her daughter when his health was getting worse every day. In another layer, the story focused on the grown up daughter who struggles as well, but to get close to the people which affected since her childhood days with her father.
Russell Crowe played an energetic father like he was in his 30s, especially when he shows the affections to his daughter. The little girl who played the daughter role as well so fantastic. The disappointment was as usual Amanda Seyfried like any of her movies. I like her as a human being, no offense but not as an actress. Apart from her portions, it is not a bad movie.
It was about one father and one daughter, but the title was plural. You should see the movie that has a simple explanation for it. The girl and her father's story should have been the entire movie. With some catchy moments between them would have made it an awesome product. As expected the end was emotional, and another layer's end was terrible which was obviously Seyfried's. I wanted to like it, but I can't. This movie would bring a mixed response that you can't decide whether you liked it or not, but mostly you might respond positively.
7/10
Russell Crowe played an energetic father like he was in his 30s, especially when he shows the affections to his daughter. The little girl who played the daughter role as well so fantastic. The disappointment was as usual Amanda Seyfried like any of her movies. I like her as a human being, no offense but not as an actress. Apart from her portions, it is not a bad movie.
It was about one father and one daughter, but the title was plural. You should see the movie that has a simple explanation for it. The girl and her father's story should have been the entire movie. With some catchy moments between them would have made it an awesome product. As expected the end was emotional, and another layer's end was terrible which was obviously Seyfried's. I wanted to like it, but I can't. This movie would bring a mixed response that you can't decide whether you liked it or not, but mostly you might respond positively.
7/10
Russell Crowe, Amanda Seyfriend, and Aaron Paul do a fantastic job with the sorrowful story of a father and daughter and the relationships their within. Several other reviews call for boxes and boxes of tissues. I did not have that experience at all. How this did not get more nominations escapes me.
If you come away praising only one thing from this movie, I'd be willing to bet that it would be Kylie Rogers' performance as Russell Crowe's young daughter. She gives a genuinely affecting performance for a girl her age and although Crowe himself needs no help here as he puts in a brilliant showing of his own, he's all the better for her presence. They played off each other so well and the film was much more enjoyable whenever they shared the screen. Amanda Seyfried was her dependable self but this kind of role is easily within her wheelhouse so don't expect to be blown away by her.
The film itself has a nice flow to it when considering the run time and although it dips into the cliché pot a couple of times, I found the screenplay just fresh enough that I would say I enjoyed it overall. Although the directing wasn't anything to write home about I do believe that he showed a delicate and subtle handling of the subject matter which is to be commended. The score is also quite wonderful.
Overall, a solid 7/10. The performances are the reason to see this one.
The film itself has a nice flow to it when considering the run time and although it dips into the cliché pot a couple of times, I found the screenplay just fresh enough that I would say I enjoyed it overall. Although the directing wasn't anything to write home about I do believe that he showed a delicate and subtle handling of the subject matter which is to be commended. The score is also quite wonderful.
Overall, a solid 7/10. The performances are the reason to see this one.
Fathers And Daughters: A movie that would have made me book the first flight home without waiting for holidays if I still lived overseas. I mean it. Yes, I'm a "daddy's girl", and I've been lucky enough to enjoy this beautiful movie with my father (well, my mum and brother were there too, but dad was a 'must' from what I'd heard about the film). As one can easily guess after seeing the trailer, it's a touching piece, and the cast does a great job in reflecting the story on screen. Gabriele Muccino delivers the plot with a non-cliché flow, he's very successful with the flashbacks, and one of the strongest aspects of F & D is the amazingly beautiful music, in my opinion. Particularly the Carpenter's cover by Michael Bolton, Close To You adds so much, not to mention that it squeezes your heart during a particular scene. Speaking of heart-squeezing, I think Russell Crowe has made a habit of making his audience cry, especially with The Water Diviner and now, with Fathers and Daughters. As expected, he does not just act, he 'becomes' Jake Davis, and forms multiple lumps in your throat with the character he portrays. As one of the best actors of our time, if not the very best, he's simply amazing. Also, the chemistry between R. Crowe and Kylie Anne Rogers is great, it's heart-warming and so 'real', if I may say so. Kylie Anne is the sweetest potato chip, that goes without saying, and I need to add that at some point I did hate Bruce Greenwood and Diane Kruger.. well, not them, but the characters they played, of course. Needless to say, Jane Fonda was one of the shining stars of F & D, and I think Amanda Seyfried and Aaron Paul were well-chosen for their respective roles, *thumbs up* to them both. Taken together, I loved the story, it was beautifully transformed into a tear-jerker on screen, and I sincerely hope this movie gets released in every country -because it's a sweet piece of art which reminds you of the most important and valuable things in life. PS: Keep tissues nearby when you're seeing F & D. Am not kidding.
Did you know
- TriviaThe screenplay for this film was featured in the 2012 Blacklist; a list of the "most liked" unmade scripts of the year.
- GoofsAfter Katie goes on her run with Cameron, there is an aerial view of Manhattan including the Twin Towers. Her mother died around 1989-1990 per the first scene, and we are now supposed to be seeing her 27 years later, which is well after the towers were no longer standing.
- ConnectionsReferenced in Harmontown: What Did You Do to Norman Lear? (2016)
- Soundtracks(They Long To Be) Close To You
Written by Burt Bacharach and Hal David
Performed by Richard Clayderman, vocals by Michael Bolton
- How long is Fathers & Daughters?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Père et fille
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,400,000 (estimated)
- Gross worldwide
- $5,587,709
- Runtime
- 1h 56m(116 min)
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content