Besharam, Monsieur Sans-Gêne

I went to watch Besharam only for Ranbir Kapoor. He is one of the most talented young actors of Bollywood cinema with superb roles like Rocket Singh, Wake up Sid, Rockstar, Barfi to his name at such a young age... So this looked like he was going for another experimental role and given his track record, I expected he will pull it off.. but unfortunately; this is everything gone bad in one movie.. This is a mindless action-comedy with no script.. Jokes are old and unimaginative.. Ranbir tries hard to be the shameless yet good at heart mechanic - thief who is not shy about anything that he does or says.. Its the script and direction that lets him down. Pallavi is OK considering this is her first movie in a lead role. Rishi Kapoor and Neetu Singh are a total flop for the role in which there are supposed to provide comic support but end up irritating. A huge disappointment of a movie from Ranbir Kapoor. You may end up finding it average if you go with zero expectations. I give it 3 /10.

Besharam- the first time i ever walked out of a movie. It was so bad that even i didn't laugh at the 'jokes'. A song at a colorful Mela. Gosh, are we in the 80s?

Were Abhinav Kashyap and Rajeev Barnwal high when they made the film? Nevertheless, Ranbir Kapoor must be really besharam to have signed for such a film.

Actually, screw Ranbir. I feel really besharam to have wasted 95 minutes of my precious IB life watching such a movie.

P.s. A moment of silence for all those who already watched the movie or still plan to do so

movie doesn't deserve more than 2/10 , 1 for Ranbir Kapoor and other 1 for the producer who was confident about this movie, the movie starts as typical bollywood movie, with a song, the first half of the movie is watchable and the second half , i recommend you to get out the theater cause it's a complete disaster. reasons why you should watch this movie: 1. you have nothing else to do, even watching a insect is much entertaining than watching this movie. 2. if you hold grudge on someone take him/her and make him/her watch it. 3. watch if you want to have thrill in your life, i will pray that you survive this disaster. Finally Watch at your own risk.

I walked into the theatre, expecting to watch a bad film, and still walked out feeling baffled, because the film was way worse than what I had anticipated. I'm just disappointed for wasting my money on this. But I've myself to blame to be honest. The promos were really bad, and the songs were lifeless. The off-screen drama surrounding this film didn't do any good either - and just put me off completely. However, being a huge Ranbir fan, I did hope to at least have fun in the cinema. This could just have been one of those so-bad-that-it's-good films. Alas, no. It's plain bad.

To give credit where it's due, the first half of the film was bearable. It had some funny scenes.... but post interval, the film completely crashes. By the climax, I could have pulled my hair out or poked my eyes with my straw. That would have been more entertaining than the on-screen mess.

Sure people will argue that this is a masala film, and you got to leave your brains behind, etc - and mind you, I've nothing against those potboilers, and I sure know how to enjoy a good masala film. But this was just one big bad, repulsive film. The makers didn't get anything right - which is shocking considering they had a unique cast to work with, and the director's claim to fame is the cult classic - Dabangg. Right from the concept, to the execution, to the humour, to the performances, to the music and to the graph of the film. It was shamelessly poorly executed. And really, what will work against this film is that you do not expect 3such a trash-fest from someone like Ranbir Kapoor.

Abhinav Kashyap might have a hard time finding producers for his next film - unless of course his brother steps in. It looks like his arrogance took away the talent that he promised with his debut film. The writing and direction left a lot to be desired. And the screenplay goes completely haywire. The love angle especially is completely forced, random and brings the film down. Music by Lalit Pandit is shockingly poor. Can you believe this guy helped deliver gems like KKHH or DDLJ? There are too many songs, which sound awful, and act as complete speed- breakers - in a otherwise route-less film. Their picturisations leave no impact whatsoever, expect that the choreography is well weird. I'm guessing Remo was in-charge because I could spot him in the first song, but the steps were a bit crude and too rhythmic. Ranbir danced good though.

If the film was a letdown, the performances were worst. Ranbir Kapoor is a great actor. Period. And I love the fact that he's constantly trying something new. He's versatile. For sure. But picking a different role is not where the story ends. You need to be able to bring it to life, to make the audience believe its you, to pull off the role and deliver a good performance. As Babli, Ranbir leaves all the boxes unchecked. First off, he's just not Babli - and throughout the film, it becomes more and more obvious that he's trying too hard. He struggles to act, and this is the first time I've hated watching him on-screen. I wonder what made him take such a repulsive character, and not add any endearing quality to it? Not even in his performance? And his ''I'm-an-orphan-so-I-can- steal'' act was anything but heartwarming. Giving himself a disgusting look, unfortunately doesn't help make his act convincing. He's over the top and completely hams his way through the film.

Neetu Singh - probably one of the most elegant leading actresses - gives her son some good competition, although she does have a funny role until the cliché part leading to her 'character-growth'. Bad performance. Javed Jaffery is completely wasted and adds nothing to the film, while the leading actress - Pallavi - has nothing going in her favour. She shares no chemistry with Ranbir, is no great-looker, and completely messes up her romantic/emotional scenes.

Rishi Kapoor, for me, was somewhat the 'best' performer. It was however painful to watch him completely ridicule himself in the first ''potty''scene. Did he really have to do this?! Toiler humour & I don't gel well, so this one was repulsive scene for me. That aside, he was cute and acted well, as expected.

