Le conte de la princesse Kaguya

The Tale of Princess Kaguya was certainly a story that I was fully intrigued with. Because of its limited release in theaters, it wasn't easy trying to find it, but when I finally caught it at a local art house theater, I was further interested in the story that had yet to unfold. Since it was based on the centuries-old Japanese folktale, I know it has been told differently many times by various writers in literature, theater, even film. Nevertheless, I had to check out Studio Ghibli's take on the classic story.

It's about an elder bamboo cutter named Okina who discovers a young, tiny girl in a bamboo shoot and decides to adopt her as his own along with his loving wife Ona. As years progress, the tiny girl begins to grow rapidly to normal size like the other children of their village, eventually having to leave since her adoptive parents decide to have her raised among the nobles. From there, she is given the name "Princess Kaguya" and things become further complicated when so much is offered to her so suddenly.

When comparing this movie to past Studio Ghibli efforts, it's obvious that the animation style is nothing like its preceding films. And with studio founder Hayao Miyazaki having stepped down and no involvement with this current project, I have to say it's a drastic, yet vibrant change in what Studio Ghibli is widely known for. I loved the story and it had an ending that was rather heartwarming and enough to tug anyone's heartstrings. With the English dub voice of Kaguya done gracefully by Chloe Grace-Moretz (Let Me In, Carrie, If I Stay), she actually stands out well as the title character, like it wasn't forced.

The animation technique was rather intricate, but it was reminiscent of an old Japanese art painting I've once studied about in Art History classes at my local college. American animation studios have believed traditional 2-D to be a dying art form in the film industry these days, but I can tell Japan does not acknowledge it in that way at all, whether it's TV or film. The concept I started believing for the entire film felt like "a timeless painting" and it's quite a stroke of genius, in my opinion.

The music and underscore of Joe Hisaishi has left me engaged that it flows evenly well with the scenes as they play out. But most notably, director Isao Takahata really stepped up following his involvements with titles like "Kiki's Delivery Service," "My Neighbor The Yamadas," and even the touching "Grave of the Fireflies." This entire movie has earned its rightful place in the Studio Ghibli library. This is another example of a Ghibli film where you don't have to be an avid Japanese Anime fan to enjoy it, what matters is that such themes existed in various genres, not just in one medium or one genre alone.

With the exception of the energetic The Lego Movie, this year has been a disappointment for the animated genre. What a relief then it is that Isao Takahata's (Grave of the Fireflies) new film is a triumphant success.

Based on a 10th century Japanese folktale, The Tale of Princess Kaguya is a bittersweet coming of age story. Our protagonist is Kaguya-hime who is discovered as a baby in a bamboo stalk by an old peasant man. He and his childless wife raise her as their own, providing the best they can as she rapidly ages. While her mother is fearful of change and just wants a comfortable life for her adopted daughter, her father envisions great things. He sees Kaguya as part of a divine plan and after fine clothes and gold come shooting out of bamboo stalks he concludes that the heavens want her to become a proper princess. He assumes this is the best way to make his daughter happy instead of asking her what she wants.

A sharply observed feminist critique of traditional Japanese culture as well as a cautionary tale of the burdens we place on our children, The Tale of Princess Kaguya has a wealth of complex themes and archetypes hidden beneath the surface of its fairly straight- forward story. This is one of the rare films that are both easily accessible to a young audience and one that film students can write thesis papers on.

The final word should be reserved for Studio Ghibli's animation. The style used invokes something between impressionist paintings and water-colours while employing a muted palette. Ghibli moves away from traditional anime and the results are breathtaking. The hand drawn frames could each stand alone as a portrait and yet the film feels fluid. At times the animation blurs into expressionism; the brush strokes matching the characters inner- turmoil.

Easily the best animated film of the year, it's a must see for fans of the genre. Luckily North America will get a theatrical release; the English-dubbed version will be out October 17 and will star Chloe Grace Moretz as Kaguya.

Based on real Japanese folklore, the animation takes its tone from those original artworks I've seen on Japanese scrolls, and mixes it with contemporary anime.

I love the way animation can take such simple things as eating a melon or watching birds fly into a tree so much more exciting. By using traditional animation (although I need notice some computerize layouts),The Japanese have done it again with their personal approach to the detail of animation you can only get from 2D.

Adding to my enjoyment, this English adaption of the film includes the voice talent of Chloë Grace Moretz as the princess, who I've become a fan of.

It was very beautiful artwork moving across the big screen.

I liked this to a good extent, and my rating goes up because of the last 15 minutes, which are so magnificent. Those last several minutes and the first act are truly brilliant, but for some reason, the film sort of lost me in its middle and a little more than that. Not completely lost me, but it did get a little too much and it got to less interesting overall. I can't say I completely agree with the critical acclaim it's gotten, but I think it's a good, sometimes very good, film, definitely made stronger because of certain scenes. The sound mixing here is incredible, and the voice acting (in its original language) is pretty fantastic as well. Overall, still recommended but with reservations, yeah.

Before watching the movie, the animation style of the movie caused me serious hesitation. I thought it was outdated and unimpressive. I was worried that it would bore me while watching it. I was quite wrong. This animation style was chosen specifically to convey the fable atmosphere and feeling to the audience. And it was very convenient.

I really appreciated how much effort was put into capturing the atmosphere of the original material. I haven't read the original material so I don't know how faithful it is to the original as a story, but I also liked the things I thought the movie said about women, life, and women's place in society.

I felt like the story was dragging its feet in places. I generally expect fable-style stories to be faster so that they can appeal to a wider audience and not cause you to start questioning the surreal world.

I want to repeat it for the last time. If you want to experience a fable, there are few, if any, better options to watch.