Ranbir & Pallavi made the most awkward on-screen couple I've seen in a while. They both looked disinterested in each other. The camaraderie/chemistry between the three Kapoors left a lot to be desired. It pains me that THIS is the film they chose to come together? It's just not going to work in their favour. Whatever happened to Rishi & Neetu rejecting countless of scripts because they weren't ''good enough''.

The ''jokes'' didn't really work. I chuckled a few times, but the humour was too much ''in you face''. And way too crude for my liking. :shrug: Ranbir's butt-crack, getting-hard jokes, constant humping in songs,... it was all way too much to digest.

At the box office, this film is going to prove a disappointment. I'm expecting a big opening, but with the kind of negativity the film has amassed even before the release, along with the atrocious reviews, and I'm predicting poor word-of-mouth, film will shamelessly be out of most theatres soon and fail to leave a mark.

Speaking of which, if anything, Besharam will leave a daag on Ranbir's career. He might just hit the jackpot with this one - worst film, worst performance and biggest disappointment in his career.

Avoid.

To begin with, it is the most disappointing film of Ranbir Kapoor till date, pulling him down to that routine level of big stars who are very much afraid of trying something new and therefore keep playing safe serving the same old wine to their loyal viewers every year.

Actually films like BESHARAM become possible or get made only because of the confidence acquired by their makers due to the stupendous success achieved by their previous project. In this case, it's director Abhinav Kashyap and his famous venture DABANGG featuring Salman Khan. Now just try to figure out, that what kind of a lesson, the director would have learned from such a huge success of his first project. Obviously the lesson has to be that here in India; we don't need a story, screenplay or any novel idea to make a film on. But all we need is A Big Star to say yes and the rest gets arranged quite easily. That was the exact idea with which DABANGG was made and that is again the rule followed by Abhinav in his second venture called BESHARAM.

Hence please don't look for any solid story idea here or anything exceptional in execution as clearly declared by the title of the film being BESHARAM. The film damn cares about any story progression in its first half and is only interested in giving you some cool (irregular) entertaining sequences entirely written around Ranbir Kapoor alone. The so called plot is revealed just before the intermission and by the time its pretty clear that this is nothing but just another film made to en- cash the star value associated with an actor, by fooling the audience as usual. 3 songs each in both the halves ruin the pace further and the film drops badly post intermission only to recover in its last 30 minutes with a partially enjoyable climax. And that in fact is the only saving grace of the project, wherein both Rishi Kapoor and Neetu Singh jump in to rescue their Star child from a badly conceived film all together.

Putting it simply, this is the first time I found a bit of over- confidence as well as over-acting in Ranbir Kapoor's carefree portrayal of a spoilt brat. He looks like overdoing the act, far away of being natural in many of his scenes and that was indeed a very painful sight for me as a viewer, who rates Ranbir Kapoor as a blessed exceptional actor with a vision. Plus, the film's second half has many weird, illogical scenes which certainly make you wonder that who actually directed this. Like the silly chase sequence, where the goons are firing rocket launchers at people's homes in Chandigarh's local residential lanes & more. However, the moment Rishi-Neetu join in, they start providing those much required enjoyable (yet deliberate) moments in the end and try hard to save the film from sinking with their sincere efforts.

The inconsistent writing affecting the film from its first frame itself is accompanied by some feeble performances too led by the wrong casting of Pallavi Sharda in the female lead. The girl is no doubt confident and good looking too but honestly there is no chemistry to be found in the screen pair here. Moreover casting Pallavi in this role clearly proves the point that the makers strongly believe in the theory that when A Star is there in your film, then you don't even need a well known face to feature in it as his heroine. Javed Jaafri looks good as the tough villain and Amitosh Nagpal just fills in the space as Ranbir's friend. But sadly, I didn't get what I was expecting from the real-life couple Rishi Kapoor and Neetu Singh playing the corrupt police officers together. Their act is very fine at times but also looks forced in and too loud in some scenes mainly due to the unimpressive writing. Yet it was truly great to see Neetu Singh in such an unconventional role like never before and I can only wish the couple was given some better scenes together by the makers. No doubt this was a golden opportunity wasted here unarguably.

Apart from the unconvincing performances, BESHARAM also has a routine background score and a very mediocre kind of soundtrack, which one simply forgets while walking out of the theater. Now we all know that Ranbir is a brilliant dancer. But even a fabulous dancer needs good beats and catchy compositions to perform better which are not there in its seven tracks, composed by Lalit Pandit. Further, the cinematography fails to impress majorly since the art director makes a very fake looking Punjabi Mohalla set in the first half and the action director hasn't got anything new to offer in his fights.

Returning to the major spotlight of BESHARAM i.e. Ranbir Kapoor, it seems that the once visionary actor of WAKE UP SID, ROCKET SINGH, ROCKSTAR, BARFI & more, has lately made up his mind to make some quick loads of money instead of supporting good films and lost his creative vision in this wicked rat race. With a hope that he soon gets back on track with another gem of a film, I would like to conclude that there was only one dialogue in BESHARAM which could impress me, worthy of taking back home in those 2+ hours as a valuable life teaching lesson. And it was that, "Life gives you back in reverse, what you give to others. So if you do "Bhala" it returns back to you becoming "Laabh" (if studied in reverse in Hindi) and similarly if you do "Daya", it comes back to you as "Yaad", since the person always remembers you for the help given.

But other than this one precious line, I found nothing in BESHARAM quite shamefully.